A Guide to Writing StyleA Guide to Writing Style6 years ago in Writing More Like This
Writing Style - The Bottom Line
Words are like sunbeams. The more they are condensed, the deeper they burn. - Robert Southey
Prose is architecture, not interior decorating. - Ernest Hemingway
Writing style is made up of two things: cadence and variation.
Good style is clear, readable, and invisible. Its purpose is not to attract attention to itself but to transport readers into the world of your story. If your readers notice your style without purposefully intending to study it, your style needs to be improved and refined. Good style, however, is transparent so that your readers simply see the characters and world of your story rather than the words you use to portray them.
To write with cadence simply means that your writing should sound natural. If it sounds right to you, it probably is--but if it doesnt sound right,
Elements of StoryElements of Story6 years ago in Writing More Like This
Updated Mar. 18th 2009
The following is a self-discovered list of elements contained in an excellent story:
An interesting and intriguing main character, an individual with a unique past that has made him who he is at the time of the story. Be sure to explain the important aspects of this backstory where appropriate.
This main character must have a story goal: a mission to accomplish, a mystery to solve, his past to reconcile, a villain to overthrow, a treasure to find, a person to save, etc.
Along with this goal, the character must have an all-consuming desire that drives him to accomplish what he sets out to achieve. Love, revenge, money, justice, purpose, an identity crisis, etc.
Fear. This is the person or thing that has the power to stop him from accomplishing his goal. A threat.
An enemy. If another person, this enemy must be smart, strong, and resourceful with a goal directly opposing that of your main character, and he must have an equally strong desire to ful
Punctuation BasicsPunctuation Basics7 years ago in Writing More Like This
Writing is like math. If you dont follow the right formula, you end up in a state of mass confusion. Synonymously, punctuation is like following a map. If you miss the street signs, youll end up completely lost. The following is a list of common English punctuation marks and their most basic functions. Contrary to popular belief, there are no exceptions to these rules. Breaking them has never been in style.
The most common English punctuation marks include the following:
. = period
? = question mark
! = exclamation point
, = comma
= quotation marks
; = semicolon
: = colon
- = hyphen
( ) = parentheses
. . . = ellipse
Wow, thats a lot of symbols! So, how do you use them as you write? Here's a quick and dirty list.
1) Every sentence must end in a period, question mark, or exclamation point.
2) A comma signifies a pause, distinguishes betw
Character Creation TipsCharacter Creation Tips8 years ago in Writing More Like This
Note: I wrote this after reading a similar article in The Writer magazine about a year ago. Hope it's helpful!
Not all characters are created equal. Here are some steps to make yours superior.
Figure out what your character wants, needs, desires. A closer relationship with God? A place to belong? Just to survive? Figure it out. You cant move on to number 2 until you have.
Now that you know what your character most desires, you should be able to figure out what he/she most fears. Doing the wrong thing, being alone, death? They are the polar opposites of your characters desires.
Go back in time to before your story begins and create a detailed backstory for your character. What happened in to past to create in him the desires and fears that he has now? Be specific. Write out individual scenes, or at leas
A Short Guide to BrainstormingA Short Guide to Brainstorming6 years ago in Writing More Like This
Got nothing to write? Stuck in the middle of a story? Just getting your mind wrapped around a new idea? Asking yourself, "Where do I go from here?"
Here is the two-step guide to story development. It works every time, 100% guaranteed.
Ask yourself this simple question: "What if?"
Staring at a blank page? Ask "What if . . . ?"
Stuck in the middle of a story? Ask "What if . . . ?"
Don't know how to end your story? Ask "What if . . . ?"
Don't think your story is going in quite the right direction? Ask "What if . . .?"
Ask yourself this second simple question: "Why?"
What if aliens invaded our planet?
What if the antagonist is obsessed with redheaded women?
What if the good guy dies in the end?
What if the protagonist lies to his love interest instead of telling her the thing he desperately wants to get out?
Here's the point:
Absolutely anything is possible in the world o
How to Start and Stay WritingHow to Start and Stay Writing5 years ago in Writing More Like This
I recently solicited my watchers to ask me writing questions that I would then attempt to answer in a writing guide such as this. This article is my first response, and there will be many more to come.
I've been asked to give advice on ways a writer can begin to put words on a page. The bottom line is as simple as this: sit your butt down and write.
Duh, right? It's the only way I know to actually write.
Sure, sitting your butt in a chair is easy, but getting your fingers to move and stay moving is a challenge. Here are three things that have helped me.
1) Have a goal.
Your goal can be as simple as "describe the person in this picture" or as ambitious as "write 1,000 words of my novel." Having a goal will drive you forward and motivate you to keep writing. Whatever you do, don't move your butt from your chair until you accomplish your goal.
