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The World's Major Cities... Destroyed

Tue Oct 22, 2013, 4:59 PM


What would the world's cities look like after the apocalypse? Belgian digital artist Jonas De Ro paints his vision of the end of the world.

Tokyo Ruins by JonasDeRo

Tokyo, Japan




Singapore Ruins by JonasDeRo

Singapore




Toronto Ruins by JonasDeRo

Toronto, Canada




Dubai Ruins by JonasDeRo
Dubai Ruins 2 by JonasDeRo

Dubai, United Arab Emirates




New York Ruins by JonasDeRo

New York City, New York, United States




Hong Kong Ruins by JonasDeRo

Hong Kong, China




Shanghai Ruins by JonasDeRo

Shanghai, China




Moscow Ruins by JonasDeRo

Moscow, Russia




Taipei Ruins by JonasDeRo

Taipei, Taiwan





What would the world's cities look like after the apocalypse? Belgian digital artist Jonas De Ro paints his vision of the end of the world.
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This short animation is so witty, charming and adorable.
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Poetic Terms and Techniques

Tue Nov 19, 2013, 1:00 AM


Poetic terms and techniques

This article aims to give you a brief introduction to some poetic terms with which you can bemuse your friends and nonplus your enemies.  Try and sling some of these terms into a casual conversation and watch the ensuing confusion.




If you don't want to confuse people, you could use these terms to discuss poetry like a badass while smoking unfiltered cigarettes in a French cafe, when critiquing, or to give your own poetry a bit of a vajazzle.


These terms are arranged vaguely into alphabetical order for your convenience.  Some of them will be covered in more detail in other articles throughout the week.


Alliteration (see also Sibilance)

Alliteration is the repetition of consonant sounds, often used for a specific effect in poetry.

the stuttering rifles’ rapid rattle

 - - Wilfred Owen, ‘Anthem for Doomed Youth’.

 Here, the short, harsh consonant sounds emulate the noise of the guns.

 

Assonance

Assonance is the repetition of vowel sounds.  Long vowel sounds can give a slow or gentle effect while short vowel sounds are abrupt and dramatic.

The long day wanes: the slow moon climbs: the deep 

Moans round with many voices

 - - Alfred, Lord Tennyson, ‘Ulysses’.

The repetition of the long ‘o’ sounds gives a mournful effect.


Anacoluthon


Anacoluthon is a sentence that has no grammatical sequence.  Sometimes this involves some kind of grammatical interruption, and sometimes the structure of the sentence changes abruptly part way through.  It is characteristic of informal speech, and can therefore give a natural feel to a poem or piece of prose.


Had ye been there--for what could that have done? 
 - - John Milton, ‘Lycidas’.


Anacrusis

Anacrusis is where the first line of a verse of poetry opens with an unstressed syllable before the metre of the poem kicks in.  This term is used both in music and poetry.

Oh, say, can you see, by the dawn’s early light

 - - Francis Scott Key, ‘The Defence of Fort McHenry’.

In this example, the anapestic metre (see Metre) of the poem does not begin until ‘can’, the unstressed syllable.


Anaphora

Anaphora is the repetition of a word or phrase at the start of the lines of a poem.  The term is also used, in prose, to refer to the repetition of words at the start of a clause.  Ephipher refers to the same technique applied to the end of a line.
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp.
Dare its deadly terrors clasp?  
 - - William Blake, ‘The Tyger’.

 

Ballad

A ballad is a narrative poem often dealing with folklore or popular legend.  The plot is usually the central element, although ballads are rhymed and can be sung.  Ballad metre is alternating lines of iambic tetrameter and iambic trimester.  The last words of the second and last lines of the stanza are rhymed.  Ballad stanzas usually have four lines (a quatrain).

Keats’ La Belle Dame sans Merci is one example of a poem in ballad form.

 

Bathos


Bathos is an anticlimax.  Writing is bathetic when it apparently strives to be serious but achieves a comic effect because of this anticlimax.

 

Your eyes spit fire, your cheeks grow red as beef 

 - - Henry Fielding, ‘Tom Thumb the Great’.

 

Caesura


This is a pause in the middle of a verse line, or a break in metrical rhythm. Examples are to be found in Old English poetry, among others.  Also used to describe any break or pause in a larger narrative.

The proper study

of mankind is man 

 - - Alexander Pope, ‘An Essay on Man’.


Chiasmus


Two parallel phrases where the order is inverted the second time around:

 

Pleasure’s a sin and sometimes sin’s a pleasure 

 - - Byron.

 

Circumlocution


This effectively means in essence that one, that is to say the writer, is employed in being either excessively verbose or evasive, so to speak, by talking as it were basically 'round' the subject.  Often, this takes the form of the substitution of a descriptive passage in place of a name.  This technique creates a kind of weakened, euphemistic effect.

