Contest: Crossovers! As kids, we often mashed our toys together, regardless of Copyright. Superman would take command of G.I. Joe to defeat the combined forces of Doctor Doom and the Decepticons, while Barbie took a break from her idealistic lifestyle to become a Pokemon master. And the Teenage Mutant Ninja Turtles got recruited into Starfleet and taught Spock the wonders of pizza. (And from the furor arose Mister Rogers in a blood-stained sweater.)
And thus, the Crossover was born. It's something we never really outgrew, either. To this day, seeing our favorite characters from different stories meet and compete is a guilty pleasure that we all like to indulge in. So now's your chance to indulge yourselves for prizes!
Getting Exposure for Your Art: Part 4This was created for the :iconbuild-your-platform: group! Share, join, & enjoy!Getting Exposure for Your Art: Part 42 years ago in Other More Like This
Read the journal entry for this article.
We're looking for ways to gain exposure for our art. We are looking at factors that people often miss when starting to spread the word about what they do online. In Part 1, we looked at the basics of setting up an online profile on any social or professional platform. In Part 2 we learned the three elements of meaningful interaction that make the most of each connection you make. In Part 3 we learned about the basics of content experimentation & marketing.
Next is the most important ingredient to cultivate in yourself as your career grows: attitude. It's more important than you may think.
Be a Professional
Let's say you're
Tips for the Messy WriterWhen the Muse StrikesTips for the Messy Writer2 years ago in Writing More Like This
I don't know about you, but most of my ideas for writing come to me in the shower. There I'll be, rinsing the shampoo from my hair, and suddenly a line flits through my head - a line so beautiful, so perfectly balanced between the universal and the personal that if I do not capture it immediately my muse will torment me with silence the rest of the year. Generally this situation ends with me haphazardly wrapped in a towel, running down the hall past the rest of the household - who have now learned to politely look the other way - to the dry erase board on the refrigerator where I can scribble out the thought before it evaporates into the ether.
If this is a situation familiar to you, then you may be what I call a messy writer. Messy writers are those for whom organization is not always advantageous, or even possible. This short guide offers five rules I've discovered help keep me on track once I've started a writing task. I hope you'll find them h
Writing BEGINNINGS for Short StoriesWriting BEGINNINGS for Short Stories1 year ago in Writing More Like This
I was wondering if you had any tips on starting a short story? Like for instance, I have the scene all laid out in my head, I know exactly what's going on and stuff, I just don't know how to begin without giving away too much info and then boring the reader. If that make any sense.
Tips on how to make a beginning...?
-- Why, yes I do!
The fastest way to start a story -- is NOT at the beginning.
Open the story within one page of Hero Meets Villain, (or Lover Meets Beloved) with the story already in progress. Action scenes and snappy dialogue are the best hooks for snaring your reader, but hints of Mysterious things yet to happen works well too. I also set the stage for the story about to begin with a few lines of Description so that the reader can SEE everything as it happens.
Here are some examples from my fan-fiction:
Opening to HERO (Naruto)
It was supposed to be a
How to Write DescriptivelyHow to write descriptively - ookami-shojo style!How to Write Descriptively3 years ago in Writing More Like This
Okay, so I've been asked by a lot of people how I write the way I do, especially in such detail.
Sorry guys, but I can only reply that it comes naturally.
But that's not to discourage you! It took me quite a while to think of this, and now I have a solution.
I won't guarantee this will work for you, or that you'll find this the easiest method of all, but just give it a shot.
So we start with this sentence:
She walked over to her father.
Pretty boring, right? Well that's what we're here for.
1. Okay, so here's the first step:
Ask yourself the critical questions.
Don't just ask yourself the pointless ones. Remember, they have to be questions that relate directly to the sentence.
So this is an action sentence. Its somebody doing something. We've figured that one out so far. It's a slow start, but it's important, trust me. Now we know that I can ask this:
Why is she walking?
DeviantART: A Critical Community (Part 1)You may have heard...DeviantART: A Critical Community (Part 1)6 months ago in Other More Like This
From the most novice to the most accomplished, dA is home to artists of all types and skills. This mish-mash of talent, experience, knowledge, and eagerness to learn creates a beautiful opportunity for mentorships between those who are learning and those who are willing to lend their time and patience to a burgeoning new artist or writer. But forming those relationships can be daunting for those looking for help and unfulfilling for those offering that help.
