Probably the teeniest thing I've ever forged, this little guy started life as an alan wrench (a little tool that has a hexagonal cross-section) that I found in the road. The total length is almost exactly 4 inches (just over 10cm) with a blade width of 1/4 inch (just over 5mm). All the hardening and tempering is done, all that's left is to sharpen.
Two small-ish axe heads made during a weekend tomahawk making class at the Brookfield Craft Center with Joe Szilaski. Dude is amazing at what he does, and is a very capable instructor. The head on top started out as a railroad spike, and judging by the sparks made while grinding, it is maybe a medium carbon steel.
The small bearded axe head started as a piece of W1 steel 1"x1"x4" and took quite a bit of time to make. I had never made an axe head with such a dramatic downward swoop of material before this class and learning how to do that was great fun. Lots learned about how to move the metal where you want it to go.
Both have yet to be brought down to a sharpened edge and heat-treated.
Damaskoitu "viikinkimiekka". Tämä ei ole millintarkka jäljennös mistään tietystä kappaleesta, mutta malliltaan se jäljittelee eräitä merovingiajan lopun/viikinkiajan taitteen miekkoja.
Pattern welded "viking sword". As model for this one I used some finnish swords from late vendel era / very beginning of viking age. These swords still have some similarities to vendel swords, like handle parts casted from bronze and shape of the pommel. In these swords guards are one piece, unlike those of vendel swords, but in some cases they are shaped so that they remind those three part guards of vendel swords. One good example of these swords can be seen here [link]
Blade is pattern welded and it is forged to the shape. Fuller is also forged. Handle parts are casted from bronze, and they are hollow like the original ones. Hollow is filled with gybsum and adhesive. Grip and strap bridge are made from salix caprea wood. Sheath is wooden, covered with leather. Inside there is woolen lining.
Lenght of the sword is 93 cm, blade lenght is 76 cm. Weight is 1320g .
Which is what it is, pretty much. If you didn't know I wasn't happy with the way my filigree came out. I was under a time crunch and had more screw ups than I could live with.
The work in progress of this knife being made starts here:
I still have to make a silver sheath for it. Since I have so much more work to do on the knife, I have taken this handle off. Destroyed all of the filigree work that you guys seen me do and what is on this picture.
This picture was taken before I had a long time to think about what I wanted to do and talked with the owner of this knife, before I went and took it apart. I think the knife is awesome and beautiful. Don't get me wrong.
I think it even more so now that this doesn't exist. I wanted this knife to be the pentacle of my current works. At the time, I didn't feel like it was.
So~ Once I have the knife re-finished and the sheath made, I will show you how I made the sheath which has 4x as much filigree as this handle.
In the end, when I show you my completed Maleficent knife, it will be something that you have never seen before. A step above the knife pictured here, even though they will have the same skeleton.
That being said, it was a long month+ of progress that you guys saw. In reality that was about 15% of the actual work put into the knife. lol. I hope you guys enjoyed it and things around here will go back to the way it was, where I'm not spamming you with photos on the daily.
Armor piece commission from a deviant watcher Made with anodized aluminum in mirrored and blue scales Accented with black and silver stainless steel adorned with a small byzantine tricage and one swavorski accent
Name: I know its not a trident but if you ever Played God of War, Posiden beat the crap outta ya with wave fists.
Gauntlet Series Gemslots: Fist of Nikida Commission: Posiden's Fist of Sapphires Commission: Healing Fist of Mother Gaia Commission: Healing Fists of Mother Gaia part Duex Scalemail: Gauntlet
EDIT: OMG!!! A DD!!! I was totally not expecting to see that when I opened up my internet today.
Thank you everyone for the congratulations, the favs, the following, and the llama badges! I can't respond to everyone who's sent me messages, but I've read all of them and wanted to say thank you! You guys are awesome.
Lately I've been very busy preparing for a lot of art events. Which means I've been making a lot of small, simple, 'cookie-cutter-ish' designs. And frankly... I was getting kinda sick of it. I really wanted to do something big. Something cool. Something I could put up and display that said "LOOK HOW AWESOME I AM!!"
....I also happened to have way too much scrap metal piling up in my shop that I needed to get rid of. As well as a bucket of silverware that's been sitting around for months going "Please, use meh!"