 

...Or lose your heart, or your chaste treasure open
To his unmast'red importunity
. 

 - - Shakespeare, ‘Hamlet’.

In this passage, the whole is an extended metaphor for the loss of virginity.

 

Couplet

 

A pair of rhymed lines.  A couplet meant to stand on its own as a poem is called a distich.

'Twas the night before Christmas, when all thro' the house,
Not a creature was stirring, not even a mouse.
 - - Ralph Waldo Emerson, ‘Account of a visit from St. Nicholas’.
 

Elision

Leaving out a letter or syllable to shorten a word, usually to achieve a uniform metrical pattern or improve the flow.  Mostly these omissions are marked with an apostrophe.  Types of elision include Apheresis, where a letter or syllable is omitted at the beginning of a word (e.g. ’twas), Apocope, where a letter or syllable is omitted at the end of a word (e.g. morn’), Syncope, where a word is contracted by removing one or more syllables or letters from the middle (e.g. ne’er), Syneresis is where two vowels together which are normally pronounced separately are pronounced as one syllable, e.g. in seest, and Synalepha, where a vowel at the end of one word is merged with the start of the next word (e.g. Th’ embattled plain).


Ellipsis


This is the omission of words whose presence is inherently understood but not necessary. For instance, the 23rd [of] February.  It is often indicated by '…'  and is very possibly the single most overused form of punctuation in poetry on deviantArt.


Eulogy


A piece of writing or a speech which praises someone, often someone recently deceased (an elegy).  A famous example is Gray’s Elegy written in a country churchyard.


Euphemism


A softer, milder word or phrase substituted for a harsher or more direct way of expressing something. Saying someone has 'passed on' instead of 'died' is a typical example.


Homonym

Words that sound the same, but have different meanings.


Homophone or Oronym

Words that sound the same, but are spelled differently and have different meanings.  See Malapropism.


Homograph

Words that are spelled the same but have different meanings.  (Heteronyms are a type of homograph where the words are spelled the same, have different meanings and sound different).

Many examples of poetry showing the difficulties of homonyms, homophones and homographs can be found on the website of The Spelling Society


Hyperbole

A super incredibly exaggerated statement, typically not meant to be taken literally, and sometimes used to convey an ironic tone. 'He's a million times better than you' or 'trying to think of a good example of hyperbole is the most difficult thing in the world', for instance. The opposite of litotes.

Hypallage

Playing around with the relationship of two words within a line or strophe.  One type of hypallage is a transferred epithet, where the adjective is used to modify the 'wrong' noun.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
          - - T.S. Eliot, The Waste Land


Litotes


The opposite of hyperbole. Understatement for ironic or comic effect.

Not small was his anger, nor few his enemies.

 - - Anglo-Saxon poem.

Malapropism

Named after the character Mrs Malaprop from the play The Rivals (who was in turn named after the French phrase 'mal á propos'). A difficult to pronounce word is substituted with an inappropriate homophone for comic effect. For example, 'He is the very pine-apple of politeness!' (instead of pinnacle - from Sheridan's The Rivals).

Metaphor


A comparison between two objects which describes one thing by comparing it to the other.  It conveys a much closer relationship between the two objects being compare than a simile - the implication is that the two things are not just alike, they are practically the same.
           

            Thou art thy mother's glass, and she in thee
            Calls back the lovely April of her prime.

 - - Shakespeare, Sonnet 3

  

Metonymy

A metonym is where a word is substituted for one which represents the thing it is replacing.  In The Pen is Mightier than the Sword, the pen signifies the written word and the sword is a symbol for military power.


Metre (US: Meter)

Metre is the way of describing the rhythm of a poem.  Instead of referring to the number of syllables in a line, metre refers to the pattern of stressed and unstressed syllables.  Each line is composed of metrical feet, which are the basic units of stressed and unstressed syllables that form the metre of the poem when repeated.  If you want to learn more, please check out Parsat's excellent article on metre this PE week.


Onomatopoeia

A word that sounds like what it describes. 

And murmuring of innumerable bees.

 - - Tennyson, ‘Come Down, O Maid’.


Oxymoron


Juxtaposed words with opposite meanings, such as 'bitter-sweet'.  A contradiction in itself.

Pathetic Fallacy


Inanimate objects are imbued with human feelings or emotions.  T
he central character or narrator's emotions might be externalised and represented by the wider world, typically by the weather (stormy weather might reflect turbulence while rain or mist could indicate gloom).   One example of this is in William Wordsworth’s "I Wandered Lonely as a Cloud"

 

Palinode

A poem retracting what was said in a previous poem.

 

Pastoral

A poem that depicts rural life in a peaceful, idealised way.  The Romantic poets were particularly fond of pastorals, sometimes using them to convey political messages about the effects of industrialisation.


