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This is the cover for X-Men Legacy #269 for Marvel Comics featuring Rogue and Ms. Marvel. Penciled digitally on a Cintiq in photoshop, inked traditionally on Bristol Board with Faber Castell Pitt pens and Pentel brush pen, and then colored on photoshop.

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-Mark

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Cover for the final issue of X-Men Legacy(#275) for Marvel Comics featuring all the major players from the current X-Men universe that I could fit in. Penciled in photoshop on a Cintiq 21UX, printed out in non-photo blue on 100lbs. Bristol board and inked with a Pentel brush pen and Copic multiliners. Digitally painted in photoshop.

Bonus points if you can name them all=)

And you can still order my new 48 page hard cover artbook by e-mailing markbrooksart@msn.com for info and read about it here-[link]

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-Mark

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This is the cover for Avengers vs. X-Men: Consequences #4 for which I also did the interior artwork as well. All I kept thinking to myself while drawing this was "I'm going to kill you with this junkyard".
Penciled on a cintiq 21UX in photoshop, inked on 100lbs. Bristol board and digitally painted in photoshop.

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-Mark
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Piggy backing off yesterday's submission, here's the color version of Captain Marvel along with some process photos showing the steps it took to create her. Done in ink, copic markers, and white prismacolor pencil and white acrylic.

See the original black and white version here: [link]

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-Mark
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This is my variant cover for X-Men #1 coming out in May from Marvel comics. Showing the pencils, digital colors and the original layouts for the cover.

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-Mark
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Commission piece of Carol Danvers aka-Captain Marvel(formerly Ms. Marvel) from Marvel Comics. Done on Canson drawing paper with ink brush pens, warm and cool Copic markers, white prismacolor pencil, and Uni-ball Sigma white pigma pens. Entire thing including the start field was done traditionally.

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-Mark
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A part of a Heroes Con 2012 pre-con commission, this Phoenix is Copic markers, white ink, and colored pencil on a sketch cover X-Men #1.

These covers can be really hit or miss in regards to how well they take Copic markers, and even ink. I think it has something to do with the sheen or gloss on the board. And it varies from run to run. In fact, I know artists who flat-out won't do sketch covers as a result. This X-Men #1 blank was honestly great though. Best of the sketch cover stock I've used. I think I was really able to work well with it, having a minimal of problems.
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X-Men Legacy #261 cover done for Marvel Comics. Penciled and inked on Strathmore Bristol board and digitally colored in photoshop.

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-Mark
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This is the cover for Fearless Defenders #2 for Marvel Comics. This issue is the debut of Dani Moonstar into the team so I wanted to do something that announces her arrival and is very eye catching as well so I thought an action figure package would be a cool idea and create a cool illusion for the cover. I wanted to go very realistic with the action figure part so I tried to make it look as convincing as possible. If I did my job you might find some people in the comments who didn't read the description and think it's an actual figurine in its package. The other characters on the cover are Valkyrie and Misty Knight. Penciled and inked on Bristol board and digitally painted in photoshop.

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-Mark

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Cover for X-Men Legacy #266 for Marvel Comics. To the left is the 5 layouts I sent to Marvel so they could choose which one they liked best. To the right is the pencils I did digitally on my Cintiq in photoshop and the inks which were done traditionally on Bristol board with a Pentel brush pen and Copic Multiliners. The final cover was colored in photoshop CS2

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-Mark

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