Writer's Tip: Show, don't tell.Show, don’t tell (SDT). It’s one of the few consistent pieces of advice that all writers have heard at one time or another. Even the most amateur of writers parrot it back, but knowing the phrase doesn’t necessarily mean that we understand it, or how to implement it.Writer's Tip: Show, don't tell.2 years ago in Writing More Like This
So what does “Show, don’t tell.” really mean? SDT is the idea that instead of telling your readers what’s happening in a story, you show them. This seems like an abstract concept to most of us, but what it boils down to is this: using words to give your readers an idea without having to directly state it. There are many ways good writers do this. It can be as simple as adding a scene for when your character walks down the street to the corner market rather than saying “she went to the store.” but it can also be as complicated as weaving subtext into dialogue and editing entire character personalities to prove a point down the line. I want to look at two example
A Writer's Guide: Naming CharactersWhen it comes to writing novels, names often get overlooked in the grand scheme of things. Most of us are happy if we can tell who is talking and we can remember the character’s names for the entirety of the book, but bad names can ruin a book. I don’t know about you, but when I get a hold of a book where the main character’s name is a comical 20-character tangle I can’t pronounce, it ruins the book for me. It’s hard to take a book, or a character, seriously when you want to roll your eyes every time you read the narrative.A Writer's Guide: Naming Characters2 years ago in Writing More Like This
In this article I’ve compiled a list of things to consider when naming a character for a novel, and though it’s pretty simple, I hope it serves to help someone in their future endeavors to name a character. Most of this is common sense, but it’s often easy to forget these little tidbits of wisdom when you’re busy trying to figure out if your character makes a better Ashley or a Paige.
Getting a S
Reading as a WriterHave you ever set down a book for good because you found something in it you don’t like? If you want to write, I suggest that bad habit end now.Reading as a Writer2 years ago in Writing More Like This
Why, you ask? Because everything you read—and I mean everything–has positive value for you as a writer. Stephen King, and any author worth his or her salt, is a huge advocate of writers reading massive amounts.
Again you ask, why? How can everything be useful? There are a number of reasons and I’ll cover as many as I can.
Reading bad literature teaches you about yourself and shows you what to avoid—or at least how not to do something—in your own work. If you run across something that you don’t like, stop and ask yourself why you don’t like it. Is it just a personal preference? Was it out of place or poorly executed? Does it contradict something from earlier? As soon as you figure out the “why” of something’s badness, you learn a little about yourself and you
Show It, Don't Tell ItOne of the many things that make me hit the back button, put down the short story, or return the book to the library is "telling". The minute the author decides to state that "X was angry" or "Y was bored", I get angry or I get bored. I've seen this issue for years--heck, I used to have this issue myself--in both fanfiction and original fiction alike, and while many reviewers/commenters often call out the author on it, they never really explain the concept. Thus, the poor beleaguered newbie gets hate over something he/she may not fully grasp.Show It, Don't Tell It1 year ago in Writing More Like This
After years of seeing this unfold, I've decided to make a writing resource about it for :iconWriters-and-Editors:, in hopes that maybe, just maybe, it'll help somebody, somewhere.
What is "Telling"?
"Telling" occurs when a writer either:
a.) states a character's emotions;
b.) summarizes the setting; or
c.) summarizes situations that can be inferred or would have more impa
The Wasteland AKA the MIDDLEThe Wasteland AKA the MIDDLE6 years ago in Writing More Like This
The Trackless Wasteland known as: The MIDDLE
The middle (of a story) KILLS me. I freeze when I have to decide which way things are going to go, and how, and that happens during the middle for me.
Middle, middle, middle... It's the Slough of Despond!
The Middle is where I usually fizzle out.
The middle is DANGEROUS territory.
Why? Because the Middle of a story is where you have a million-and-one options, a million-and-one directions to choose from, and a million-and-one ways to really show off your writing skills.
The Middle is also, where you have a million-and-one opportunities to really screw up your story for good. Opportunities that will send you spiraling into ever tightening circles that eventually jam you into a corner you can't get out of. In short: get you Lost in your own story.
You KNOW yo
How to Make a Mouse Mad Without Mind TricksHow to Make a Mouse Mad Without Mind Tricks2 years ago in Other More Like This
Brain washed, Clockwerk eyed, manipulated, possessed, hypnotized, mentally unstable....just pure evil?
Tons of fans fall to these theories in regards to the Penelope and the plot twist, or, as I will be abbreviating it for the sake of discussion 'PPT', that Sanzaru (or Suckerpunch) has so kindly given us to deal with for better or worse. Some use evidence, some use hunches, others just twist the facts around.
But to be honest I've never really cared for any of them. Why? They leave too much to speculation and interpretation and I find that WAAAAAAAAAAAY too many people are into it. Where the heck is the variation and originality? They are essentially the same thing.
Not that what I'm about to say is void of any of the previously mentioned (as in speculation). Mind you it came from speculation. I just want to get my opinion and idea out of the way before someone else takes it or it is over looked. It is going to be in a fan comic of mine but I feel like I wouldn't be able to explain it