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Similar Deviations
my apologies u.u my english isnt too good thats why its in spanish
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Ok penciling now, follow me LIVE, whilst I make this on:

Livestream: [link]
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Haciendo un simil, dibujar o pintar es como los coches automáticos (simplificando), tiene 2 velocidades (high & low). Hay que saber diferenciar y aplicar la velocidad correcta en el momento correcto.
En las primeras fases, cuando se esboza el global hay que dedicarle tiempo olvidándo los detalles y centrando la atención en temas como proporciones, ritmo, composición, etc. Solo cuando esta fase está bien construida puedes pasar a la siguiente velocidad más lenta que te permite trabajar en profundidad los detalles.
Tal y como comentaba en la anterior entrada, había cometido el error de trabajar detalles superfluos sin tener claras las ideas. Así que ponemos la imagen con un zoom que nos permita ver toda la imagen para trabajarla en su totalidad.
Analizando la fase anterior, podríamos decir que la pose es un "palo" y que tiene menos gracia que un chiste de Carlos Arguiñano; todas las direcciones son paralelas y no convencen.
Redibujo el cuerpo para que la línea de acción no sea prácticamente una recta, hago el culo más respingón, giro un poco el brazo visible para obtener un espacio que me permita percibir mejor la silueta, arreglo un poco la proporción del cuello bajando un poco la cabeza, cambio la tensión de la tela en la zona del pecho para que visualmente se dirija hacia arriba, cambio ligeramente la dirección de la mano superior para que no sea paralela al cuerpo, etc...
Respecto a la sombra de la pierna. En la fase anterior era una sombra cortante que nos dirigía la mirada hasta que se salía del plano, sin embargo en la nueva versión prácticamente desaparece esa sombra cortante y aparece una zona iluminada en la parte superior del culo; ese elemento hace que cuando visualmente hacemos el recorrido desde la cabeza hacia abajo, el ojo se dirige a ese punto de atención, evitando de este modo que el ojo se vaya fuera de la imagen.
Continuará...

ENGLISH TRADUCTION [GOOGLE TRANSLATOR]
Using a simile, is like drawing or painting cars automatic (simplified), has 2 speeds (high & low). Must differentiate and apply the correct speed at the right time.

In the early steps, when outlining the overall need to spend time forgetting the details and focus on topics such as proportions, rhythm, composition, etc.. Only when this phase is well built you can move to the next slower speed that allows you to work in depth details.

As commented in the previous post, I was mistaken to work superfluous details. So i put the picture with a zoom that allow me to see the whole picture to work it in its entirety.

Analyzing the previous phase, we could say that the pose is a "stick", all directions are parallel and not convincing.

Body to redraw the line of action is not practically a straight line, I went up the ass, twist your arm because i need a little visible space that allows me to better perceive the silhouette, slightly the proportion of the neck down the head, change the tension of the wrinkles in fabric in the chest area to visually directed upward, slightly change the direction of the upper hand so that it is parallel to the body, etc ...

Respect to the shade of the leg. In the previous phase was a shade sharper than we ran the eye until out of field, but in the new version is practically no shear and that shadow illuminated area appears at the top of her ass, this element means that when we visually the journey from the head down, the eye goes to that point of care, thereby avoiding the eye to go out of the picture.
Continued...
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En este paso he disminuido las proporciones de la cabeza y he ajustado la luminosidad de la piel.
Por otra parte, voy modelando todos los elementos para que adquieran el volumen deseado como por ejemplo el pelo. También es necesario ajustar el color del fondo para crear el contraste necesario para facilitar la lectura de la imagen.

ENGLISH TRADUCTION [GOOGLE TRANSLATOR]
In this step I have decreased the proportions of the head and I adjusted the brightness of the skin.

In addition, I modeled all the elements to acquire the desired volume such as hair. It is also necessary to adjust the background color to create the necessary contrast for easier reading of the image.
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Here is a 'making of' I made on request of the website CGArena.com from which I just received an Excellence Reward for the Illustration itself.
I'm pretty happy to share this with you if you are interested or you can also directly check it out on their site here: www.cgarena.com/freestuff/tuto…
This is a very top notch one, so I strongly recommand it!!

Thanks for watching and great support!!
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Penny Cover WIP

03- Ruffy Lines

PS CS5
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:bulletred: Sketchcraft - The podcast for art, design, and process junkies. - [link]
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Lace edging can usually be added to a corset at any time, simply applied over the existing edge binding.

For more tutorials, please visit my web site: [link]


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This is a Imagepack brush set for use in Paintshop or Photoshop. I did it in an Imagepack so that you can use it if you have any type of "Paint" program. I do have a zip download of some of my brushes for Paintshop located here if you want it instead...www.geminimoon.net/brushes.php
along with other brushes I have made are on that site as well.
Please link back to me and my site if you use them, and let me know if you use them. I would like to see what you make :)
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Video on youtube
Part 1
[link]
Part 2
[link]
Part 3
[link]

[link]
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Wild styles, more styles in my gallery...

Add me +watch or donate some points.
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