Other practical goals include setting a timer, writing to the end of a chapter or scene, and completing a particular section of an outline or numbe
Writing Style vs. VoiceWriting Style vs. Voice5 years ago in Writing More Like This
A Writer's Guide to Style vs. Voice
Here on dA, there seems to be a lot of confusion and general mass hysteria when it comes to the subjects of writing style and voice. What are they? What's the difference? Can you write one without the other? How important are they, anyhow? Do you really need either of them? Wait, what are they again?
Style is the form and structure with which you write.
Voice is the attitude and perspective with which you write.
In other words, voice is the emotion and feeling of a piece of literature, and style is the technical way of communicating that emotion.
Clearly, there is a tangible difference between the two. Style is a delivery system for voice. While voice can and should affect the form with which you write, you can most certainly write one without the other. However, the best writing is a masterful fusion of both.
I'm here to illustrate for you the difference between style and voice and to define exactly what they are and how you can us
Motivation for NovelistsMotivating myself to write and keeping that motivation throughout a writing project is one of the biggest challenges I face as a writer. I get the impression a lot of other people struggle with it as well.Motivation for Novelists4 years ago in Writing More Like This
There are a lot of tools out there such as the Write or Die program and National Novel Writing Month designed to keep you motivated, but they're just gimmicks in my opinion. Writing takes a lot of time and effort, and we as humans need a very compelling reason to exert ourselves in such an extreme manner. A timer or deadline typically isn't good enough.
The only effective long-term motivator is a real, tangible reward. Finishing a novel is a great reward, but the gratification is too long coming to really work as motivation. So what reward system will actually keep you writing and rewriting until you can call your project officially finished?
Well, there's always chocolate. Aside from that, the only compelling reasons to keep writing are that you will literally go crazy if you don't
The Originality IllusionIt's come to my attention that, in the online amateur writing scene, no one seems to understand the proper role of characters in conjunction with plot.The Originality Illusion6 years ago in Writing More Like This
From what I have been able to observe, literally everyone tries to create characters outside of plot by outlining what they look like, what they eat for dinner, and what bands they absolutely abhor. That's the law on how it's done. The amount of "character survey sheets" containing a never-ending list of questions for prospective characters is ridiculous--and sad, because determining these things will in no way help you create a good character or, more importantly, a good story (which I define as an account of a character's actions within a given plot).
In reality, your character is not going to comb his hair, sit down to the dinner table, or workout in the gym with his iPod during the erupting mayhem of your story. If he does, it's because you've invested way too much time in randomly select
Why Writers Should Watch TVWhy Writers Should Watch TV6 years ago in Academic Essays More Like This
Ive heard the argument that writers shouldnt watch TV and movies because that will inundate them with all the cliché plots and characters out there and somehow brainwash them into not being able to create an original story.
Me: *blank stare*
First of all, there is absolutely nothing new under the sun. Therefore, it is impossible to create something totally unique and original no matter how many bad movies you see. Furthermore, the more story lines that enter your brain, the more you realize just how unique or not your own story is.
Most importantly, an original story is not a new story. It is simply taking a common idea and combining it with other common ideas to create a new and fresh sequence of otherwise common ideas.
Think of stories like cookies. All the different types of cookies represent different types of genres and plots. Ingredients like chocolate chips and nuts represent c
Character MotivationCharacter Motivation5 years ago in Writing More Like This
Everyone's heard that characters should have goals, something they want and must strive for, overcoming obstacles and antagonists in order to obtain. Because, well, a story is the record of your character's journey toward achieving a goal.
While all of this is true, I think a lot of writers lose sight of an even more important aspect of character. That is, motivation. Sure, you know what your character wants.
That's the gist of motivation. What is the psychology and reasoning behind your character's goal? If your character is driven to make money, is his motivation greed? To pay off a debt? To support his family?
Motivation is your character's emotional connection with the reader. When the reader comes to understand why your character has set out to achieve his goal, they will understand your character in human terms, relate to him, and become invested in what happens to your character throughout the story.
Without a clear motivation, your character's goals don't mean much. So wha
Tips for Writing DialogueLet's think about this logically. Writing fiction is about telling a story. Every story revolves around a plot. Every plot is carried out by characters, and characters carry out the plot through action and dialogue.Tips for Writing Dialogue3 years ago in Writing More Like This
Dialogue comes from characters for the purpose of advancing plot to tell a story. Therefore, dialogue should only exist to serve the purpose of advancing plot and revealing character motivation or history that in turn advances the plot. That's why dialogue exists.
This brings me to my main point. If you take away nothing else from this article, take away this: Only write dialogue that serves the purpose of advancing your plot. If it doesn't, cut it out of your story without hesitation or remorse.
