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Force Awakens by skyrace











It seems the Force has truly Awoken, at least it has here on DeviantArt.


It has been one week since the teaser trailer for the first of the Disney owned Star Wars movies was released. Twitter and Facebook nearly broke under the deluge of postings of the trailer and frame by frame commentary of it. Each commentator hoping to spot something everyone else had missed.






Meanwhile on the far distant planet of DeviantArt, the community was drawing and designing up a storm of material. Where else could you possibly go and see hundreds of pieces of awesome art be rendered and posted in just one week?


The hopes and dreams of two generations are hoping for this feature to respark the wonder the original film inspired back in 1977. Based on what we have seen posted here on DeviantArt this week we can only presume those hopes and dreams are going to keep growing.


Now, we know you saw the trailer. Admit it, more than once.







Everyone of course is asking the simplest of questions, why is the Imperial Stormtrooper on the run?






We won’t really know until well into next year… and that’s way too long to wait because we are the spoiled children of modern generations accustomed to instant gratification in all things pop. So we have for you a dilemma, a conundrum, A CHALLENGE.


Do you have the creative mind of a “Star Wars” imagineer? When you see the young man, sweating, breathing heavily, running in the desert of some nameless planet, running from something… do scenarios begin taking shape in your head? Do questions demand answers? Is he actually a stormtrooper, or is he disguised to escape stormtrooper captivity? Is he a deep undercover agent of the Federation who’s just had his cover blown? Is he a once loyal soldier of the Empire who saw something he shouldn’t have seen, something that now has him trying to defect to the Federation, something that has generated his death warrant?








Open your mind to the all–powerful creative storytelling streams of The Force, and write a few paragraphs of the story you see developing… because a year is just too long to wait.

















Your Thoughts




  1. Can you name who said all the above quotes? For extra brownie points, name the movie they’re from.
  2. What is your favorite Star Wars quote?










It has been one week since the teaser trailer for the first of the Disney owned Star Wars movies was released. Twitter and Facebook nearly broke under the deluge of postings of the trailer and frame by frame commentary of it. Each commentator hoping to spot something everyone else had missed.

Meanwhile on the far distant planet of DeviantArt, the community was drawing and designing up a storm of material. Where else could you possibly go and see hundreds of pieces of awesome art be rendered and posted in just one week? The hopes and dreams of two generations are hoping for this feature to respark the wonder the original film inspired back in 1977. Based on what we have seen posted here on DeviantArt this week we can only presume those hopes and dreams are going to keep growing. It seems the Force has truly Awoken, at least it has here on DA.

Author: techgnotic 
Curator/Editor: DeevElliott 
Designer: seoul-child

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Star Wars: A New Hope

Thu Nov 20, 2014, 7:41 PM
Img-00a by techgnotic














Who’s the most important person now in the Star Wars franchise? JJ Abrams? Think again!


It has begun. Below you will find the trailer to the beginning chapter of the next Star Wars sequels, Star Wars VII: The Force Awakens,a new trilogy for a new generation. One well crafted 88 second trailer later, and it's just what we were hoping for. X-Wings, Tie Fighters, brand new Light Saber designs, the Millenium Falcon and just enough intriguing character moments to have us all guessing at plot points until the next one arrives. The style of camera work is also very interesting, a bit cinema verite, as we open on a character obviously on the run. We will have a full breakdown of the trailer coming next week. Our global Star Wars culture stirs in its sleep. George Lucas is whispering, “Wake up…” — for he has more life lessons for the youth. He continues on in his role as our children’s modern Walt Disney.


This second batch of Star Wars movies will hopefully fare better with the fans than the near-disastrous rollout of The Phantom Menace in 1999. The Star Wars community was split in two by the prequel trilogy. While on one hand it brought in a whole new younger audience to the franchize, the older fans who had waited so many years for these films were devastated that they were skewed to such a young audience.



But there was something else missing, one might say the vital ingredients that made the original franchize so great.



There was no hope that we’d ever see Francis Ford Coppola, writer and director of the fantastic Godfather Trilogy as well as Apocalypse Now, work on the scripts as he had done on A New Hope. There was also no chance that Gary Kurtz, the original trilogies producer would be back either. Gary was just as involved with Star Wars as George Lucas was. He kept George on track on both development and production through American Graffiti and their early desire to do a Flash Gordon adaptation, the latter project evolved into Star Wars.


We can relax because J.J. Abrams, who so successfully resuscitated the Star Trek franchise with his reboot, is the director this time out.