This is the first of a two part article series that aims to address a few key points of miscommunication that seem to be common between those willing to offer critique and constructive commentary and those seeking feedback. You may have heard that the critique community on deviantART "sucks" or "doesn't exist", but I'll humbly beg to disagree. I've been an activ
Contacting the deviantART Help DeskContacting the deviantART Help Desk2 years ago in Other More Like This
The unofficial tutorial
Franšais: Contacter le service d'aide de deviantART.
Suomi: Yhteydenotot deviantARTin Help Deskiin
Other language? Watch #InternationalFAQ Can you translate? Please feel free!
Where to find the Help Desk?
On any dA page, go to the very bottom and click "Help & FAQ" (which looks like this).To the left, click "Contact the Help Desk" (
Traditional vs Indie PublishingSo you want to be a published author. Good for you! Now that you know what you want, let's take a look at the paths you can take to get there.Traditional vs Indie Publishing2 years ago in Writing More Like This
In the past a writer could eke out an acceptable existence churning out a few books per year with a small following. The editor refines the work, the marketing team finds the audience and pushes it to the shelves. To this day, it's pretty much the only way to get into a major bookstore. Much of the books you see in stores are reprints, heavily marketed works from established authors, or the much vaunted "first bestseller" from a new author. So where does that leave the new author?
Increasingly, the answer is "nowhere". Editors have smaller budgets than ever before imagines, smaller teams and higher bottom lines. Plus, due to the prolific nature of instant communication, they are also flooded with query letters. It is tougher to get not
High Speed STORIESHigh Speed STORIES5 years ago in Writing More Like This
When you absolutely, positively, HAVE to get the story done.
The trick to speed-writing is to Plan the story out first, more commonly known as PLOTTING.
"Diabolic" was written in 30 days -- all 15 chapters at 2500 to 3000 words per chapter, adding up to around 80k (thousand) words. A novel is 90k to 100k. I was able to do this because I already knew my main characters really well, (Vincent and Sephiroth of Final Fantasy VII,) and I knew where my story ENDED. Basically, once I knew where I wanted to go, all I had to do was figure out how to get there.
Note: If you're interested, DIABOLIC can be found at Media Miner. The 'Search' feature is your friend!
The plot outline I used only had 5 points:
1. Beginning - The Main Character gets involved with the Villain or Lover.
2. Complications - The situation worsens.
3. Emotional Turning Point - Panic Attack! Fear and/or Guilt vs. Desperation
4. Reversal - The wor
The LAYERS of FictionThe LAYERS of Fiction5 years ago in Writing More Like This
"If you have Action and Dialogue, do you really NEED Description too?
What is the difference?"
The Layers of Fiction
"Himawari-chan, I have your lunch!"
"Here you go Himawari-chan!"
"Thank you, Watanuki-kun!"
"You are very welcome, Himawari-chan."
"I see. Of course. Thank you, Yuuko-san. Do I need to tell you what she said?"
"No! No, you don't, and I don't want to hear it! I don't need a freaking baby-sitter!"
"Yuuko thinks you do."
"That's her! Not me!"
"Are you a fortune-teller?"
"No! Of course not!"
"I'll come get you after class. I'll get the instructor to let you wait while I practice."
"What? No! I said I don't want to wait !"
"You gonna eat that?"
"Yes I am!"
"I do not, not, NOT take orders from you!"
This is "Talking Head Syndrome." There are no dialogue tags, because I don't use them.
An Unkindness of COMMASAn Unkindness of COMMAS4 years ago in Writing More Like This
I SUCK at commas big-time. I tend to pull a "Mark Twain"; I sprinkle them in wherever to break up the monotony of the sentence. This article is my attempt to hammer the rules into my brain.
An Unkindness of COMMAS
What the heck are Commas for, anyway?
Besides abusing the sanity of the writer, the comma exists to help readers organize information in a sentence. It makes all the stuff the author is trying to say easier to swallow. Without them, sentence bits and pieces collide into one another causing confusion; rather like a train-wreck, though not nearly as exciting.
Just in case you'd like to know who made up all these comma rules, I got most of them from Strunk & White's "Elements of Style" the grammar handbook used by every publishing house in America, and a few overseas. The rest came from my editors.
To get a good idea of how commas work, let's take a look at what they are supposed to do -- and some major
INTERNAL CONFLICTINTERNAL CONFLICT5 years ago in Writing More Like This
Note: this is how the professional authors do it. That doesn't mean YOU have to. As with all advice, take what you can use and throw out the rest.
His lips drifted across hers in a warm caress. His hand pressed at waist, the heat of his palm warming her flesh through her corset underlying the deep blood silk gown. His fingers drifted upward, toward her breast.