Secondly, conversations in stories should not be anything like conversations in real life. Real life almost never has a plot, and talking almost never reveals motivation or history because there's no plot to life. Therefore, if you're trying to make your dialogue as "true to
How to Improve Your Writing StyleHow to Improve Your Writing Style2 years ago in Writing More Like This
While I’ve written articles about writing style in the past, they were designed mostly to define what style is and didn’t provide much help for improvement. This article contains some practical tips I’ve discovered that will actually help you improve your style and hopefully provide a foundation for why good style matters. I believe good style is important for many reasons, but mostly because I want my readers to feel like the time they spent with my story was worthwhile, pleasant, and maybe even a little enlightening.
“All readers come to fiction as willing accomplices to your lies. Such is the basic goodwill contract made the moment we pick up a work of fiction.” – Steve Almond
“Use the time of a total stranger in such a way that he or she will not feel the time was wasted.” – Kurt Vonnegut
1) Be clear.
“To be clear is the first duty of a writer; to charm and to please are graces to be acquired later
How to Develop Story ConflictHow to Develop Story Conflict6 months ago in Writing More Like This
Conflict is the central element of any story. It’s what keeps us on the edge of our seats and turning page after page until 3:00am. Or, as Wikipedia puts it, narrative conflict is “an inherent incompatibility between the objectives of two or more characters or forces. Conflict creates tension and interest in a story by adding doubt as to the outcome.”
So how do you create this all-important conflict in your stories? Well, it all starts in the development process. There are three basic steps to developing conflict, and they follow a specific logical progression because, ultimately, developing a good story is an exercise in logic. So let’s jump right in.
Step 1) Scope
The first step is drawing the boundaries your story’s scope. That might seem like a weird place to start, but scope will determine nearly every other aspect of your story.
The key here is to determine what within the world of your story is out of balance.
Research: How to do ItResearch: How to do It6 years ago in Writing More Like This
Weve already discussed where to do your research, so now were going to learn how to go about using those tools. Like everything else we do in life, theres a process to it, and once youve learned the steps, finding the information becomes a bit easier (admittedly, some of the harder queries will never get easier).
What do you Need to Know?
Knowing what it is that youre trying to research seems sort of obvious, but there are times when you wont have the first clue about what youre looking for. These are mostly situations when you already have your story plotted out, and now you need fact to work around your outline.
The situation: A group of police characters is out in the sprawling farmlands of the West Country in the middle of the night. After a brief struggle, one of them is shot. The character that has done the shooting and his accomplice flee. The remaining uninjured character dials
Writing Tips - DescriptionWriting Tips - Description6 years ago in Writing More Like This
Description: Balancing Too Much and Not Enough
Theres an old adage about writing that says, show, dont tell. But what does that actually mean? Surely, were not expected to illustrate our stories, are we? Christ, I hope not. Some of mine are rather long.
No. What that means is that you should use your words to paint a visual picture for the reader. Talking heads are both boring and confusing, and should generally be avoided. If youre unfamiliar with the term, talking heads refers to the phenomenon where all, or most of story is carried out through the characters dialogue. You see it like mad in web and news paper comics, but it happens in prose as well.
The first, and arguably the most fun way to banish the talking heads is to make your characters act. This doesnt mean action, necessarily. The character can do any amount of going from place to place or thing to thing, but so what? Hes still not rea
Writing Tips: CharacterisationWriting Tips: Characterisation6 years ago in Writing More Like This
Characterisation: Avoiding the Dreaded Mary Sue
The characters you write are arguably the biggest part of your story. Theyre the vessel through which the reader is able to identify with the themes and ideas that youre trying to share. But creating brand new lives from thin air can sometimes be rather difficult. You have to find their voice, their needs, their personality; its a rather delicate balance, really.
Rather tempting, and often encouraged by teachers, is to do a Character Profile to help come up with some of the details. These are often pre-made sets of questions ranging from the mundane (eye colour, height, weight) to the fanciful (if your character caught someone looking at his girlfriend, what would he do?).
I dont like these. And heres why.
The questions are all a little too cookie-cutter. They promote stereotype characters, and you dont want that. The actual physical details about the character dont need to be mentione
Writing Tips - Grammar, pt 1Writing Tips - Grammar, pt 16 years ago in Writing More Like This
Part one: Parts of Speech
Now that you know how to use a comma and structure a quote, lets really get our hands dirty! Because all those commas and quotes and hard stops dont mean a thing if you have weak grammar. Grammar is huge. Theres a lot of it, so this will only be a blitz course, covering a lot in a small space. Hopefully, you already know most of it, though.
Parts of Speech
Thats right. Were doing sentence diagramming in this lesson. Youre going to need to know the difference between an adjective and an adverb later on, so this seems the logical place to start.
A sentence needs three things to make it a sentence. It needs a subject, a verb, and it needs to be a complete thought.
