Writing 102: The OutlineTime to take the next step. By now you should have three big chunks of plot, a beginning, the middle and hopefully an end.Writing 102: The Outline3 years ago in Writing More Like This
Now we are going to break these chunks in smaller pieces in what is known as the "Three Arc Structure". Any form of entertainment follows this classic structure in some way, even the smallest joke, which has the set-up, the middle and finally the punch line.
There are very creative pieces of work that throw that Three Arc Structure out the window but I guarantee that the author behind such work knew this theory backwards and upside down and thus was comfortable enough not to follow it. Know you craft before innovating.
The Subtle STATIC TRAITThe Subtle STATIC TRAIT2 years ago in Writing More Like This
The Subtle STATIC TRAIT
Secret Weapon of the Clever Writer
The Static Trait is the small personal HABIT an individual character displays which reveals their personal Neurosis, their driving NEED, especially in stressful situations. This habitual or even ritual behavior acts as both their greatest source of trouble and the linchpin to their success. It's the individual character's "Accident Waiting to Happen".
The most obvious place to find visible Static Traits is in both Comedies and Tragedies. These stories (and movies) RELY on their characters' Static Traits to linchpin the plot.
What made Laurel and Hardy so funny, were the little neu
The NonVerbal ThesaurusThe NonVerbal Thesaurus3 years ago in Writing More Like This
Not spoken > Body Language.
Latin thesaurus, treasury, from Greek thesauros.
n. pl. thesauri (-sôri) or thesauruses
1. A book of synonyms, often including related and contrasting words and antonyms.
2. A book of selected words or concepts, such as a specialized vocabulary of a particular field.
The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009.
Dialogue is VISUAL
-- Not just a bunch of words.
Watch the a