TF: Old Soldier FIRST DRAFT Contest EntryTitle: Transformers: Old Soldier FIRST DRAFT Contest Entry
Universe: G1 (Pre-Earth)
Warnings: Violence, Non-canon character death
Author's Note: This is my (mostly) unedited first draft. The contest specified minimal editing, which was extremely difficult for me. While I don't think this is bad, it's not as refined as I'd normally post. In fact, there are two details which need work/editing. Hopefully, they're not as obvious to others as they are to me (since I'm super critical of my own work).
Smoke hung heavy over Praxus, obscuring optics and clogging vents. Here, the once proud city-state stood cracked and charred, covered in ash. The glorious crystals of the Helix Gardens, the pinnacle of Cybertronian art and beauty, lay shattered. Many of the civilians were gone, long since fled or dead. Those that remained had abandoned their civilian ways, forced into more militaristic roles.
Raising above the surrounding ruins, th
PE Prose Basics: Varying SentencesVarying Your SentencesPE Prose Basics: Varying Sentences1 year ago in Literature Features More Like This
When I was in college, I took an early morning Anthropology class. I had to wake up at five to catch the bus. Ugh. Yeah, I'm not a morning person. But I did it. The first day, our instructor stood before us and starting reading from the textbook. Word for word. Completely monotone. I was asleep within ten minutes. The rest of the week was the same; arrive, begin listening to the instructor, pass out. I had to drop the class and get whatever refund I could, while I could. It was my worse class experience there.
Most people know that in public speaking, the person talking needs to vary their tone and speech patterns and such to hold their audience's attention. They need to have a rhythm. Otherwise, they'll end up putting the audience to sleep. The same applies to writing. If you use the same sentence length or structure continually, you'll be the literary equivalent of my instructor. Repea
PE: Literature Basics SettingsLiterature Basics WeekPE: Literature Basics Settings8 months ago in Literature Features More Like This
Along with characters and plot, setting is one of the most important choices we make when we write. In the most basic terms, setting is where your literary work takes place. It's up to you, as the author, to use it and mold it to fit the needs of your writing, make it more than just a backdrop to your prose or poetry.
A good setting becomes like a character itself. It can be express moods, offer comfort or hindrance. The setting can even be the main antagonist - consider the Overlook Hotel in Stephen King's The Shining, or the island in the 2000 Tom Hanks' film, Cast Away. In both of these examples, the protagonist(s) have to survive their surroundings, one mundane, the other ... less so.
Make Your Setting Work For You
Everything in your written work must be chosen for maximum effect. When deciding on your setting, decide what you want to accomplish with it. Here are some possibilities.
Fan Fiction On deviantARTGalleries MonthFan Fiction On deviantART6 months ago in Literature Features More Like This
What Is Fan Fiction?
Everyday, we are inspired by movies, television, novels, and other forms of media. They engage our minds with a variety of stories and characters, their plights and triumphs, their everyday minutiae. Fan fiction authors are so enamored with these other worlds and their inhabitants that they must partake in the stories which have brought them so much enjoyment. They expand on the current universe, explain gaps in the narrative and delve into characters' motivations.
A good fan fiction (or fanfic) is more than simple borrowing another writer's characters and universe. The fan fiction author must immerse his or her readers in the story, make them believe it is a natural extension of the source material. Characters have their own mannerisms and quirks; each universe has its own history and rules that need to be followed. The fan fiction author must master the nuances of those characters and the world they inhabit (unless purposely writi
PE: Community Week PLZ AccountsCommunity Week - PLZ AccountsPE: Community Week PLZ Accounts2 years ago in Deviant Events More Like This
Can you spot the difference between and :icongladlikeplz
If you hover your mouse over it, you’ll see that the first is a link to a deviation (http://fav.me/d5judp5), while the second is an icon for a special type of account called a PLZ account.
PLZ accounts are deviantART accounts made for the sole reason of being an emoticon. Anyone can make these accounts. (For more information on making PLZ accounts, see this previous Project Educate journal http://fav.me/d3jjwiv.) The deviant chooses an account name that represents the image he/she wishes to display, and usually adds the phrase ‘PLZ’ at the end, so other deviants are aware that that account exists to be an emote (in the example above, the account name is “gladlikeplz”).
To use the PLZ account, you merely
PE Prose Basics: Revise and EditProse Basics Week is winding down now and hopefully you've learned a lot from the brilliant past articles. But, there's more to writing than just getting that first draft done, isn't there? That's where the next big crucial step comes in: revision.PE Prose Basics: Revise and Edit1 year ago in Literature Features More Like This
The Art of Revising:
Revision is such a huge topic to cover, especially since there are many ways to go about it. You can do self-edits, which always are a good first step, or you can get outside revisions from peers. Both are good ideas to really get your work to be top notch. But, the big thing to remember is that there's more to just editing your work than cleaning up a few spelling and grammar mistakes. Revising also includes corrections to sentence flow, scenes, and sometimes overall plot. So, before we jump into some ways to edit, here are a few different terms of methods of editing that may be handy to know-- especially if you're asking a peer to help you with revisions.