No worries, right? So who’s left?



Lawrence Kasdan. The man who co-wrote Empire Strikes Back and Return Of The Jedi. The man credited with breathing life into Luke, Leia and Han, then taking them on a slightly darker path. Kasdan was the man who also helped bring Indiana Jones to the screen, co-writing Raiders Of The Lost Ark! Many fans, with serious Star Wars knowledge, were relieved when the first video journal for Star Wars had both JJ Abrams and Lawrence Kasdan in it. A hopeful sign that JJ wouldn’t have final say on the script, something many Star Trek fans had wished someone else had on that reboot. Lawrence will be around for a while, his name already linked with the further sequels and spin-offs planned by Disney for Star Wars.


So as the Jedi nation grows in its multitudes and the 2015 Star Wars Celebration Convention, scheduled for April 16-19 in Anaheim is projected to shatter attendance records, there remains little evidence of the Force ever having being asleep in these years after the third “prequel.”


Lawrence, our faith is with you.


No pressure.



























Your Thoughts


  1. Which Star Wars characters are best suited to be featured in their own spin-off films?
  2. Do you hope Lando makes a surprise appearance?
  3. What are your hopes for the new series of Star Wars films?
  4. How would you like to see Han Solo and Princess Leia's relationship play out?
  5. What is your favorite Star Wars Fan Art or Fan Fiction?











Who’s the most important person now in the Star Wars franchise? JJ Abrams? It has begun. Below you will find the trailer to the beginning chapter of the next Star Wars sequels, Star Wars VII: The Force Awakens, a new trilogy for a new generation. One well crafted 88 second trailer later, and it's just what we were hoping for. X-Wings, Tie Fighters, brand new Light Saber designs, the Millenium Falcon and just enough intriguing character moments to have us all guessing at plot points until the next one arrives.

Author/Curator: DeevElliott
Designer: seoul-child 

For more articles like this, visit depthRADIUS.
Want to submit any ideas, suggestions, collections, or an existing work for consideration for the Today page? We'd love to look at it. Email us at share@deviantart.com
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I do them, yes! It's one of my favorite pastimes. ^^ For those interested, here's a general list of things (anime, shows, games, whatever) I'm familiar enough with to RP the characters, or some of the characters.

Notice: Any animes listed exclude manga canon, since I don't read it much.


Old Journal
- Avatar: The Last Airbender (no LoK)
- Attack on Titan
- Soul Eater
- Harry Potter
- SOME Pokémon (games only, to an extent; anthro Pokés or humans)
- Teen Titans (been YEARS since I watched, though)
- Death Note
- Another (set BEFORE all the deaths, obviously; same for Angel Beats and Madoka Magica)
- Angel Beats
- Madoka Magica

Things I forgot in the old journal:
- Mass Effect (no using Shephard on either end)
- Skyrim
- DBZ (new!)
- RWBY (new!)
- A million other things slipping my mind currently, etc.

Things I just recently became a fan of:
- Psycho-Pass
- Kid Icarus: Uprising (New!)
- Guardians of the Galaxy
- The Devil Is A Part-Timer (new!)


There's probably way more stuff I'm not thinking about just yet, but this is just stuff in general I know I can RP characters from. I'll also play with or as OCs as well, so there's that. I also will not do anything sexually explicit, but can hint at darker themes. Almost any bondage set up is fine (including none!), along with however intense it can get for the 'lee. I won't refuse to play the ticklee if asked, but generally play tickler more often. 

I'll play via notes or Skype, but if you have an alternate means of communicating (I won't RP in the comments) then we can work something out. Note me for my Skype name or to start an RP!

Ciao~!
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Paul Tobin's Scavenger Hunt

Wed Dec 10, 2014, 6:41 PM
1200x700 by techgnotic










The Hobbit: Inspirational Tutorials


Masterful Resources on DeviantArt


:iconpaultobin:

PaulTobin is a conceptual designer, illustrator and graphic designer who has worked at Weta Workshop of New Zealand since 2003.




He has worked on films such as Andrew Adamson’s The Lion, The Witch and the Wardrobe, Prince Caspian, Peter Jackson’s King Kong and James Cameron’s Avatar and most recently The Hobbit.


A master illustrator who has had gallery showings of his own original fantasy and sci–fi art, he has become a spokesman and advocate for other New Zealand fantasy and sci–fi artists. White Cloud Worlds was the 2010 “coffee table” anthology edited by Paul featuring the works of 27 of his amazing fellow NZ fantasy artists.


