Please (Don't) Hate MeIf I told you a lie
But it made you smile
Would it still be a sin?
If I opened the door
But turned you away
Would you still come in?
If I sliced my skin
But it didn't hurt
Would it still be wrong?
If I acted all brave
But couldn't face it
Would I still be strong?
If I tied my noose
Around a tree's open arms
Would it be an embrace?
If I left tonight
And begged you stay
Would you still give chase?
If I committed sin
But hurt nobody
Would I be welcome above?
If I do something you hate
But only for your good
Could it still be true love?
World Building Formula pt. 3World Building FormulaWorld Building Formula pt. 36 years ago in Writing More Like This
Section 3: People
Culture at a Glance
What sort of real life culture, or cultures, is your world copying or a blend of?
Is your world more globalization, with cultures mingling and perhaps homogenizing Or are the cultures of your world more separate and distinct?
What does the language sound like? How difficult is translation?
Are there state religions, common sayings, and cultural beliefs present? Even if a particular culture is individualistic, common beliefs will be present.
How does the geography of you world interact with its inhabitants culture?
What sort of real life or historical government are like the one your people in your imaginary cultures live under?
Heres a list of real-life governments that have been used in our history and literature:
Points of View, Tone, Mood and Setting.Points of View, Tone, Mood and Setting.4 years ago in Writing More Like This
There are many elements to keep in mind while writing your story. You think you already know everything, and you're eager to start writing, but there's more, such as Points of view, Tone, Mood and Setting.
Points of View are the narrator's position on the story being told. Okay, what on Earth does that mean? Well, to put it in simple terms, it's the point of view that allows what you can and can't see in a story. For example, in some stories, you may be able to read the character's mind, but in others, you cannot. There is a simple reason why this is There are many different points of view!
FIRST PERSON POINT OF VIEW: While writing, the narrator may refer to themselves as "I". For example: "I could hear everything they were talking about. Every word I heard them say shook me to the core and chilled my bones. I was in udder disbelief". This poin
The Toolbox: 19 Tips and Tropes I Enjoy SeeingThe Toolbox: 19 Tips and Tropes I Enjoy Seeing2 years ago in Writing More Like This
First of all, I freely admit that what I say isn't gospel. I am a total amateur at art and writing. I've learned everything that I know via the internet and a few drawing books. It's just that I appreciate all of the tutorials here on dA that have helped me out, and I want to put a little bit of my own methods back in.
If you’re a regular reader of mine, you might think that I’m an overly negative person. The truth is that I’m really not. It’s so easy to get passionate over things that you dislike that you forget to remember the things that you do like. I don’t make these guides because I think that deviantART is full of bad writers. I make these because I think that deviantART is full of constantly improving writers with limitless potential. But I understand that I can seem a little overly negative at times when I only get on your case for doing things that I don’t like.
This brings me to a new resolution
Guide to Better DialogueWriting dialogue -- realistic dialogue, anyway -- does not come easily to everyone. Done well, dialogue advances the story and fleshes out the characters while providing a break from straight exposition. However, just as realistic dialogue is one of the most powerful tools at a writer's disposal, nothing pulls the reader out of a story faster than bad dialogue. It takes time to develop a good ear, but noting these simple rules and obvious pitfalls can make a huge difference.Guide to Better Dialogue5 years ago in Writing More Like This
1. Listen to How People Talk.
Having a sense of natural speech patterns is essential to good dialogue. Start to pay attention to the expressions that people use and the music of everyday conversation. This exercise asks you to do this more formally, but generally speaking it's helpful to develop your ear by paying attention to the way people talk.
2. Not Exactly like Real Speech.
But dialogue should read like real speech. How do you accomplish that? Alfred Hitchcock said that a good story was "life, w
NAPOWRIMO 30 Days of PromptsDay 1: I am a poet.NAPOWRIMO 30 Days of Prompts2 years ago in Literature Templates More Like This
Day 2: I own my flesh.
Day 3: Tell a lie.
Day 4: Love through letters.
Day 5: A thousand kisses deep.
Day 6: Monochromatic fears.
Day 7: You have 7 days to live.
Day 8: Glow in the dark stars
Day 9: Misplaced bones
Day 10: Write as if you are a body part.
Day 11: Wake the dead.
Day 12: Love bites
Day 13: I never think about ____ anymore.
Day 14: Find me.
Day 15: 7 Deadly Sins
Day 16: 3AM coffee
Day 17: Kiss the stars on her arms.
Day 18: ‘Last night—’
Day 19: What is your sign? Write about it.
Day 20: Galaxy skin
Day 21: What is tangled up in your heartstrings?
