The Subtle STATIC TRAITThe Subtle STATIC TRAIT4 years ago in Writing More Like This
The Subtle STATIC TRAIT
Secret Weapon of the Clever Writer
The Static Trait is the small personal HABIT an individual character displays which reveals their personal Neurosis, their driving NEED, especially in stressful situations. This habitual or even ritual behavior acts as both their greatest source of trouble and the linchpin to their success. It's the individual character's "Accident Waiting to Happen".
The most obvious place to find visible Static Traits is in both Comedies and Tragedies. These stories (and movies) RELY on their characters' Static Traits to linchpin the plot.
What made Laurel and Hardy so funny, were the little neurotic habits -- the static traits -- that would appear under stressful situations. Abbot and Costello built whole routines on Bud Abbot's little twitchy responses. The climactic scene in every one of their movies involved Abbot in a panic attack. You spent half the movie going "Oh no! Don't! Don't! Don't!...AH! He did
An Unkindness of COMMASAn Unkindness of COMMAS5 years ago in Writing More Like This
I SUCK at commas big-time. I tend to pull a "Mark Twain"; I sprinkle them in wherever to break up the monotony of the sentence. This article is my attempt to hammer the rules into my brain.
An Unkindness of COMMAS
What the heck are Commas for, anyway?
Besides abusing the sanity of the writer, the comma exists to help readers organize information in a sentence. It makes all the stuff the author is trying to say easier to swallow. Without them, sentence bits and pieces collide into one another causing confusion; rather like a train-wreck, though not nearly as exciting.
Just in case you'd like to know who made up all these comma rules, I got most of them from Strunk & White's "Elements of Style" the grammar handbook used by every publishing house in America, and a few overseas. The rest came from my editors.
To get a good idea of how commas work, let's take a look at what they are supposed to do -- and some major
Sentence Structure for FICTIONSentence Structure for FICTION5 years ago in Writing More Like This
On Basic Sentence Structure for Fiction
(Grammar Nazis BEWARE!)
Everything I ever learned about writing Fiction DIDN'T come from school; not even college. In fact, the way one writes fiction is almost the complete opposite of everything I learned in school about writing.
In order to make my stories crystal clear in my readers' imaginations, I write in precise Chronological Order, in the order events actually happen, PLUS in the order that the eye sees it.
Case in point, when describing a character, I describe them from top to bottom, in the order that the eye notices them. Face, hair, upper body, arms, hands, then lower body, legs, feet, then over all impression.
10 Second Tip - Foreshadowing10 Second Tip - Foreshadowing4 years ago in Writing More Like This
I hear the term 'foreshadowing' a lot. That's when you hint at stuff to come, right? So yeah, but how do I DO it?
Foreshadowing is when the opening scene of a story is a kind of nutshell prophecy for the whole story.
* In a Horror, this is when the originating Bad Thing happens.
* In a Mystery or Crime story, it's when the first victim is slain, and/or object (McGuffin) goes missing.
* In a Romance this is where the main character meets their soon-to-be lover for a fleeting but memorable moment.
* In a Sci-fi, this is where the ruling Theory is presented.
* In a Gothic, this is where the main character transforms into a monster for the first time.
This also reveals the Premise, or ruling argument that the story is trying to illustrate; what the story is trying to Prove.
The results of Revenge
The path of Ambition
The reality of Love
The sacrifices one mak
General Fanfiction Writing/Posting Online TipsHere is a summary of many of the idiosyncrasies of writing I have learned over time from posting my fanfiction and short stories online; (mostly fanfiction.net so i'll be refering to that a lot.)General Fanfiction Writing/Posting Online Tips1 week ago in Writing More Like This
This was honestly made mostly for myself but the file is too long to save to sta.sh, so hopefully there'll be a little gem in here for someone else. I also reference pokemon fanfictions a lot, I apologize. That's honestly where most of my fanfiction focus, haha.
It might be very different than what other people will tell you, but in my heart I believe that everything I say here is true.
1. The most important part of writing is not what you put into the story; it's what the audience reads in the story that you did not put there.
When it comes down to it, you're not actually the one bringing the thoughts, feelings, concepts, and interpretations to the table. Your audience is. Despite your best intentions, the story which your writing evokes in a reader's head is going to b
RESEARCH is your Best FriendRESEARCH is your Best Friend5 years ago in Writing More Like This
RESEARCH is your Best Friend.
"...for bigger fictions (maybe 10-20 chapters, or more) for a big fan fiction or OC fiction, how much do you plan out?" -- Wanna Rite Reel Gud
How much do I plan out for one of my novels...?
-- I detail everything. Seriously. I believe in a Total Immersion style of writing. In other words, I want to know the world so well, I can simply step into the mind and skin of my main character and LIVE the story.
How do I do that...?
I start with a basic plot formula and extrapolate on certain points as needed.
Romance needs extra doses of lover's angst, Gothics need psychological breakdowns, Horrors need room for monster attacks, Sci-Fi's and Fantasies need moments of wonder... This gives me a rough plot outline to work from.
Next, I break down each of the Three Main Characters: Hero/Ally/Villain.
This is to make sure that they a
The DUAL-NATURED CharacterThe DUAL-NATURED Character4 years ago in Writing More Like This
Building the DUAL-NATURED Character
Let's start this lecture with a HUGE secret:
-- There are Three Essential Characters in every story:
> Adversary The one causing all the trouble.
> Proponent The one trying to keep things the way they are.
> Ally The close companion of one or the other caught in the middle.
In other words, you can tell any story with ONLY these Three Characters; perhaps not with any real detail, but you could still do the entire basic plotline.
And each essential character is governed by one of three SPECIFIC aspects, or Drives:
> MOTIVE - Driven by a REASON to Make something happen, such as Revenge.
> ACTION - Driven by the need to ACT, normally because if they don't they die, but an incentive such as a Reward or Prize works too.
Writing for PROFITWriting for PROFIT4 years ago in Writing More Like This
Writing for Profit
It's Not just an Adventure - It's a JOB.
Whoever told you that writing fiction for publication - for money - is supposed to be Artistic, Fun, or Easy -- LIED.
Writing may look artistic, and creative writing certainly is artistic (that's why they call it Creative Writing,) but writing for a living; writing for publication with the intent to get paid on a regular basis is NOT artistic, it's NOT always fun, and it certainly is NOT easy.
Writing for publication is WORK. Sure, some of it is fun, but the bulk of it is mind-bending, eye-straining work. Don't get me wrong, creativity is part of the job of writing for a living, but if you think us professional writers turn on "the Creative Muse" at 8 AM and shut her back off again at 5:30 PM then you are missing the point entirely.
The Road to publication is paved with glamorous Half-Truths.
Half-Truth: "If you write it
Crossing GenresCrossing Genres4 years ago in Writing More Like This
Every genre has core elements that make that genre that genre. In order to Cross Genres properly, you need to know each of your genre's distinctive elements and make them Equally Important in the story.
Simple, no? However...
One of the most common mistakes I've seen in every genre of fiction: IGNORANCE.
"Most of the common mistakes come with any writing that isn't so goodbad characters, bad plots, bad writing. The ones which are peculiar to alternate histories (fantasy and sci-fi) are bad research and bad extrapolation."
-- An Interview with Harry Turtledove --
How do you expect to cross genres properly if you don't even know the genres you're working with? Contrary to popular belief, even if you're writing pure Heroic Fantasy, just making it up as you go is NOT good enough!
On writing Heroic Fantasy
"The consequence of making that assumption is, inevita