So this last weekend, I strapped on my Creativity Hood and went to work!
I'd had this idea of a large Sea Dragon wall sculpture bouncing around my head for quite a while. It was the sole reason I bought all that silverware... and with an art festival coming up, as well as a local exhibit, this seemed the perfect time to throw down with my inner sea monster.
This bad boy measures 8ft long x 3ft tall, and weighs somewhere in the range of 50lbs-ish. So not terribly heavy, just very unwieldy to transport.
The frame is crafted from rebar and 1/8in + 1/4in round bar, which is used to make ribbing (a frame for the curve of the body) and supports (so it doesn't flop and bend when you move it).
I had a lot of large scrap chunks that needed to go. I can't use them on my smaller scrap animals, so they've been accumulating for quite a while and were becoming a real nuisance. Since this is so large, I used up just about all of it on this (hurray!).
I had originally planned on using silverware to form the majority of the body. But since this thing is so huge, I just didn't have enough silverware, nor did I have time to go and buy more. So I had to improvise a bit and figure out how to use what I had to the most benefit.
Knives make great spines and fins. All these knives are butter knives, so while they may be a bit pokey, none of them have sharpened edges or points.
Spoons make fabulous scales. But I wanted to do as little modifying of the silverware as possible (aka-didn't wanna chop off all the handles). Since I had all these spoons with really long handles, and laying them flat didn't really look good, I instead turned them into a bristling mane to accent the spines. If you've ever spent time looking at sea life, there's a lot of creatures out there with tendril-like cilia, and that's what I wanted to go for.
The tail fin I wanted to look distinctly different, so I used forks along with knives, giving the tail more of a spiny brush look. I didn't want to keep with the silverware handles on the tail. They would obscure the forks too much, and I felt that it would add too much clutter to the overall sculpture. So off went the handles, and I laid down a simple line of spoon scales to edge the fin and keep it in-theme with the rest of the design.
The copper tubing was an experiment. I haven't used copper in anything before. I don't have the tools to solder it anyway. But that doesn't mean I couldn't find a creative use for it! Being that its naturally shiny, I figured the copper would make for a pretty, distinctive accent I could use to edge my design. I bent it so that it would follow the natural curve of the body, like stripes on a fish. Since I couldn't solder it, I cut 3in lengths of round bar, and inserted it into the pipe, then welded the rod to the frame. This way the pipe will stay in place, but is still removable/replaceable. I'm really pleased with the copper tubing on this. With the body being painted, if there was nothing on it, it would be... too solid a blue, and would lose some of its impact. But the copper tubing breaks up the uniformity of the color, and draws the eye down the serpents body with its contrasting color.
The serpent looked really good in just plain metal. But I wanted to paint it. I've recently been playing with an automotive dual-color paint that turns blue and purple depending on the angle you look at it. And what is more fitting for a sea monster then shimmery scales right??
You can't see it very well in the picture unfortunately... and you need decent lighting to really get the best effect of the paint. But the body shifts colors when you move to different angles! Its really pretty, and accents the grey and silver tones of the steel very nicely. I tipped the tendrils in a coppery gold paint to add further visual contrast and draw the eye down the body. Living them silver caused the scales/cilia/spines to all blend together into this patch if silvery lump. Like... it looked good... but there wasn't really any notable, eye catching contrast. Tipping it in gold added more color to the overall piece, and helped tie in with the copper tubing to everything felt more naturally connected.
The face I left plain steel for visual contrast. I ran stripes of weld bead for texture decoration, and darkened the metal. The teeth were a lot of fun. They were a bit of an experiment, since before this, when I made teeth, they were just simple triangular cut-outs. That wasn't going to work for this. I wanted some seriously nasty chompers on this guy, and I wanted them to look like actual teeth. Not retarded, ghetto flat cut-outs.
The eye I purposely made large and very bright and flat, to give it that 'big-eyed' fish look. I really wanted it to pop and stand out so when you look at this up on the wall, you've got this baleful eye gazing down on you.
I'm really hoping I can sell this big fella somewhere. If not... I guess he'll have to decorate my wall for a while... oh darn!
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