Paul has recently been the subject of a series of DeviantArt tutorial videos in which he outlines his work as a conceptual designer in film production and describes his methods at Weta Workshop for developing the best original concepts for the prehistoric or alien inhabitants of other worlds of the artist’s imagination. These tutorials should prove an invaluable resource for deviants interested in pursuing careers as studio graphic designers and illustrators in fantasy films.


Read the full interview.


Paul Tobin There and Back Again








White Cloud Worlds Volumes 1 & 2






With forewords and introductions from Guillermo Del Toro, Richard Taylor, Iain Craig and Wayne Barlow, these two lavish volumes represent the finest fantasy artwork from New Zealand.






Paul Tobin has graciously given us 20 copies of his books for a DeviantArt competition.


What you need to do


All you need to do for a chance to grab one of his books is to post in the comments below a link to a piece of art from the community that you think might inspire Paul for his own personal upcoming project about the lost city of Atlantis. Paul will then select 10 of the pieces and the deviant posting the piece will get a copy of one of the books as well as the deviant who produced the piece.


Paul will select his favorites on December 31st and we’ll post a wrap–up shortly after.








View the rest here










Paul Tobin's Scavenger Hunt Series










Leave your selections for Paul in the comments below









A master illustrator who has had gallery showings of his own original fantasy and sci-fi art, he has become a spokesman and advocate for other New Zealand fantasy and sci-fi artists. White Cloud Worlds was the 2010 “coffee table” anthology edited by Paul featuring the works of 27 of his amazing fellow NZ fantasy artists.


For more articles like this, visit depthRADIUS.
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Storytellers of the Future

Thu Nov 27, 2014, 2:02 PM
Storyteller by hyenacub by techgnotic












What kind of new narratives will 21st Century storytellers create for our changing world?







Brain Games host Jason Silva tackled that question in a two-minute video called "Lucid Dreaming," outlining the tremendous opportunities (and challenges) facing 21st Century storytellers. As our relationship to technology evolves, the stories we tell each other will change as well.


It’s always fun to imagine what the future will look like and how we will tell stories in this new world.


Silva used culture writer Erik Davis' description of immersive storytelling, a way to create a sort of lucid dream for the reader or viewer:



Immersive works of art or entertainment are increasingly not content to simply produce a new range of sensations. Instead, they often function as portals into other worlds."


— Erik Davis




Silva also quoted Hamlet on the Holodeck: The Future of Narrative in Cyberspace by Janet H. Murray, a scholarly book looking at the future of storytelling. Silva explained how readers and viewers interact with a story:



So powerful is our desire to be immersed that it's not just that we suspend disbelief, but that we actually create belief--using our sophisticated intelligence to reinforce our belief in the story world, rather than to question it. We actively metabolize belief through story ... The narratives of the future have the potential to transform what it means to be human to employ landscapes of the mind and turn subjective experience into a living, breathing painting; a wake-walking dream.”


— Janet H. Murray



Murray's book was published in 1997, but it is still very relevant for readers, viewers and creators. She raised questions that still need to be answered as technology evolves.


Here is an inspiring passage from her book:


I find myself anticipating a new kind of storyteller, one who is half hacker, half bard. The spirit of the hacker is one of the great creative wellsprings of our time, causing the inanimate circuits to sing with ever more individualized and quirky voices; the spirit of the bard is eternal and irreplaceable, telling us what we are doing here and what we mean to one another. I am drawn to imagining a cyberdrama of the future by the same fascination that draws me to the Victorian novel. I see glimmers of a medium that is capacious and broadly expressive, a medium capable of capturing both the hairbreadth movements of individual human consciousness and the colossal crosscurrents of global society.


What do you think? Who are the writers leading this storytelling revolution?


The wonders of narrative immersion possible through new tech advances are truly amazing.  My only worry is that as with every other academic subject our youth are slipping in due to disuse, the intellectual muscles that created the worlds in which we as young readers had suspended disbelief are beginning to atrophy.


Children’s stories, or for that matter stories for any age group, should not rise or fall on how well the illustrators and animators built the backgrounds I see in my 3D virtual reality wraparound glasses.  At a certain point, pure storytelling (great writing) is going to begin becoming just another element in the overall narrative, and with its primacy reduced, become all the weaker and mundane.