TF: Entomophobia - Halloween TradeTitle: EntomophobiaTF: Entomophobia - Halloween Trade3 years ago in Sci-Fi More Like This
Warnings: Disturbing imagery
Author's Note: This is my submission for the TF-SecretSanta Halloween Trade for xDeadlyxxxDesirex. This is a Halloween story, so I tried for scary. It's not as lighthearted as my normal fics, although it has its humorous moments (I couldn't help myself). I pulled on two personal fears of mine when I wrote this, to try and add some real creepiness to it. I hope it works. Time conversions: Klik 1.2 minutes, Nanoklik approximately 1 second. Comm transmissions are marked with colons ::like this.::
The Rust Sea spread across Cybertron's equator, an immense red scar across its surface. Erratic pillars twisted into the sky. Corrosive gasses bled from the ground, slowly eating the land away, turning everything to an endless expanse of rust. Across the ground, miniature hills rose and fell, forming 'waves' that traveled as far as the optic could see.
Numerous Cybertronian artists tried to duplicate the Rust Sea in
PE Prose Basics: Pacing ( and Show vs. Tell)Hello, everyone! As you all know, this week over at projecteducate is Prose Basics. We're here to help all you prose writers (whether flash fiction, short stories, or novels) get better at your craft with some basic tips for growth. Today, I'm going to be talking about something you've probably heard about again and again: pacing.PE Prose Basics: Pacing ( and Show vs. Tell)1 year ago in Literature Features More Like This
What is Pacing?
No, it's not what you do when you're stuck on a scene and need to get up and stretch those leg muscles to get your writing juices flowing. It's actually a very important ability that writers have to control the speed their story is read. You as the author get to manipulate the reader in a way and make the speed of the story match the scene. What better way to drop the reader right into the moment? But, pacing also holds the ability to make or break your story and keep or lose your reader's interest. This is why it's so important in writing.
Setting the Scene:
Prose Basics: What is Voice, Anyway?At this point, you've all had awesomesauce articles on word choice, varying sentences, dialect, and dialogue. Which is great, because it cuts my job down to five minutes of nattering on about how you bring all these elements together to create that elusive thing people always go on about: VOICE.Prose Basics: What is Voice, Anyway?1 year ago in Literature Features More Like This
Voice is the personality of the book.
You know that thing about avoiding cliché except every single plotline ever has been done and has the TVTropes article to prove it and OH GODS WHY?!?!
Voice solves 97% of that. It lends originality to your story by tossing a filter over the whole thing. 'The Shining' needed that kid-voice so readers could stare in horror over his shoulder, understanding things like the dark cloud of suicide in his father's head without having his reaction ruin half a page of ominous build. 'Dir
What Is A Story?Lit Basics WeekWhat Is A Story?8 months ago in Personal More Like This
Well, the internet has a lot of entries when you search for the words "definition of story" (a lot possibly meaning millions). It's where many of us get our wisdom from, isn't it? One of the pages I selected said a "story" is defined as
"a narrative, either true or fictitious, prose or verse, designed to interest, amuse, or instruct the hearer or reader; tale."
I like the definition, and although that's not the only thing that a story is, I believe it's a nice groundwork to build up from. The most interesting parts are the words "prose or verse", "narrative", and "designed to interest, amuse or instruct": narrative, to me, implies the presence of a plot and so of a beginning-middle-end kind of structure. The second part tells me that a story needs to be told in a certain way. And "prose or verse" is a useful reminder that a story isn't only prose - it doesn't matter if your story is written in poetry or prose form
Making the Most of the Words You UseHave you ever opened up a dictionary and just starting reading it? (Oh, come on, I know I'm not the only one!) Well, if you haven't, you should go do that, right now, before you read any further. Okay, you're back. There are literally hundreds of thousands of words out there, and all of them are waiting for you to use them in your next literary masterpiece.Making the Most of the Words You Use1 year ago in Literature Features More Like This
Now, you may be asking "So what?" Words are just words, right? So long as you get your point across, that's all that matters, right? After all, green is green, whether you call it olive or neon or sea-foam. Right? Right?
Wrong! Consider this scene: Abigail walked through the quiet garden. The hedges formed a maze for her to navigate.
It gets the point across, but doesn't paint much of a picture without context. It's kind of boring, and doesn't give you any details or reason for caring. By adding or changing a few words, you can turn this dry piece of toast into an enchanting seedcake of delight.