Pathos

Writing which appeals to the audience's emotions, evoking sympathy.

Personification

Where an animal or inanimate object is given human traits.  One example is the four horsemen of the apocalypse where Famine, Pestilence, War and Death are depicted as men and not abstract concepts.

 

Quatrain

A stanza or group of four lines often rhyming alternately.  Kind of like the four line equivalent of a couplet.

 

Rhetorical Question

This is a question, typically posed in political or public speech, in which the answer (frequently either 'yes' or 'no') is implied in the question itself. The desired effect of this is to convince the speaker's audience of a fact without seeming to be trying to.

 

 I thrice presented him a kingly crown, 

Which he did thrice refuse: was this ambition?

Act 3 Scene II of Shakespeare's 'Julius Caesar'

 

Sibilance

A type of alliteration in which the ‘s’ sound is repeated:

Season of mists and mellow fruitfulness

 - - John Keats, ‘To Autumn’.

The sibilants serve to give a sense of softness in this example.


Simile

A figurative comparison using either 'like' or 'as' (See metaphor).

e.g. Built like a brick shithouse or Camp as a row of tents.


Stanza

Part of a poem divided by arranging the lines into groups separated by a space. Usually stanzas have a corresponding number of lines and a recurrent pattern of meter and rhyme.  Stanzas with lines which are all the same length and metre are Isometric stanzas (not to be confused with Isotonic stanzas, which may or may not improve your sports hydration and performance).


Strophe

Part of a poem divided by arranging the lines into groups separated by a space.  Like a stanza.  Traditionally strophes comprised of two stanzas of alternating metrical forms.   In contemporary poetry the terms strophe and stanza are used more-or-less interchangeably.


Symbolism

An image which often recurs throughout a piece and suggests a wide range of interpretation.  Colours can be used symbolically, for example red to suggest passion or anger.


Synechdoche

Similar to Metonymy, this is a technique where a part of something is used to refer to the whole thing or vice versa.  It is a kind of confusion of scale and is often used in everyday speech ('a sympathetic ear').

...and the Stratocaster guitars slung over
Burgermeister beer guts and the swizzle stick legs
jacknifed over Naugahyde stools
...
  - -  Tom Waits, 'Putnam County'


Synesthesia  

Sense confusion.  Colour attributed to sounds, odour to colours etc.

Then, as midnight makes 

Her giant heart of Memory and Tears 

Drink the pale drug of silence...

 - - George Meredith, 'Modern Love I'

Tautology

Needless repetition, often for emphasis.

There is a Thorn—it looks so old,
In truth, you’d find it hard to say
How it could ever have been young,
It looks so old and grey.
Not higher than a two years' child
It stands erect, this aged Thorn;
No leaves it has, no prickly points;
It is a mass of knotted joints,
A wretched thing forlorn.
It stands erect, and like a stone
With lichens is it overgrown.
 - - William Wordsworth, 'The Thorn'


Zeugma

This is where two nouns are both modified by the same verb or adjective, with the meaning of the verb or adjective subtly modified by its usage. 'She left in tears and a taxi', for instance.


Questions

  • How many of these terms did you know before?  Which are new to you?
  • What examples can you think of for these techniques in poetry you have read?  What effect did the use of the technique convey?  (Bonus points if it's a really unusual technique.)
  • Which of these techniques have you used previously in your own poetry?  Which do you think you might use in future?
  • Which terms and techniques did I miss from the list?




%projecteducate and %CRLiterature combine to bring you Poetry Basics Week.  Callooh and, indeed, Callay.
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Howdy friends,

There has been an exciting development! 

A couple of months ago, the folks at Chaosium Inc. [ www.chaosium.com/ ], the publishers of the Call of Cthulhu roleplaying game, confirmed their desire to publish The Call of Cthulhu (for beginning readers).  When I received word I immediately began revising the now almost two-year-old text and illustrations to ensure that the print version is of the highest possible quality.  I am currently about a third of the way through this process, and thought it would be good time to let you all know that the oft-requested dead tree edition of this story looks like it is actually becoming a reality.

I continue to be grateful for the encouragement of the folks around here, and I look forward to updating you all with any further news as it arrives.

In the meantime, I'm posting up the pages of The Statement of Randolph Carter (for beginning readers) I was working on when the word came through from Chaosium.  Being very much aware of the irregular schedule that I have in posting these things, I was going to hold on to these until I had finished the whole story.  I figured folks wouldn't have to put up with the long waits betwixt posts, but with the whole thing on hold for the moment, you may as well take a look at them now with the adaptation currently incomplete.

(Yes, yes, I know - Dagon (for beginning readers) is also a few pages short of a complete story.  It will get done.  Eventually.)

Take care of yourselves, and be excellent to each other!

DrFaustusAU
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Happy new year or whatever!

