Here I lie, motionless,
A prisoner within my own body.
Yet there lies a subtle clarity;
A moment of understanding, achieved by infirmity.
And though my body is racked with pain,
My conscious mind delves ever deeper into the pool of the soul.
My mind is flooded with a racket of noise.
I am cast into the swirling rip-tide of forbidden knowledge,
Clinging to the flotsam of sanity as a Leviathan roars below.
It swallows me into an acidic whirlpool.
Drowning me deep beneath the bubbling surface of the past.
And there, in the murky depths where my very self begins to rot,
A grinning maw of tongues and fangs, bids me a cold "hello!".
-Chen Yuan Wen, 26th June 2013
Character Tips 5 - DreamsCharacter Creation Dreams and FearsCharacter Tips 5 - Dreams4 years ago in Other More Like This
Absolutely everybody has their dreams for the future and there isn't anybody alive who isn't afraid of something. Giving your character both dreams and fears will help to flesh out your character a little bit.
You probably have dreams for your future, so why shouldn't your character? They don't have to be huge, but it has to be possible to work towards them. Their dream could be to get the job they've always wanted. It could be to recover from an illness that they've had for a long time, or it could be as simple as to just find where they belong.
Whatever the goal is, there has to be something getting in the way. For example, my dream is to become a professional author, but I'm not comfortable showing what I've written to other people. It's the same for your character, achieving a dream shouldn't be so easy.
Of course, no one has just one goal in life, but they will always have one major one. That would be the one you woul
How to Alienate Your Readers in 12 Easy StepsWARNING: There be snark ahead.How to Alienate Your Readers in 12 Easy Steps2 years ago in Writing More Like This
Disclaimer: These steps assume that you have an intriguing premise for your story. If your premise is boring, overdone or just plain pointless, then you needn't bother with the following advice. You've already successfully alienated readers. Congratulations!
1. Grammar? Spelling? Ha! Who needs it?
Okay, so it's fanfiction. I mean, fanfiction for crying out loud. Why should grammar matter, right? because, srsly, its like noone expects this tobe the next great american novel or anything like that, i mean i'm just, writing a story about characters from a movie or tv show or whatever and my plot is super good so ppl will totally love it and not care if i mispel a word or something and who cares about comas or semicolons or stuff like that;and i no the readers will leave me lots and lots of awesome reviews cuz my story is badass take that bitches!!1!
2. The full page paragraph total
Finding MotivationFinding Motivation1 year ago in Writing More Like This
This article focuses on novels, but its advice can be applied to any long-term project.
Do you tell yourself that you're going to write and never do it? Do you keep talking about your book but leave it sitting at chapter 2 for five months straight? Is it difficult for you to sit down and actually write something?
Most people don't write because there are so many easier ways to spend their time. Their favorite show is on at eight. Oh, look, their friend just posted a bunch of photos online. Then they feel like baking cookies. And suddenly, a day that was supposed to be productive has been spent on TV, the internet, and food.
When I tell adults that I want to be a writer, around ten percent of them say, "Oh, I've always wanted to be a writer, too, but I simply haven't found the time to write that novel." And chances are, they haven't even drafted an outline. Why not? Something more pressing or interesting always seems to pop up.
Unless you make time for writing, you will be
Show It, Don't Tell ItOne of the many things that make me hit the back button, put down the short story, or return the book to the library is "telling". The minute the author decides to state that "X was angry" or "Y was bored", I get angry or I get bored. I've seen this issue for years--heck, I used to have this issue myself--in both fanfiction and original fiction alike, and while many reviewers/commenters often call out the author on it, they never really explain the concept. Thus, the poor beleaguered newbie gets hate over something he/she may not fully grasp.Show It, Don't Tell It10 months ago in Writing More Like This
After years of seeing this unfold, I've decided to make a writing resource about it for :iconWriters-and-Editors:, in hopes that maybe, just maybe, it'll help somebody, somewhere.
What is "Telling"?