Desire pulsed within her core, in time with her heart. She wanted to let him tear the red silk from her body, and bury himself in her flesh, but set her palm over his to stop him just below her breast. He was a vampire and she, a mere mortal. The fear in her soul told her to stop, and yet her body begged for his mouth on her flesh. I am overcome, overcome by a desire I know only he can satisfy... He fired her blood more than any other man.
She turned away from his kiss. "Please, I can't."
His gaze narrowed, then he smiled. "
The Wasteland AKA the MIDDLEThe Wasteland AKA the MIDDLE5 years ago in Writing More Like This
The Trackless Wasteland known as: The MIDDLE
The middle (of a story) KILLS me. I freeze when I have to decide which way things are going to go, and how, and that happens during the middle for me.
Middle, middle, middle... It's the Slough of Despond!
The Middle is where I usually fizzle out.
The middle is DANGEROUS territory.
Why? Because the Middle of a story is where you have a million-and-one options, a million-and-one directions to choose from, and a million-and-one ways to really show off your writing skills.
The Middle is also, where you have a million-and-one opportunities to really screw up your story for good. Opportunities that will send you spiraling into ever tightening circles that eventually jam you into a corner you can't get out of. In short: get you Lost in your own story.
You KNOW yo
Pesky Point of ViewPesky Point of View5 years ago in Writing More Like This
DISCLAIMER: Before anyone starts screaming about this article not emphasizing the Creative aspect of writing, please understand that this information was hammered into my head by my editors. This is what I had to learn to see my work published.
That doesn't mean you have to follow it! As with all advice, feel free to take what you can use and throw out the rest.
Pesky Point of View
What is Point of View (POV)?
-- It's the view of the person telling the story.
First Person: I am telling the story.
Second Person. I am telling the story to YOU. (Diaries and letters are commonly written this way.)
Third Person: He is telling the story.
Close Third Person: He had no clue how he got roped into telling this story, but he was telling it, and by god, they better listen up!
Omniscient Distant POV: The camera's eye view. (No internal narration what so ever. You only know what the camera sees. This is the POV u
ACTION Sequences - Plug+PlayACTION Sequences - Plug+Play5 years ago in Writing More Like This
Writing ACTION Sequences
The Plug & Play Method
Lets begin with a Review...
The flash of pain exploded in my cheek from the slap her hand lashed out at me.
Why is this wrong?
If you were watching this scene as a movie, that sentence is NOT how you would have seen it happen.
Actual Sequence of events:
1) Her hand lashed out at me in a slap.
2) A flash of pain exploded in my cheek
ACTION Sequences = Chronological Order
REALITY = something happens to you and then you react.
Action > Reaction > Action > Reaction = Chronological order
FICTION = the Plot happens to the characters and then they react.
Action > Reaction > Action > Reaction = Chronological order
If you want the reader to SEE the actions that you are trying to portray, Chronological Order is the ONLY way to write that scene. In other words, if you visualize the characters doing something in a specific
Writing DESCRIPTIONWriting DESCRIPTION5 years ago in Writing More Like This
Tricks for Writing DESCRIPTION
------------- Original Message -----------
"I think the biggest problem I have is lack of detail. I can see things in my head, but other than the general surroundings, I'm always too intent on what my characters are thinking, or doing, or about to do to remember to add the details necessary to paint a really clear picture of where they are and their environment." -- Wanna Rite Reel Gud
The way to deal with that is by writing what you can. When you're done, go back and put in all the rest. Also, in situations like this, a beta-reader is your best bet at seeing where you skipped something.
As for What to describe and How Much to describe
Getting the IMAGE on Paper
Avoid Simple Nouns:
- Use a Specific Noun rather than a simple and vague noun to automatically pop in description.
Instead of: the door, the car, the tree, the house, the sword, the robe, the hat...
Write: the French doors, the
Basic PLOTTINGBasic PLOTTING5 years ago in Writing More Like This
A plot is the pattern a story follows, the most common being:
All successful (read: popular) stories have patterns. Sometimes it's simple, sometimes it's complex, but all of the stories read or told often enough to remain in the popular mind of any culture have a pattern, a plot.
Here are some examples of simple plot patterns
American Dream Version:
He became very rich.
The Heroic version:
He became the leader of his people.
He died in the middle of a glorious battle to defend his land, and became a legendary figure that would never be forgotten.
Aristotle's Elements of a Greek Tragedy - simplified:
Act One: He rose to glory.