The Chronology of StorytellingImagine you're reading to a live audience. It can be as big or small as you'd like. It can be your writing or someone else's. It doesn't matter. Indulge yourself in the fantasy. So you're reading to a live audience. They're enraptured. They're engrossed. They're generating a movie in their heads as you weave your tale. Imagine how important every word you produce is to these movies. Every detail you provide adds another layer. They smell the flowers. They feel the roughness of the brick. They see the vivid colors of the clothes.The Chronology of Storytelling1 year ago in Writing More Like This
And then you require they perform time travel to make the movies accurate.
The chronology, or order of events, in a story is something I've been focusing on a lot in my writing lately. I'm not just talking about the overall chronology. There's obviously a beginning, middle, and end to a story. You progress from one event to the next. Things happen in chronological order. That's how, y'know, stories make sense. That's also
Character Tips 3 - ClothingCharacter Creation ClothingCharacter Tips 3 - Clothing3 years ago in Other More Like This
So, your character has a body, a life and a personality. The thing is, they're still naked! Well, this should solve their problem.
Before we decide on their clothes, we need to figure out what they actually do for a living. This is important because, apart from their personality, this will decide the type of clothing your character will wear. For example, a princess will wear a lot of fine dresses and have a lot of jewellery whereas a peasant will have patched up clothes and little to no jewellery. A business man will wear a suit to work whereas a person working on a construction site will wear jeans, steel toed boots, a shirt, a high vis. vest and a hard hat.
Basically, position in society and career will determine what your character usually wears.
How Personality Fits In
Appearance is influenced by your personality, not the other way around. For example, an outgoing person will more likely reveal more skin than a shy per
The Necessity of Flaws in CharacterizationOkay. Close your eyes (well, maybe just one) and imagine your favorite fictional character. Are they strong? Compassionate and giving? Witty and clever? Wise and intelligent? No matter the make-up of their awesomeness, they probably bring a smile to your face and that warm, fuzzy feeling to your insides. You probably remember vividly their adventures and hijinks, their clever retorts, or how amazing they were at figuring out some wild and crazy puzzle. They probably inspired your own writing. You probably wanted to recreate that smile and fuzzy feeling with your own readers, so you made your version of the character (or took some of their traits) and integrated them into your prose.The Necessity of Flaws in Characterization1 year ago in Writing More Like This
This is all fine and dandy, especially considering there's nothing new under the sun, but there's a good chance you missed out on something really important. Let me explain.
It's great to have a badass character who kicks ass and takes name. But what makes them so badass? Is it that they can lift a Hummer w
Proofreading Tips #1: RedundanciesProofreading Tips #1: Redundancies1 year ago in Writing More Like This
Have you ever thought about how redundantly we speak in every day conversation? Sometimes this passes into our writing. For graduates especially, we are unfortunately trained to add extra "padding" into our text to reach a desired word count.
Word redundancies (known as pleonasms and sometimes given the nickname of "baby puppies") are one such way. Here is a list highlighting such phrases--avoid using these at all costs:
advance warningalter or changeassemble togetherbasic fundamentalscollect togetherconsensus of opinioncontributing factordollar amounteach and everyend resultexactly identicalfew in numberfree and cleargrateful thanksgreat majorityintegral partlast and finalmidway betweennew changespast historyperfectly clearpersonal opinionpotential opportunitypositively certainproposed planserious interestrefer backtrue factsvisible to the eyeunexpected surprisesurrounded on all sidesnull and voidpoisonous venomfilled to capacityreason is becausenatural instinctpast e
Plotting-Murphy's Law MethodPlotting-Murphy's Law Method4 years ago in Writing More Like This
Plotting Tricks: The Murphy's Law Method
"What Can go Wrong SHOULD go Wrong."
If you want an easy way to plot out a story that your readers can't guess the end to by the fourth chapter, then THIS is the method for you!
Basically, you begin with a character and something they desire. They go after their desire which immediately sparks complications which become a Problem that your character has to solve.
Once the character applies their chosen Solution to their Problem, Murphy's Law kicks in. The Solution triggers yet another problem.
This pattern continues--Problem > Solution > Problem--so on and so forth until All the problems are solved and your character either reaches their goal, or achieves an even better one--or dies.
This method is extremely effective when plotting out Adventure stories of any kind. In fact, Van Helsing, National Treasure, Inkheart, Pirates of the Caribbean, Indiana Jones, Lara Croft, the James Bond movies, most RP video games,
Planning the Evil PlotPlanning the Evil Plot2 years ago in Writing More Like This
A half-guide, half-narrative on writing a story
brought to you by Super Editor
Before I start writing, I like to have some idea of where I'm starting, where I'm going, and how I'm going to end up there. Let's say that I want to write a comedy about an author who suddenly changes places with her Mary Sue. I usually jot down some basic ideas:
Sarah, the author: ~13 years old, average-looking, glasses, rather tall and gangly
Ellemere, the Mary Sue: ~16 years old, long flowing hair, violet eyes, etc.
Forrest (Ellemere's love interest) : ~18, stereotypical pretty boy who is too dark and broody to make a good love interest
Leon: ~17, Ellemere's somewhat dorky friend who falls in love with her but is cast off to side in favor of Forrest
Tangent: For those of you who are confused, the ~ symbol means "about." I think it comes from math.