"Telling" occurs when a writer either:
a.) states a character's emotions;
b.) summarizes the setting; or
c.) summarizes situations that can be inferred or would have more impa
Writers' Notes - Battles and WarsWriters' Notes - Battles and Wars4 years ago in Writing More Like This
While I have written a tutorial on fight scenes, I felt that it would be prudent to write one regarding wars and battles. After all a war or a battle is not just about how to fight.
When you are writing a war or battle first make sure you plan where it's going to take place. Land can be tricky, and it changes during a battle.
Image two giant armies amassing on a huge field. Infantry and cavalry alike, all decked in battle gear and heavy armour.
The pound of thousands of feet, man and horses alike. How do you think the ground will look? Grass torn and flattened, turned to mud especially if the weather turns and it begins to rain or sleet. Are there hills or mountains? Has one army taken a higher ground, dug a moat or added spikes of wood to protect their area?
Is there forests around them, have the trees been burned by one army to keep the other from using the wooded area as shelter? Has an army begun to p
Character Tips 3 - ClothingCharacter Creation ClothingCharacter Tips 3 - Clothing4 years ago in Other More Like This
So, your character has a body, a life and a personality. The thing is, they're still naked! Well, this should solve their problem.
Before we decide on their clothes, we need to figure out what they actually do for a living. This is important because, apart from their personality, this will decide the type of clothing your character will wear. For example, a princess will wear a lot of fine dresses and have a lot of jewellery whereas a peasant will have patched up clothes and little to no jewellery. A business man will wear a suit to work whereas a person working on a construction site will wear jeans, steel toed boots, a shirt, a high vis. vest and a hard hat.
Basically, position in society and career will determine what your character usually wears.
How Personality Fits In
Appearance is influenced by your personality, not the other way around. For example, an outgoing person will more likely reveal more skin than a shy per
Character Tips 1 - AppearanceCreating Characters AppearanceCharacter Tips 1 - Appearance4 years ago in Other More Like This
Here are a few tips to create the body of your new character. Appearance defines your character almost as much as personality. I hope something will be useful to you.
Is your character muscular? Tall and thin? Short and round? I think about body shape as basically height and weight. There are three basic body types that are also useful to know:
1) Ectomorph This is a delicate build. Pretty much tall and thin, there are more angles on these bodies than curves. Limbs and neck are also long and shoulders tend to be small. They often have a flat chest. Ectomorphs tend to have fast metabolisms.
2) Mesomorph A more athletic build. This type is more muscular. They have broad shoulders, a narrow waist and wide hips. This build gives women an hourglass type shape, with more curves than angles. Mesomorphs gain muscle easily.
3) Endomorph A rounder build. The abdominal area is more dominant with a high waist and n
Reading as a WriterHave you ever set down a book for good because you found something in it you don’t like? If you want to write, I suggest that bad habit end now.Reading as a Writer1 year ago in Writing More Like This
Why, you ask? Because everything you read—and I mean everything–has positive value for you as a writer. Stephen King, and any author worth his or her salt, is a huge advocate of writers reading massive amounts.
Again you ask, why? How can everything be useful? There are a number of reasons and I’ll cover as many as I can.