Your Thoughts






  1. Have you ever had a favorite novel spoiled by a bad TV or film adaptation?

  2. Have you ever watched a movie before reading the book, only to find the adaptation more exciting and thoughtful and satisfying than anything in the original source material?









What kind of new narratives will 21st Century storytellers create for our changing world? Brain Games host Jason Silva tackled that question in a two-minute video called "Lucid Dreaming," outlining the tremendous opportunities (and challenges) facing 21st Century storytellers. As our relationship to technology evolves, the stories we tell each other will change as well.


For more articles like this, visit depthRADIUS.
Want to submit any ideas, suggestions, collections, or an existing work for consideration for the Today page? We'd love to look at it. Email us at share@deviantart.com
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Saint Nick by CrazyAsian1








SPOTLIGHT CHALLENGE: JUST FOR FUN
SANTA'S ELVES NEED NEW OUTFITS
Deadline: December 17th — Wrap Up: December 20th













After many years of heated negotiations, only the threat of unionization and a crippling holiday season strike by worker–elves could finally bring Santa Claus, the ultimate traditionalist, to the bargaining table to discuss new designs in elf attire.


The iconic tights and tunics, belled “Aladdin” booties and “elf–hats” worn by Santa’s helpers’ today are no different than those worn by their great grandfathers centuries ago.


NEW ELF OUTFITS NEEDED


The heavy, scratchy woolen material still used in elf uniforms turns the Christmas “crush” time for filling last minute toy wishes into an oppressively hot experience. The elves have long contended that as a practical matter more “breathable” fabrics, would mean more productivity and fewer trips to the hospital for heat stroke. The Elves would also welcome the obvious technology adjustments, and some updated style would be welcome as well.


Santa needs you to create the blueprints/outfits for his elves’ new look. Entries will be judged on creativity, practicality and evocation of undefinable indescribable magical “elfiness.”


Entry drawings will be selected for a wrap up feature by Santa, Mrs. Claus and select editorial staff members. Rudolph will vote if needed as a tie–breaker.




DEADLINE IS MIDNIGHT DECEMBER 17 PST


The winning submissions will be posted in a wrap up article on December 20, 2014.


Post your submissions in the comments below!




Disclaimer: Naughty and Nice lists have not been locked in by the Clause Conglomerate so DeviantArt is not in any way responsible if your list standing is affected by your entry in this Spotlight Challenge.












After many years of heated negotiations, only the threat of unionization and a crippling holiday season strike by worker–elves could finally bring Santa Claus, the ultimate traditionalist, to the bargaining table to discuss new designs in elf attire. The iconic tights and tunics, belled “Aladdin” booties and “elf–hats” worn by Santa’s helpers’ today are no different than those worn by their great grandfathers centuries ago.

Deadline is Midnight December 17th PST.


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Avengers and their Pokemon

Wed Dec 11, 2013, 5:13 PM by madizzlee:iconmadizzlee:
FerioWind has been taking over the internet with her collection of the Avengers & their new best friends, Pokemon! (Well, at least what we would like to believe are their new best friends. :D) Check out her work below to see which Pokemon are teamed up with your favorite super heroes!

AVENGERS+PKMN - electric by FerioWind
AVENGERS+PKMN - progress by FerioWind
AVENGERS+PKMN - justice by FerioWind
AVENGERS+PKMN - soothing by FerioWind
AVENGERS+PKMN - efficiency by FerioWind
AVENGERS+PKMN - conquer by FerioWind
AVENGERS+PKMN - lookout by FerioWind
AVENGERS+PKMN - espionage by FerioWind
AVENGERS+PKMN - discipline by FerioWind
AVENGERS+PKMN - enforcer by FerioWind


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01-img-00b by techgnotic











Foreword by techgnotic


The Today Page welcomes Sylwia Telari with a review of the one of the most beloved animated feature films of Hayao Miyazaki, “The Castle Of Cagliostro.” A DeviantArt community member for over six years, Sylwia is a traditional artist, working mostly within the mediums of ink, graphite and water color, as well as a wonderful storyteller and concept artist. Sylwia is also a Community Volunteer for Traditional Art, so please let her know if you see an artistic work that you feel is worthy of a Daily Deviation in that category.











I watched The Castle Of Cagliostro after having seen all of the “Master” Miyazaki’s more recent films. It was a fantastic opportunity to see the foundations of his career and the roots of the magic Miyazaki formula that he would apply in his later productions. Based on the “Adventures of Arsène Lupin III” manga created by the artist Kazuhiko Katō (or Monkey Punch, as he prefers to be known), The Castle of Cagliostro (1979) has continued to be very positively received by audiences over the years, despite a not so enthusiastic review by Monkey Punch himself, who liked the movie overall but felt the character’s interpretation was too far a departure from his original conception.