Day 22: A fight in a stairwell
Day 23: A forbidden desire
Day 24: Stitched the words into my heart
Day 25: Cross-hatched skin
Day 26: Artist fingers
Day 27: Holding up the universe
Day 28: Dig deep
Writing Tips - LanguageWriting Tips - Language6 years ago in Writing More Like This
Accents, Foreign Languages, and Regional Dialects
There are times when your story may have one or more character speaking a different language, or with a different accent than the rest. There are many different ways a writer can go about presenting this to the reader, and before we go any further, I will concede that some of it is a matter of personal taste, and on this particular matter, you wont be able to please everybody. So, consider this bit not so much a lesson, but rather a series of guidelines.
Everyone has one. Even if you think that you dont, theres someone, somewhere in the world who would disagree with you. Some people may have a very faint trace of an accent, whereas with others, you can hardly make out what theyre trying to tell you. But how should you translate these simple speech patterns to text? Well, that depends, really.
Since Ive been listening to the audio books lately, and its the best example I can come up with, let
A Guide to Character SheetsAlmost as soon as they were invented, people have been feuding over the effectiveness of character sheets. Some say they are godsends and they couldn't possibly create characters without them. Others say they only create flat characters and there's absolutely no reason why any writer should need to know the smallest and most minute details that character sheets call for. And then there are the writers that don't know which side of the debate they should listen to.A Guide to Character Sheets4 years ago in Writing More Like This
The easiest answer to that question is it's a personal decision that every writer needs to make for themselves. But before you make that decision, maybe you should know how they work and the benefits you can gain from them.
You see, when used correctly, sheets can really assist an author in keeping the facts about their world and characters straight. Otherwise, on page ten little Anne has green eyes, but on page thirty-two they change to blue, and miraculously enough on page fifty-five they're brown or back to green.
The Cracks Begin to Show: Making Flawed CharactersThe Cracks Begin to Show: Making Flawed Characters3 years ago in Writing More Like This
First of all, I freely admit that what I say isn't gospel. I am a total amateur at art and writing. I've learned everything that I know via the internet and a few books. It's just that I appreciate all of the tutorials here on dA that have helped me out, and I want to put a little bit of my own methods back in.
I've run across an odd myth about fictional characters here on good ol' deviantART: If my character isn't a Mary Sue then I've definitely written a good character. Sadly, this is not so. A Mary Sue (see here for more) is just a specific kind of bad character. Not all bad characters are Mary Sues. It would be like saying that since the movie you made isn't Birdemic or The Room, it's a good movie. Erm that's not quite the case. Maybe your skills are only OK. What's a budding writer to do?
Making a good character is a lot more complex than just avoiding
Personalities and AppearancesPersonalities and Their Outer AppearancesPersonalities and Appearances6 years ago in Writing More Like This
NEW WAYS TO TALK ABOUT CHILDREN
by Kathie Spitzley
Bobby is so hyper. He is all over the place. Its no wonder I cant teach him anything!
How many times have you heard teachers or associates making negative comments about children or other adults? They seem to infer that by describing the child it should be obvious why the situation would seem unworkable. Sometimes a childs qualities are only a problem because we chose to see them that way. In fact, what seems to be Bobbys problem is often Bobbys strength. High energy level may someday carry him to completion on a complex task or be what fuels his championship swimming ability. It is fun and helpful to think of positive sides of qualities that are often assumed to be problems in children. Read the list of problems on the left
How to Introduce a CharacterThe classical Movie Introduction Sometimes, you get a hero. Not over time, but right at the start this is your hero. He's confident, he's suave, and he always packs his shaving cream. Somehow he always manages to get that beard just right, despite the fact that you've never seen him trim. Everything about him is admirable, and you just wanna follow him like a little puppy dog because that's how AWESOME he is.How to Introduce a Character5 years ago in Writing More Like This
it might work, but you still shouldn't do it. It's one thing for movies, where you can simply follow someone's action across the screens. In books, you want the closeness that only seeing the character fall on their face time times just to get it right once will bring.
The stumbling introduction - sometimes, your character stumbles into the wrong thing at the wrong time. Or the right thing at the right time, perhaps, but if you want a good story you should probably make sure it ends up worse for them than it would have otherwise.
Oh, sure, things
Writing ACTION ScenesWriting ACTION Scenes6 years ago in Writing More Like This
-------- Original Message -----------
"I can't write an action/fight scene worth a crap. Mind you, I can usually imagine them, I just can't write them." -- Wanna Do a Fight Scene.
If you can imagine it - you can write it. The easiest way is by doing it in LAYERS.
The Quick and Dirty Method for writing Action Scenes
Start with a list of ACTIONS & Reactions < in that order.
-- Actions ALWAYS go before Reactions.
(IMPORTANT! Each CHARACTER gets a SEPERATE LINE. ~ NEVER clump the separate actions of two different characters in the same paragraph or the reader will get confused as to who is doing what very quickly.)
Will lunged forward, his sword fully extended in a stab.
Jack caught Will's blade with the flat of his blade. Pushing the blade just out of range of his skin, Jack slide down Will's blade in a short fast stab.
Will turned to the side to avoid Jack's sword's point.
Jack did a quick side-step to stay in front