Reading bad literature teaches you about yourself and shows you what to avoid—or at least how not to do something—in your own work. If you run across something that you don’t like, stop and ask yourself why you don’t like it. Is it just a personal preference? Was it out of place or poorly executed? Does it contradict something from earlier? As soon as you figure out the “why” of something’s badness, you learn a little about yourself and you
Writing Lesson: Naming Your Character Your character's name is one of the most important decisions you have to make when writing a story. There are tons of resources for naming your characters (baby name websites being my personal favorite) but there are also many things you should take into consideration. Here are some do's and don'ts in no particular order.Writing Lesson: Naming Your Character2 years ago in Writing More Like This
Similar names for twins I read an article on names recently that expressly forbid the use of matching or similar twin names because it was "overdone". While yes, naming your twins Jayden and Kayden can be a bit tacky sounding, the truth is that people do it. A lot. I've personally met a pair of identical twins named Kirsten and Kristen. Do I think their parents are crazy? A little, but when you're choosing names for your twins, it's hard not to look for rhyming or alliteration. For writers, my only suggestion is to make them visually different enough that readers can tell them apart. Jace and Jackson are easy tw
A Guide to Character DevelopmentNumber One: The CharacterA Guide to Character Development2 years ago in Writing More Like This
Before we really get into the fun nit and grit of character development, you're going to need to have filled out the basics. The best advice that I can offer up for this is to fill out multiple questionnaires and profiles about your character. It's a pretty simple task; you can find questionnaires and profiles all over deviantART and the internet in general (in fact I'll just link you to a few in the author's comment below). It's also not a bad idea to take some Mary-Sue/Gary-Stu tests. Don't take them to heart or take them too personally. They're merely a decent building block step to realizing weaknesses and strengths to work on in character personality. Still, if the rating is obnoxiously high, it's a safe bet that you need to scrap the character and start over or really work out all those kinks you mistakenly put into their bio.
The important things to factor in m
Punctuating DialoguePunctuating Dialogue2 years ago in Writing More Like This
For non-native English speakers and young readers: If you hover over a blue word, you'll see its definition.
Punctuating dialogue can be surprisingly difficult, even for people whose first language is English. It's one of the things that you see all the time in books, but you pay little attention to, and all your English teachers assume that you already know it. Sure, if you read a lot, you pick up the basics, but even then it can be difficult to unconsciously absorb all the rules. (Until 2012, I was making heinous mistakes with commas vs. periods. I'm still weeding out errors from my novel.)
Anyhow, for the sake of my fellow spirits who bemoan the lack of proper dialogue education, I've researched the subject and compiled this little guide. I hope that it answers your questions, and that it isn't too dull.
Note: I use American English. Other English-speaking countries may have slightly different rules.
Knock Yourself OutKnock Yourself Out4 years ago in Writing More Like This
How to Write a [Near]-Fainting Experience
Brought to you by Super Editor
You've probably all read books or seen movies in which a character passes out. The heroine might swoon gracefully and collapse onto the floor or into the hero's arms. People rush to bring water, a doctor, or something to revive her. She then wakes up, rosy-cheeked and a bit distressed, and she fans herself for a while while insisting that she is fine.
Fainting in real life is not nearly so beautiful. Authors, especially ones with no experience, can sometimes fall for such idealized descriptions. I am (un)fortunate enough to have experience in this area, so I will share it here.
Quick Losses of Consciousness
Usually this involves an impact or a sudden pain. The character may have no idea what happened to him or her afterwards, and later results vary depending on the severity of any injuries sustained.
Real-life example: My mom used to work as a waitress during her teenage years, and Aunt Jennifer, her
Writer's Tip: Show, don't tell.Show, don’t tell (SDT). It’s one of the few consistent pieces of advice that all writers have heard at one time or another. Even the most amateur of writers parrot it back, but knowing the phrase doesn’t necessarily mean that we understand it, or how to implement it.Writer's Tip: Show, don't tell.2 years ago in Writing More Like This
So what does “Show, don’t tell.” really mean? SDT is the idea that instead of telling your readers what’s happening in a story, you show them. This seems like an abstract concept to most of us, but what it boils down to is this: using words to give your readers an idea without having to directly state it. There are many ways good writers do this. It can be as simple as adding a scene for when your character walks down the street to the corner market rather than saying “she went to the store.” but it can also be as complicated as weaving subtext into dialogue and editing entire character personalities to prove a point down the line. I want to look at two example
Character Bio TemplateHeadline:Character Bio Template2 years ago in Literature Templates More Like This
(A piece of text that your character has physically spoken that somehow relates to them)
Full Name: (The character's full name)
Also Known As: (Any aliases or nicknames, no need to say who gave them)
Age: (The number of years the character has lived. It would be helpful to include the aging system if character is otherworldly or ages unusually)
Gender: (Birth sex of the character. If transgender via surgery, make that known)
Sexual Orientation: (Homosexual, Heterosexual, Bisexual, or Asexual. I don't personally place Bi-curiosity, or pan-sexuality here, as pansexuality would fall under bisexuality, and bi-curiosity, if one has yet to engage in a relationship with the opposing sex yet, isn't solidified at the time. Both of these can be further explained in the Relationship or Trivia sections anyway.)
