Character Creation TipsCharacter Creation Tips8 years ago in Writing More Like This
Note: I wrote this after reading a similar article in The Writer magazine about a year ago. Hope it's helpful!
Not all characters are created equal. Here are some steps to make yours superior.
Figure out what your character wants, needs, desires. A closer relationship with God? A place to belong? Just to survive? Figure it out. You cant move on to number 2 until you have.
Now that you know what your character most desires, you should be able to figure out what he/she most fears. Doing the wrong thing, being alone, death? They are the polar opposites of your characters desires.
Go back in time to before your story begins and create a detailed backstory for your character. What happened in to past to create in him the desires and fears that he has now? Be specific. Write out individual scenes, or at leas
How to Write About VampiresHow to Write About VampiresHow to Write About Vampires7 years ago in Writing More Like This
There are a lot of stories out there about Vampires. But not too many of them make their characters touchable or human. The characters are usually so out of touch with their humanity that the reader really cannot connect with the character. That happens to be one of the main sticking points.
How can I make my Vampire more human?
Well for the Vampire, dont make them too into themselves. Vampires cannot see themselves in a mirror, so how can they be vain? Believe me, if you ever read any of the classic horror novels and do you see any vampire with the ability to see themselves in the mirror? No you dont, so please dont make a vampire vain. Vampires still have their human vices when they turn, yet they can only either recall bits and pieces of their human life or in some cases, they can remember all of it.
What all characteristics do typical Vampires have?
All vampires dont run ar
How to Write About WerewolvesHow to Write About WerewolvesHow to Write About Werewolves7 years ago in Writing More Like This
There are a lot of stories out there about Werewolves. But not too many of them make their characters touchable or human. The characters are usually so out of touch with their humanity that the reader really cannot connect with the character. That happens to be one of the main sticking points.
How can I make my Werewolf more human?
Werewolves cannot remember their moonlit feedings when they are in human form. They are still human yet it is not very obvious that they have an issue. They still have the ability to love, hate, etc that a human can have just that when the moon is out, they cannot recall anything from during the day. That means that anyone is a free meal.
What characteristics do all Werewolves have?
In werewolf form they have the body hair, bigger muscles, longer teeth and faster speed. They are more animalistic than human. They can also walk on all fours or on two legs. Depends on what
Essentials of a Short StoryEssentials of a Short Story5 years ago in Writing More Like This
Essentials of a Short Story
Quotes raped from a critique of Nathanial Hawthorn's Twice Told Tales by
Edgar Allen Poe - 1837
Edgar Allen Poe, celebrated as one of the finest short fiction writers of all time, was also a literary critic. These are bits of his wisdom on writing short stories, gleaned from one of his critiques.
"The true critic will but demand that that the (story's) design intended be accomplished, to the fullest extent, by the means most advantageously applicable " -- Poe
Poe's Prerequisites -- in a Nutshell:
To deliver fullest satisfaction, a short story should be structured:
1) To be read in one sitting.
2) Using a deliberate number of characters and incidents.
3) With words restrained in style and tone.
4) All done that should be done, with nothing done which should not be.
Poe's Prerequisites -- in DETAIL
A short story should be structured:
1) To be rea
I'm Suing You: Why Do We Make Mary Sues?I'm Suing You: Why Do We Make Mary Sues?3 years ago in Writing More Like This
First of all, I freely admit that what I say isn't gospel. I am a total amateur at art and writing. I've learned everything that I know via the internet and a few drawing books. It's just that I appreciate all of the tutorials here on dA that have helped me out, and I want to put a little bit of my own methods back in.
Let me get this out of the way: I only write tutorials if I feel that I have something to add to the topic or if I feel like it's one that few people touch on. So then why on Earth am I writing about Mary Sues? Everyone's written about them! And it's true; this topic has been well-explored in countless places that it seems pointless to go over it again. Heck, you can find one of my favorite Sue-torials here (WARNING: THESE THINGS ARE HILARIOUS). I'm not even going to tell you what a
How to name your charactersHow to name your characters7 years ago in Writing More Like This
NAMING YOUR CHARACTERS
There are many problems that a writer can come across when selecting a name for a character, here I hope to deal with some of the major pitfalls, and hopefully give some useful tips
~ Unique and different names are not an excuse to ignore good characterisation. Would you take these characters seriously?
Southern. D. Wattserfield
These are all names that I came up with off the top of my head or based on words about my desk. It is not difficult to come up with a new, unique name. But that doesnt instantly make your character interesting or cool.
There is nothing wrong with an unusual name (something my parents have told me for years), but if your story is chock full of unique and different names then many established readers and writers may not take your work seriously.
I once read someone
Worldbuilding Part1: MapmakingWorld Building Part 1: Map MakingWorldbuilding Part1: Mapmaking7 years ago in Writing More Like This
Welcome all to World Building, the talk show that helps with all aspects of writing and creating. Please welcome your host Seleane Gray!
Hello, everyone. Today well be working on maps. There are a few types of maps:
1. The World Map this is where you will see an overview of your world.
2. The City Map this is where you will see each city your character is in with intricate detail.
3. The Building Map this is where you will see each building your character is in with elaborate detail.
4. The Ship Map also known as the Transportation Map, is for the vehiclesi.e. ships, air balloons, and anything your imagination can make upit will show each one in the range you wish (this map isnt necessary but Ill show you anyway).
So lets get started!
First, youll need to find/buy/gather the following:
1. A large, clean surface, preferable size to be 4 by 2.5
2. Graph paper an
OC Mary-Sue Test 2.1OC Mary-Sue/Gary-Stu TestOC Mary-Sue Test 2.14 years ago in Writing More Like This
This test is designed for Original Characters. Questions for Role Play Characters and Fan Characters will be added soon.
Now, this tests for both the traditional Mary Sue/Gary Stu, and for 'gloomdog' style characters, which I suppose is a sub-category of the Mary Sue, but is often over-looked in this kind of test.
Further down this test, there is a list of traits and characteristics, each one stating how many points that particular trait is worth. Simply read through the list, and give your character the appropriate number of points for each of the listed traits/characteristics displayed by your character.
When you reach the end of the list, add up all of your character's points and refer to the results at the very bottom of the test to see (approximately) where your character is on the Sue Scale.
Now, while you're taking this test please also take into account
The Art of VILLAINYThe Art of VILLAINY5 years ago in Writing More Like This
The Art of VILLAINY ~ Making Realistic Villains for your Fiction ~
"People will do far more to Avoid Pain than they will to Seek Pleasure."
-- CIA Profiler Gavin DeBecker on Human Nature
When I craft a villain, I go out of my way to make darned sure that my fictional villains are as realistic as the villains we face in real life. I begin by giving them ordinary human Issues.
Within every villain (fictional and non-fictional) there's a human issue at core that drives them to BE villains in the first place. Even mass murderers have reasons (however twisted) for doing what they do.
NO villainous action is RANDOM.
The victim may be randomly chosen, but the action -- no matter how twisted -- always has a reason behind it. That reason is ALWAYS driven by a very human issue triggered by an unfulfilled and essential human need.
Key Human Issues:
* Desire for Connection