Using Colloquialisms: Are you down with it? Colloqualism: You down with it?Using Colloquialisms: Are you down with it?1 year ago in Deviant Events More Like This
A word or phrase that is not formal or literary and is used in ordinary or familiar conversation. synonyms: slang, idioms, patois, dialect.
Examples: whatcha, gotta, face on, ovver.
I’m sure you’ve had a good telling off by your teachers for using colloquial language inappropriately in your writing. I’ve had essays returned with the word “too informal” scrawled along the margin or a big red exclamation mark next to a certain word, who hasn’t? What just me? Oh right… my bad!
So WHY would we use colloquial language in our writing, after years of tackling the angry red pen?
I know we’re not supposed to judge a book by its over – or a person by their accent – but it happens. You can tell us a lot about a character by the kind of language they use. Are they all gangsta, dropping hooded verbs
TF: All for One - Implausibly Colored PachydermsTitle: All for One Implausibly Colored PachydermsTF: All for One - Implausibly Colored Pachyderms3 years ago in Humor More Like This
Warnings (kind of): Long
Author's Note: This is a standalone story (like the previous chapters). It does reference my story 'Holiday Cheer,' but all backstory is provided for you. I wrote the energon cubes as about hand-sized, just because it makes more sense. Time conversions Joor: 6 hours, Deca-cycle: approx. 3 weeks, Vorn: 83 years. Talking through comm channels is shown, ::like this.::
Thundercracker surveyed the mess hall. This late between shifts, only a few other 'cons were gathered, sipping their rations. He cupped his cube in his hands, hiding its contents. Once he confirmed no one was glancing his way, he stood and used the motion to slip the half full cube into a hidden compartment. The others ignored him. Satisfied, he left.
As the blue Seeker traveled toward the lift, his trine mate Skywarp approached walking, Thundercracker noted with surprise from the oth
When and How to EditLit Basics WeekWhen and How to Edit7 months ago in Literature Features More Like This
Earlier in the week I got into what editing is and how to love it. Now, let's talk about the entrée following this apéritif: when to edit, and how to do it. And, perhaps even more importantly, how to stop.
Stop, you say?!
Yeah, it's really not that hard to get caught up in this perfectionist funk where all you do is wind around in circles on the same piece. Curb it from the beginning by having an idea of where you want to end. What should the reader walk away thinking about? What should the reader walk away feeling? Do things move fast enough to be interesting?
I stop editing when I get to a point where all my edits are just minor wording tweaks. At that point I'll go back and forth, and I'm not even changing the overall impression the story creates. If it's not productive, it's not worthwhile.
Now that we've gotten dessert out of the way:
Transformers: All for OneTitle: All for OneTransformers: All for One3 years ago in Humor More Like This
Author's Note: This is currently a one shot, but if people like it and comment, I'll add more one shot chapters. My humorous stories tend to focus on Bumblebee, so I thought I'd shake things up and try my hand at a funny Decepticon story. I hope Starscream, Thundercracker and Skywarp are not too OOC-ish (it's been years since I saw the G1 show and I mainly know them from the IDW comics). Time unit conversion Nano-klik: ~ 1 second; Deca-cycle: ~ 3 weeks
"Slaggit! This is ridiculous!" Skywarp ranted. "This is not our responsibility. It's it's demeaning!"
Forty-three, Thundercracker silently counted to himself. Forty-three outbursts. His trine brother had been complaining, loudly, since Megatron had assigned them to this cursed duty. Not that he blamed his wingmate. For unknown reasons, the trine had been assigned construction duty. Of all things, construction duty. They were hauling large metal beams over a
PE: How to Make the Most of Your Lit on dALit Basics WeekPE: How to Make the Most of Your Lit on dA7 months ago in Literature Features More Like This
It goes without saying that being noticed on dA as an artist isn't easy. Add in the fact that you're submitting literature to a predominantly visual arts site and you have an even lower chance of being noticed. Your friendly Literature Community Volunteers do their best to feature an array of poetry and prose, but even that is only a single day feature of ONE of your deviations. Getting a following or even just getting deviants to read your lit and give feedback is hard work. But you'll see a common denominator amongst those deviants that have made it.
It's community involvement. You shouldn't expect to receive if you're not willing to give. But how exactly can accomplish that? Is going to random Lit Groups and leaving critique on a dozen or so deviations a week enough? Probably not. Will participating in group challenges, prompts and contests get you noticed? Not by itself. What if you run a weekly or bi-weekly feature article of Literature on dA? Still, no.
Literary Terminology GuideLit Basics WeekLiterary Terminology Guide8 months ago in Literature Features More Like This
This will be a straightforward article that lists some basic literary terms (in alphabetical order) that can be found in, well, literary works. You could use some of these terms to write a spectacular poem or prose piece about cake.