The subject is usually, but not always, a noun, a proper noun, or a pronoun.
Nouns: Nouns are something physical. Look to your left. What do you see? Thats a noun.
° Please pass me that book.
Proper Nouns: Proper nouns are exactly what
Story Arc ExplainedStory Arc Explained10 months ago in Writing More Like This
In every writing community, terms like "plot" and "development" and "arc" are constantly thrown around, and everyone expects everyone else to know what they mean without ever clearly defining them. Sure, vague advice about the importance of character development and story structure are great and all, but how do you actually do it? Aside from style and grammar, what are the mechanics behind a well-told story?
What does a good story look like?
The answer is surprisingly simple. Not easy, but simple. Every good story does one thing well: it asks a question, deliberates it, then answers it. This provides a framework of three acts that create what's called dramatic tension.
Here are some examples of what this looks like:
The Little Mermaid
Act one: Will Ariel become human so she can be with the man she loves?
Writing Tips - LanguageWriting Tips - Language6 years ago in Writing More Like This
Accents, Foreign Languages, and Regional Dialects
There are times when your story may have one or more character speaking a different language, or with a different accent than the rest. There are many different ways a writer can go about presenting this to the reader, and before we go any further, I will concede that some of it is a matter of personal taste, and on this particular matter, you wont be able to please everybody. So, consider this bit not so much a lesson, but rather a series of guidelines.
Everyone has one. Even if you think that you dont, theres someone, somewhere in the world who would disagree with you. Some people may have a very faint trace of an accent, whereas with others, you can hardly make out what theyre trying to tell you. But how should you translate these simple speech patterns to text? Well, that depends, really.
Since Ive been listening to the audio books lately, and its the best example I can come up with, let
How to Write an Original StoryEvery great story is about the same thing: exploring and defining the limits of the human spirit. By that definition, one might think it impossible to write anything truly original, but how can you really define originality?How to Write an Original Story4 years ago in Writing More Like This
Is originality about changing the human condition? Or is that impossible? The human condition is a constant, so it's consistent in every story ever told. What changes is the lens through which we see the human condition.
Therefore, an original story can be defined as a story that uses a new perspective to commentate on the human condition.
To write an original story, you must first understand the human spiritwhat makes it soar and what makes it break. Once you do, you are then free to create characters and put them in a world and situation that will test the limits of their humanity.
That's the core of every brilliant story. Originality isn't about changing this; it's about showing it in new and creative ways. Don't try to tell a new story. Tell an old story
Writing Tips - OrganisationWriting Tips - Organisation6 years ago in Writing More Like This
Writing Without Confusing Yourself (Or Your Readers)
Writing is a very personal, individual undertaking. Everybody approaches the activity a bit differently from the next guy. Some people can come up with concept, plot, characters, and everything else and just sit down and write. Others need to take time to figure out what's going on; what's going to happen in the story, and how it all fits together. Others still will find themselves getting stuck somewhere along the middle, losing track of everything or changing an idea mid-way through, or never know how to end. These are the people for whom this has been put together. Those of you who can barrel through a story overnight are still welcome to look, though.
There are different ways in which a writer can and will get stuck on any given piece. Motivation, immediate environment, too few (or too many) ideas available, lack of organisation; the list goes on, but life is short and I am lazy. The sticking point that we're going
Writing Tips - DialogueWriting Tips - Dialogue6 years ago in Writing More Like This
If youre writing fiction, the dialogue is arguably one of the most important parts. And its the bit thats the easiest to mess up, if were strictly honest. And why not? Theres so much going on in that single sentence that any number of them can go wrong; voice, character, tone, point of view, punctuation. Well start with punctuation, because Ive already written that bit.
Go here. I was originally going to copy and paste that part of the lesson into this lesson, but then the thing wound up being ten pages long. So, read that, and then come back to this if you feel you might need help with the mechanical bits.
When to use Dialogue
Right. So, youve got a story all set up in your head (or on a piece of paper if youre inclined to pre-write), and its great. Your hero is blasting through space with a whole heap of misfits, and you
Writing Tips - MechanicsWriting Tips - Mechanics6 years ago in Writing More Like This
Tips and Tricks for Writing Fluidly
No, were not fixing up your brothers car. Mechanics are the little technical bits in your writing; punctuation, spacing, spelling, capitalisation, et cetera. Well start there.
Different languages have different rules for what should be capitalised. If you speak English, youd capitalise I and leave your dog lowercase. You may find it interesting that German is a bit backwards. If youre German, youd capitalise Hund and leave ich lowercase. Why am I telling you this? Because its simple little things like this that have the potential to give your reader the wrong impression of you. If they think that English is not your first language, they may structure a critique differently than if they knew that you were born and raised in New York.
So, when do you capitalise something?
° At the beginnings of sentences.
The dog is in the park.<