I like to draw, so I'd probably make doodles of these characters too. Drawing characters is a great way to develop th
Fishing for INSPIRATION?Fishing for INSPIRATION?4 years ago in Writing More Like This
Fishing for INSPIRATION?
Your imagination is a pond that you fish your ideas from. Like any fishing pond, what you catch depends on what you've stocked your pond with and how much you put in there. If you fish for only the occasional idea, your little ideas have time to breed creatively until they overflow the pond, leaping right out into your hand -- and onto your keyboard. If you fish a lot, you will have to restock -- Frequently.
A Dry Pond = Writer's Block
What's in YOUR Imagination?
What do you KNOW?
What do you love to Do, to Study, to Think About, to Talk About...? Make a list of all the things you know well and all the things you've done -- seriously! Mythology, history, any retail jobs you might have had -- anything you might have seen, done, or studied.
WHO do you KNOW?
Have you ever met...?
A real Criminal?
A real Hero?
A real Romantic?
Your OC's HairYour OC's Hair3 years ago in Writing More Like This
Brought to you by Super Editor
You have the unique opportunity to see a Writer's Guide being drafted.
Some bug of a mysterious nature decided to delete the resource text last January or so and I think the text is gone for good, so I'm re-writing it. This notice will be taken down when this is no longer considered a draft. (Yes, I'm letting you read my draft. Now you have insights into my evil mind...)
*~*~*~The Actual Guide~*~*~*
Most girls are taught that there is a standard, all-encompassing way to take care of hair. You brush it every morning and don't pull the tangles too hard. When you wash it, you use a little bit of shampoo for the hair near your scalp, and a little bit of conditioner for the rest of it to minimize tangles. You should only blow-dry it, curl it, or straighten it on special occasions, because doing so damages your hair.
So we learn the rules and follow them, perhaps tweaking them here or there if necessary. It's just like Mom
ACTION Sequences - Plug+PlayACTION Sequences - Plug+Play4 years ago in Writing More Like This
Writing ACTION Sequences
The Plug & Play Method
Lets begin with a Review...
The flash of pain exploded in my cheek from the slap her hand lashed out at me.
Why is this wrong?
If you were watching this scene as a movie, that sentence is NOT how you would have seen it happen.
Actual Sequence of events:
1) Her hand lashed out at me in a slap.
2) A flash of pain exploded in my cheek
ACTION Sequences = Chronological Order
REALITY = something happens to you and then you react.
Action > Reaction > Action > Reaction = Chronological order
FICTION = the Plot happens to the characters and then they react.
Action > Reaction > Action > Reaction = Chronological order
If you want the reader to SEE the actions that you are trying to portray, Chronological Order is the ONLY way to write that scene. In other words, if you visualize the characters doing something in a specific
A Writer's Guide: Believable CharactersI know a lot of you out there are aspiring-writers (I’m one myself!) and sometimes we get so caught up in this “must publish!” attitude that we get lost in our stories along the way. Sometimes there comes a point when we stare at our half-finished novel and say “I’m stuck. “ Usually these moments happen when we don’t know where we’re going next with our story, and usually that’s because somewhere along the line we’ve strayed off the path and we aren’t quite sure how to get back.A Writer's Guide: Believable Characters1 year ago in Writing More Like This
One of the things that you may find helpful if you’ve never done it before is to take a really in-depth look at your characters and the world they live in. Characters are really the backbone of our stories. You can carry an entire story on the shoulders of a character without much plot (memoirs anyone?), but you can’t carry a plot without some great characters. So, to help you guys out, I wanted to write an article on things you shoul
The Cracks Begin to Show: Making Flawed CharactersThe Cracks Begin to Show: Making Flawed Characters2 years ago in Writing More Like This
First of all, I freely admit that what I say isn't gospel. I am a total amateur at art and writing. I've learned everything that I know via the internet and a few books. It's just that I appreciate all of the tutorials here on dA that have helped me out, and I want to put a little bit of my own methods back in.
I've run across an odd myth about fictional characters here on good ol' deviantART: If my character isn't a Mary Sue then I've definitely written a good character. Sadly, this is not so. A Mary Sue (see here for more) is just a specific kind of bad character. Not all bad characters are Mary Sues. It would be like saying that since the movie you made isn't Birdemic or The Room, it's a good movie. Erm that's not quite the case. Maybe your skills are only OK. What's a budding writer to do?
Making a good character is a lot more complex than just avoiding
The Secret to ParagraphingThe Secret to Paragraphing4 years ago in Writing More Like This
The SECRET to Proper Paragraphing
(NOT a punctuation article.)
Once you know what your characters and doing and saying, how do you get all that down on Paper without ending up with a huge confusing mess?
Putting the Story on Paper.
Everybody knows that when a new speaker speaks they get a new paragraph, right? In other words, you DON'T put two different people talking in the same paragraph. Okay, yeah, so anyone who has written any kind of fiction learns this pretty darned quick, (usually from their readers.)
What nobody seems to get is that the same goes for a new character's ACTIONS. Seriously, when a new character ACTS they're supposed to get their own paragraph -- even if they don't speak!
In short, you paragraph by change in CHARACTER -- not because they speak, but because they ACT. Ahem... Dialogue is an ACTION. In other words, the reason you don't put two different characters' Dialogue