Arsène Lupin III is quite the charming burglar, said to be a grandson of Maurice Leblanc’s famous character, the French gentlemen thief, Arsène Lupin, whose first adventure was published in 1905. One of the major differences between Miyazaki’s version and Monkey Punch’s original is Lupin’s personality, transformed from a cold and ruthless criminal into a fellow who is rather heroic and good–natured at heart. Such changes didn’t bypass the other characters either, creating the sort of ensemble so recognizable (although still not fully developed) for those familiar with Miyazaki’s later films.


One can easily notice the signs of the Miyazaki style that was to become the flagship of Studio Ghibli. Not quite what you can see in Nausicaä of the Valley of the Wind, released 5 years later, but with the attention to detail, the unusual camera angles and the pattern of movements personalized for each character, is exactly what you expect from Miyazaki in his other works. The setting, both the landscapes and the architecture, is a wonderful example of akogare no Paris, a romanticized vision of Europe (and European inspired locations), another trademark element of his productions. What may be surprising for long time Ghibli fans is probably the language used, as Miyazaki didn’t restrain himself from using more ‘colorful’ dialogue.


This movie will make you smile. It has a never-ending display of beautiful visuals to marvel at and chase scenes the animated equal of any in the James Bond films. It does have a few cheesy moments here and there, and a stereotypically evil, one–note antagonist, so atypical for a Hayao Miyazaki character. But it also has those forever memorable scenes that steal your heart and details that will make you wonder. The Castle of Cagliostro should be on your watch list. It’s a good one.











The Castle of Cagliostro (1979) has continued to be very positively received by audiences over the years, despite a not so enthusiastic review by Monkey Punch himself, who liked the movie overall but felt the character’s interpretation was too far a departure from his original conception.


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Billm by techgnotic













Sometimes a painter’s vision expresses and inspires what the zen philosopher’s words can only define and describe.


When remarkable lives defined by success and abundance are reviewed from their beginnings, it is remarkable that the narrowest of paths, sometimes a precarious balancing between life and death itself, led to the decision to fight on when failure seemed certain. So it was for our beloved friend Bill Murray, having once entertained the thought of ending it all before his career had a chance of getting started.


Just imagine how much pure unadulterated joy the world would have been denied had Bill taken that one fatal misstep in his journey on a cold day at the water’s edge…



Nixon’s world imploded…


…With his resignation as President of the United States in the summer of 1974 and a more hopeful America arose in its place. A part of this new world was a fresh anarchistic current of comedy that satirized all the stale conventions of the society that gave us Nixon, ‘Nam and “TV Dinners.” In ’75 a funny guy named John Belushi brought Bill Murray into the “National Lampoon Radio Hour” (a sort of post–grad project of “Harvard Lampoon” alumni). In ’77 Murray was drafted into the then–revolutionary Saturday Night Live during its second season to replace it’s first “star” departure, Chevy Chase. Hip America fell in love with Bill’s “unmade bed” everyman persona over the next three SNL seasons.


Bill then transitioned well into the movies with Meatballs, Caddyshack and Stripes.


In 1984 he agreed to step into a part vacated by the death of his friend, John Belushi, who was perhaps the single most significant champion and promoter of his early career. He took the part to help finance his remake of The Razor’s Edge, from the Maugham novel about a man’s search for spiritual meaning in a violent and randomly cruel world—issues obviously on Bill’s mind in the wake of John’s death. Ghostbusters went on to become one of the box office blockbusters of all time. Razor’s Edge is gone and all but forgotten.



Bill starred in audience favorite Goundhog Day, but most of his film work has tilted into more experimental and eccentric moviemaking, like Wes Anderson’s Royal Tenenbaums, Life Aquatic with Steve Zissou, Fantastic Mr. Fox and “Moonrise Kingdom.” In 2003 he starred in what he has claimed is his favorite role, as the American movie star Lost in Translation in Japan, having flown in to pick up a big check for doing a TV commercial. The Sofia Coppola–directed film afforded Bill the space to examine a life of fame, opportunities, generous remuneration for one’s talents—and yet still nagged by the core loneliness afflicting all humans. That we’ll never know what it is (perhaps some zen wisdom from Razor’s Edge) that he whispers to fellow traveler and lost soul Scarlett Johansson is the moment that elevates this movie into humanist masterpiece, the small detail that defines our lives on Earth. Pure movie nirvana.