Before we get started, head on over to this other PE article that lists a BUNCH of Poetry Terms and Techniques.
An item of soft, sweet food made from a mixture of flour, shortening, eggs, sugar, and other ingredients, baked and often decorated. Also known as the first half of my otp.
A narrative that has multiple layers of meanings. Allegories are written in the form of fables, parables, poems, stories, and almost any other style or genre. The main purpose of an allegory is to tell a story that has characters, a setting, as well as other types of symbols, that have both literal and figurative meanings.
A reference to someth
Writers' Block: The MythLit Basics WeekWriters' Block: The Myth7 months ago in Literature Features More Like This
We've all suffered from sitting down at our desk, booting up our computer, ready to start writing a story and BAM nothing comes out. We sit there and sit there and still nothing comes out. We put everything away and try again the next day but have the same results. Then we go to our favourite blog site and write a journal about how the world is horrible and we're suffering from writers' block.
But are we really suffering from a block?
If, on the third day, someone came to us and said, "Have two pages, double spaced in 12pt text written by tomorrow at noon on a topic of your choosing and I'll give you $1,000," would we still be unable to produce something? I'm sure if given a deadline and incentive like this, the majority of us would be able to write two pages, double spaced in 12pt text by tomorrow at noon. Proving that writers' block is a myth. Well, in most cases.
I'm not saying there is absolutely no such thi
June Fan Fiction ContestWelcome back! This month's contest theme may be a bit of a challenge: write a fan fiction from a second person point of view!June Fan Fiction Contest9 months ago in Deviant Events More Like This
For clarification, in second person point of view (POV) the narration is told through the reader's perspective, using the personal pronoun, "you."
Most stories are told from first person (where the narrator is telling their own story, using the pronouns "I" and "me") or third person (the narrator observes the characters, and refers to them as "he/she/them/etc.") person points of view. Second person point of view is the least used in fiction writing, although it is more common in non-fiction. It is considered the more difficult POV to use well, especially in fiction. Some examples of this style are Jay McInerney's Bright Lights, Big City, and Sesame Street's There's a Monster at the End of This Book by Jon Stone. This style is frequently used in interactive fiction (such as Choose Your Own Adventure style books)
All the Literature Educate! Updated 26/02All the Literature Educate!1 year ago in Literature Features More Like This
Over the past few years, projecteducate has worked hard to provide educational articles for various art forms. Within literature, we've seen our fair share and over the past 2 years we've used our own group CRLiterature to manage these articles to ensure as much of the community can see them. However, sometimes we miss people and that's a shame because the articles we've written as a community have been pretty spectacular and still valid today.
So to help people pick up the articles they may have missed, here is a list of them all! This is a great chance for you to read what you may have missed, or tag your friends who may find them useful!
Most Recent First
Publishing Week: March 2015
COMING SOON! Make sure you watch CRLiterature & projecteducate for articles!
Lit Basics Week: July 2014
Everything You've Learned About Writing is a LieLiterature Basics WeekEverything You've Learned About Writing is a Lie8 months ago in Literature Features More Like This
Okay, so maybe not everything. But there's a lot of stuff that I remember learning in middle and high school that turned out to not actually work for me -- or for pretty much anybody -- as a writer. I'm hoping that if I can lay these lies out for you, we cans turn it around and unlearn some of these bad habits. Because, man, nothing says "noob" like practicing some of these frequently-taught faux pas.
Lie #1: Be super duper descriptive!
Wait, wait, I know what you're thinking. Descriptive language is good, right? You want your reader to know what you're talking about, and to be able to see, smell it, hear it, touch it, taste it the way you do in your head. The problem is that, when it comes to description, a little bit goes a long wa
Readymades: Hallmarks of Lazy WritingReadymadesReadymades: Hallmarks of Lazy Writing1 year ago in Literature Features More Like This
Hallmarks of Lazy Writing
ShadowedAcolyte here for projecteducate's Prose Basics Week. I decided to tackle "lazy writing" as a topic, because they always say "write what you know" and boy, do I know laziness. Then I realized there were dozens of ways to be a lazy writer, so I heroically narrowed the scope of my article down to one broad topic: readymades. After talking about what a "readymade" is, I'll explain why they should be avoided in writing prose*, and I'll finish with some tips to help you avoid using them yourself.
Before we go any further, I should note that the term is not a technical one. It is the word I was taught to use to identify a set of common problems with weak writing, so it's the word I use. I hope you'll find this article helpful, but it's not a textbook.
*I say "prose" because it's Prose Basics Week, but readymades infect poetry as well. If you're more a poet than a prose