As I usually do, I'm gonna have a look through my old journals and list the highlights of the year for me:

I became a political activist for a few months, and went to some anti ACTA protests! Not many people showed up in Scotland though. I've kinda lost interest in all of that stuff now, since I'm not a student anymore.

Went to see Dropkick Murphys. I should go to more gigs.

Got interested in upcoming technologies like 3D printing, synthetic biology, Mars missions etc, and the idea of a technological Singularity. Still reading a lot of popular science books.

Some notable games I've played this year: Zelda: Phantom Hourglass, Zelda: Spirit Tracks, Zelda: Minish Cap, Rayman Origins, Fez, Dodonpachi Resurrection, Torchlight, Titan Quest, Kirby: Knightmare in Dreamland, Magicka, World of Goo, Binding of Isaac, Terraria, a ton of Minecraft, and probably a bunch of others which I forgot.

Graduated from University with an Honors in Computing Science! My final year was easy because I did a Flash game for my final project, and put a lot of effort into picking the easiest subjects.

Got a bit of a social life. Starting going to pubs often and occasionally to clubs too. Went to my first Ceilidh. Learned to suit up. Trimmed my hair. Still a lot to learn though!

Started going to technology and business events. They have free food and are sometimes quite educational.

Got a nice new bedroom/office, and spent a while setting up new furniture. Got a leet new computer and borrowed my brother's TV for a while. My room is actually amazing now.

Started hosting a lot of gaming parties, mostly for Minecraft and Terraria.

Parent's house-extension was somewhat finished! And now there's a lot more space for everyone! The place is still a mess though. Still not sure if it's worth moving out or not.

Learned more about taxes. Had some issues with the IRS. Definitely the worst thing about being an adult.

Started farming Chili Peppers and some other fruit. Results are still unknown.

Started getting regular exercise and made some attempt at eating healthier.

Spent ages working on Epic Battle Fantasy 4, and it's still not finished!

Learnt the basics of cooking! Like how to cook bacon and eggs. That's about it. I really need to learn more survival skills.

Took a brief trip to Poland, but otherwise didn't go on any Holidays. That needs to change in 2013.

My grandmother died and I got to go to my first funeral ever! It wasn't fun.

Went to see The Hobbit! It's rare for me to care about a movie enough to actually go see it in the cinema.

Anyway, "Finished EBF4 and got mega rich!" should be on there too, but it's taking longer than I thought it would. I never released any games in 2012, how boring.
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Oh.

God.

i died.

:iconotlplz:
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Devious Journal Entry

Sun Nov 24, 2013, 8:30 AM
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That's right. I'm changing my DA name.
I've thought long and hard and have decided to change it toooooo.......
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.................."jollyjack".
That's right; i'm one of the few artists here on DA that seems content with my name. That; and I think changing a "brand" simply because you can, after you've spent time and energy building up an audience is f**king stupid.
I've been here for years. I've operated on the internet under "jollyjack" for longer. If I changed that now it would be monumentally confusing to people that follow my work, which, in turn, would have an effect on revenue.
There are a ton of artists here whose work I keenly follow, and I think they're kinda shooting themselves in the foot by doing this.

Kinda reminds be of those little label-making things everyone's been given on at least one Christmas as a kid: you unwrap it, you find out what it does and you spend the rest of the day punching out new tags for everything. Even if they're not needed.
  • Listening to: Booming Orchestral Scores
  • Reading: Games TM
  • Watching: Blindness
  • Playing: Minecraft (nation building!)
  • Eating: Pizza
  • Drinking: Water.
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A little something a talented cohort of mine has been working on: www.pureevilminiatures.com/rea…

Ever since "Lorcraft" cropped up in Sequential Art, I've been working on an RPG system for an actual, pen-and-paper Lorcraft game and have a few really good ideas that should (in theory) work.
It's a ways off yet, though. It's the kind of thing that'll need some serious playtesting, and I have a zillion other projects to conclude first (LITTLEVICTORYLITTLEVICTORYLITTLEVICTORY!)
  • Listening to: Booming Orchestral Scores
  • Reading: Assorted comics.
  • Watching: TV
  • Playing: Skyrim (why DO people rave over Elder Scrolls?)
  • Eating: Junk.
  • Drinking: Water.
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Man, I haven't even logged into this account in years now, I think, and I come on here and see that the strips are STILL getting comments and views?  I am both shocked and amazed.

I don't want to get anyone's hopes up, but I've been in a serious art funk and depression as of late.  But seeing that people still seem to enjoy this comic, maybe I'll see if I can come up with anything good to make some kind of brief come back or something.  I dunno.  If I do anything it will very likely not have steady updates or anything like that.  I guess we'll just have to see what happens.

Sorry once again for all of those who really enjoyed the strips and have been left out in the cold for these past few years.
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