Bill may be our slacker Buddha who continues to define in his every brilliant comedic choice the finer ironic points of modern living, but there was a time when darkness nearly swallowed his developing mind after a comedy club audience gave a thumbs–down to his stage debut. Bill was the disgraced newbie with the Second City crew in Chicago and in fit of depression decided to drive to Lake Michigan. Lucky for us, he had to pass the Chicago Art Institute on his way to the murky shore.


Lucky for us



He decided to stop and take a moment before entering oblivion to put some beauty in his head. Lucky for us, that Jules Breton painted The Song of the Lark in 1884. The painting is of a stoically beautiful peasant woman at dawn, readying herself for another day’s hard labor in the fields. Her eyes are raised heavenward, as she apparently hears a lark, a small bird living hidden on the ground, but a singer of beautiful songs when having raised itself up into full flight. Lucky for us, that this painting was there to save Bill Murray’s life and renew his spirits, as he recently revealed, obviously resonating with the comic capable of transcendent humor but who had, nonetheless, crashed and burned on his first attempted public “flight.” Lucky for us that an appreciation for art was a large enough part of his life to inspire him to soar again.










Your Thoughts






  1. Have you ever had the experience of being lifted out of a seriously dangerous depression or sadness by losing yourself in a work of art? Was the artwork on deviantART and would you share by posting it here in the Comments section?

  2. Is there a particular artist whose works you look at to be uplifted or that invariably just make you feel happy?










Sometimes a painter’s vision expresses and inspires what the zen philosopher’s words can only define and describe.


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紅蓮の弓矢 Guren no Yumiya is the opening song for anime Shingeki no Kyojin~

well as you know,i'm a hardcore fan of blood and gore anime so this song has picked my interest :3
maybe the meaning was a bit brute but still has a good point in it.... :iconthinkingplz:
:O *huh!! i'm just babbling here.....where's the good point anyway??*
*ok...seriously this is just my opinion* :p
haha....

and this song was already in my collection~
i like a song in this type very much!! XDD
the one that sang with full spirit and upbeat *am i using the right word?? argh!!.....curse my English!! -_- *
hohoho~

here's the lyrics and translation :
enjoy!!~ :)

:iconrainbowsparkleplz: ~~>LYRICS<~~ :iconrainbowsparkleplz:

Sie sind das Essen und wir sind die Jäger!
Fumare ta hana no namae mo shira zu ni
chi ni ochi ta tori wa kaze o machiwabiru
inotta tokoro de nani mo kawara nai
ima o kaeru no wa tatakau kakugo da
shikabane fumikoe te susumu ishi o warau buta yo
kachiku no annei kyogi no hanei
shiseru garou no jiyū o!

toraware ta kutsujoku wa hangeki no kōshi da
jōheki no sono kanata emono o hofuru yēga ?
hotobashiru shōdō ni sono mi o yaki nagara
tasogare ni hi o ugatsu guren no yumiya

:iconrainbowsparkleplz: ~~>TRANSLATION<~~ :iconrainbowsparkleplz:

They're the prey, and we are the hunters!
Without even knowing the name of the flower it had stepped on
The bird that had fallen to the ground, grows tired of waiting for the wind
In the place where it prays, nothing changes
But what does change, is its readiness to fight
It steps over the corpses, and moves forward, the pig that ridicules intentions
The peace of the cattle, and the flourishing of deceptions
Can kill off, the freedoms of the hungry wolf

The disgrace that was taken prisoner, is the counter attack of beginnings
You're a hunter, who slaughters his prey in the castle wars
As the impulses that gush out fire up your body
Your crimson arrow that slings from your bow drills a blood red scarlet hole into the twilight.

i love gif :iconbummy1: :iconbummy2: :iconbummy3:
Eren Jeager photo tumblr_mkusxrip8M1rwgj3ko1_500_zpscfc080ff.gif

ps: i'm still learning how to use DA :p
    so....sorry if any of my journal was extremely bored until you could die.... :(
    *ah!! don't die!! i didn't want to take any responsibility*
    lol....bored --"
    and i don't know how to make joke~ :iconsighingplz:

tsk.....then i'll take my leave

*if there's any grammar mistake....don't blame me!! English isn't my native language*
~DOGEZA~
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