Marital Status: (Single, Dating, Married, Mated Pair, or Uninterested. I reserve "Uninterested" for
Writers' Notes - Fight ScenesWriters' Notes - Fight Scenes4 years ago in Writing More Like This
I have read enough books to find that fighting scenes can be difficult to write. Some of the novels I have read have had painful fighting scenes so this tutorial is an amalgamation of my thoughts on the best ways to do it.
First, let's break this down into aspects to think about:
Before writing fight scenes think about the characters involved. What are their skills, what are their ideas of fighting? Why are they doing so? Is it a sense of survival? Is it to show honour like a duel?
For example -
Does a peaceful man watch his brothers murdered in a slaughter by the king's men. Does he, in a rage, grab a fallen sword and defend the last of them. He holds no skill but the sheer fury at watching his peaceful world be shattered. Afterwards does he vow revenge and ride for the king's castle or retreat to the mountains to get over what he di
Beating the BlockBeating the Block3 years ago in Writing More Like This
brought to you by Super Editor
Please read this list slowly and carefully, considering not only the individual prompt but ways to bend it. You'll get much more out of it. (Thinking about specific characters and/or listening to your book's theme music while you read may help.)
This list is designed mainly to give ideas for characterization-related scenes. If your issue is more along the lines of "I don't know where I'm going," then this may not be as helpful. While you can read this anyway, meditation and logic are usually the things that work best.
If this gives you an idea, write it down! It's a long list, so you don't want to risk forgetting anything.
Not all of these thoughts and ideas will apply to your story, but perhaps one can give you an idea! I encourage you to modify the ideas below to better fit your characters' unique situation. This is just meant to get the ideas flowing. Let's get started!
Two characters are stuck under a br
My Little Pony OC makingMy Little Pony OC making3 years ago in Other More Like This
Who do I think I am writing about what's a Mary Sue and what isn't?
The answer really, I can't say. Some people will ignore this, some people will bash me, some people will take this at face value, and some people will take this as suggestions (Which is kind of the point)
First and foremost, making a character should not be, under any circumstances an obligation, it should be FUN for YOU. So if you're happy with your characters, that's everything that matters, but don't expect everyone else to fall in love with him/her too.
Again, these are just suggestions, you can follow it (or not) in any order you like, until you find something you’re comfortable with.
What's a Mary Sue?
There are several ways to make a Mary Sue, but the most obvious answer is that a Mary Sue always goes to the extremes: Too perfect, too angsty, too dark, etc.
Basically, it's a wish-fulfillment character she (usually, a she, but sometimes a he) is better than anyone in the cast in EVERY way possible, i
HOW to use morse codeHOW to use morse codeHOW to use morse code2 years ago in Other More Like This
heres a list for letters
A · —
B — · · ·
C — · — ·
D — · ·
F · · — ·
G — — ·
H · · · ·
I · ·
J · — — —
K — · —
L · — · ·
M — —
N — ·
O — — —
P · — — ·
Q — — · —
R · — ·
S · · ·
U · · —
V · · · —
W · — —
X — · · —
Y — · — —
Z — — · ·
heres a list for punction:
a Apostrophe (‘) · — — — — ·
a Exclamation mark (!) — · — · — —
a Colon [:] — — — · · ·
a Semicolon [;] — · — · — ·
a Quotation mark (") · — · · — ·
a Fullstop (.) · — · — · —
a Comma (,) — — · · — —
a question mark (?) · · — — · ·
list for numbers:
0 — — — — —
1 · — — —