The Ouroboros or Uroborus is an ancient symbol depicting a serpent or dragon eating its own tail.
The Ouroboros often represents self-reflexivity or cyclicality, especially in the sense of something constantly re-creating itself, the eternal return, and other things perceived as cycles that begin anew as soon as they end (compare with phoenix). It can also represent the idea of primordial unity related to something existing in or persisting from the beginning with such force or qualities it cannot be extinguished. The Ouroboros has been important in religious and mythological symbolism, but has also been frequently used in alchemical illustrations, where it symbolizes the circular nature of the alchemist’s opus. It is also often associated with Gnosticism, and Hermeticism. Carl Jung interpreted the Ouroboros as having an archetypal significance to the human psyche. The Jungian psychologist Erich Neumann writes of it as a representation of the pre-ego “dawn state”, depicting the undifferentiated infancy experience of both mankind and the individual child.
In alchemy, the Ouroboros is a sigil. Swiss psychologist Carl Jung saw the Ouroboros as an archetype and the basic mandala of alchemy. Jung also defined the relationship of the Ouroboros to alchemy:
"The alchemists, who in their own way knew more about the nature of the individuation process than we moderns do, expressed this paradox through the symbol of the Ouroboros, the snake that eats its own tail. The Ouroboros has been said to have a meaning of infinity or wholeness. In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was man himself. The Ouroboros is a dramatic symbol for the integration and assimilation of the opposite, i.e. of the shadow. This 'feed-back' process is at the same time a symbol of immortality, since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself and gives birth to himself. He symbolizes the One, who proceeds from the clash of opposites, and he therefore constitutes the secret of the prima materia which [...] unquestionably stems from man's unconscious."
The famous Ouroboros drawing from the early alchemical text The Chrysopoeia of Cleopatra dating to 2nd century Alexandria encloses the words hen to pan, “one is the all”. Its black and white halves represent the Gnostic duality of existence. As such, the Ouroboros could be interpreted as the Western equivalent of the Taoist Yin-Yang symbol.
The Chrysopoeia Ouroboros of Cleopatra is one of the oldest images of the Ouroboros to be linked with the legendary opus of the Alchemists, the Philosopher’s Stone.
This is my first piece completed under the direction of the stained glass shop where I now work. It is a pattern from the book "Celtic Knotwork" by Rachel Cecere. The main glass in the knot is NOT tan... it's an antique white glass with a very slight opal sheen to it, and no matter what I do to photograph it, it comes out tan.
I've now done 4 stained glass pieces all together. The next pattern is going to be one of my own design!
A comission, based on the first Telperion & Laurelin pendants I made some years ago - [link]
This is an improved version
And this is such a wonderful coincidence to get a LOTR comission just before Hobbit hits the theaters I think I'm going to make a bunch of LOTR inspired jewelry in the near future
------------------------------------------------------ ( In J. R. R. Tolkien's legendarium, the Two Trees of Valinor are Telperion and Laurelin, the Silver Tree and the Gold that brought light to the Land of the Valar in ancient times. They were destroyed by Melkor and Ungoliant, but their last flower and fruit were made by the Valar into the Moon and the Sun.
We had a salmon feed the other night and we cooked the fish on a grate laid over my hanging fire-bowl inside a gazebo I made at my residence. The bowl was originally a piece from an industrial disc harrow I found dismantled at the scrap yard. Hanging it rather than placing it on a base is ever so much more dramatic as functional art. 39" diameter
My engagement ring, designed by myself and a reality thanks to my amazing jeweller father. Yes that is a D10 (10 sided dice for those not used to the lingo XP), me and my partner are quite frequent roleplayers and I'm a huuuge geek and odd-ball. I wanted my ring to be one-of-a-kind and personal to me any my amazing finace so I eventually came up with this idea. If I want the dice can also be removed and replaced with a stone of my choice ^_^ Happy to be engaged to my amazing partner and to have my awesome engagement ring. <3
Edit- Wow! I never thought my engagement ring would be THIS popular! Thank you so much for all the congratulations and compliments-- you're all so wonderful! Keep on geeking!