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Similar Deviations
Illustration for ''Silmarillion'' of John R-R Tolkien
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Telperion and Laurelin, the Two Trees of Valinor described in the Silmarillion :-). Technique: oil pastels and pencil.
"The one had leaves of dark green that beneath were as shining silver, and from each of his countless flowers a dew of silver light was ever falling, and the earth beneath was dappled with the shadows of his fluttering leaves. The other bore leaves of a young green like the new-opened beech; their edges were of glittering gold. Flowers swung upon her branches in clusters of yellow flame, formed each to a glowing horn that spilled a golden rain upon the ground; and from the blossom of that tree there came forth warmth and a great light."
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Beneath the long slopes of Mount Taras in bygone days Turgon had dwelt in the halls of Vinyamar, eldest of all the works of stone that the Noldor built in the lands of their exile. There it still stood, desolate but enduring, high upon great terraces that looked towards the sea. (...) Tuor went up the wide stairs, now half-hidden in thrift and campion, and he passed under the mighty lintel and entered the shadows of the house of Turgon; and he came at last to a high-pillared hall. (...) Then Tuor marvelling saw that on the wall behind the throne were hung a shield and a great hauberk, and a helm and a long sword in a sheath. The hauberk shone as it were wrought of silver untarnished, and the sunbeam gilded it with sparks of gold. But the shield was of a shape strange to Tuor's eyes, for it was long and tapering; and its field was blue, in the midst of which was wrought an emblem of a white swan's wing. Then Tuor spoke, and his voice rang as a challenge in the roof: 'By this token I will take these arms unto myself, and upon myself whatsoever doom they bear.'
Now Tuor felt his feet drawn to the sea-strand, and he went down by long stairs to a wide shore upon the north side of Taras-ness (...). And Tuor stood upon the shore, and the sun was like a smoky fire behind the menace of the sky; and it seemed to him that a great wave rose far off and rolled towards the land, but wonder held him, and he remained there unmoved. And the wave came towards him, and upon it lay a mist of shadow. Then suddenly as it drew near it curled, and broke, and rushed forward in long arms of foam; but where it had broken there stood dark against the rising storm a living shape of great height and majesty. Then Tuor bowed in reverence, for it seemed to him that he beheld a mighty king. A tall crown he wore like silver, from which his long hair fell down as foam glimmering in the dusk. (...) And thereupon Ulmo lifted up a mighty horn, and blew upon it a single great note, to which the roaring of the storm was but a wind-flaw upon a lake. And as he heard that note, and was encompassed by it, and filled with it, it seemed to Tuor that the coasts of Middle-earth vanished, and he surveyed all the waters of the world in a great vision: from the veins of the lands to the mouths of the rivers, and from the strands and estuaries out into the deep.
He awoke at length in the grey light, and arose, and left the high seat (...). And Tuor looked down from the lowest terrace and saw, leaning against its wall among the stones and the sea-wrack, an Elf, clad in a grey cloak sodden with the sea. Silent he sat, gazing beyond the ruin of the beaches out over the long ridges of the waves. All was still, and there was no sound save the roaring of the surf below. As Tuor stood and looked at the silent grey figure he remembered the words of Ulmo, and a name untaught came to his lips, and he called aloud: "Welcome, Voronwë! I await you."
The Unfinished Tales (Of Tuor and his Coming to Gondolin)


watercolor pencils, soft pastels

Third part at last of my series of illustrations for the story of Tuor and the Fall of Gondolin (in the Silmarillion and the Unfinished Tales), which I drew last summer as a commission for certain Tolkien-fans.
Tuor had come to Vinyamar, found the armour which had been left there long before by king Turgon and he encountered first the Vala Ulmo and then Voronwë who then took him to Gondolin. It is really a powerful part of the story and it wasn't easy for me to decide, how to illustrate it. Ulmo appearing to Tuor is one of the most popular scenes from the Silmarillion, if I can judge from the number of illustrations (I saw at least six versions of it, including of course famous illustrators such as Ted Nasmith) so I chose a slightly different approach, showing not the meeting itself, but rather the vision of waters of Arda. As for the lower panel with Voronwë, you may have seen my older illustration of Vinyamar, so here I took the liberty to use a previously established setting. :-)
As for the heraldry, there are of course two of Tuor's swan wings again, and then two elven heraldic devices I had to imagine myself. In the upper left corner there is the device of Turgon (many months ago when I was drawing it, I asked my fellow illustrators here on dA what should Turgon's emblem look like with four possible versions I imagined. Final version isn't identical to any one of these, but mostly it takes from #2 and #4). And in the lower right there is the device of Voronwë (a lot of blue and green because of his connection to the sea).

Part 1: Tuor in Hithlum
Part 2: Journey to the Sea
Part 4: Coming to Gondolin
Part 5: The Fall of Gondolin
Part 6: A New Beginning

I hope you like it and I'll appreciate your comments. :-)

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If you like my Tolkien-related art, look at my related journal or gallery folder.
But you can find even more of my pictures on my website Angrenost.cz. It's in Czech, but you can still look at the gallery of illustrations. Enjoy! :-)
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Illustration to Silmarillion

"She spoke no word; but being filled with love Elwë came to her and took her hand, and straightway a spell was laid on him, so that they stood thus while long years were measured by the wheeling stars above them; and the trees of Nan Elmoth grew tall and dark before they spoke any word."
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Carnistir Morifinwe (inspired by Keira at LRPG Other hope)

Карнистир Морифинвэ (вдохновлено Кейрой после игры "Чужая надежда")
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Tuor and Voronwë reach the first gate on the way to Gondolin where Elemmakil stops them.
(Based on Tolkien)

Gouache on paper,
32 x 24 cm
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"Thus it chanced in the waning of the year that Aredhel came to the south of Himland, and passed over Celon; and before she was aware she was enmeshed in Nan Elmoth."

Another Aredhel picture, this time done with felt-tip markers, which I love working with and have used in my art for years. Will update with a better scan when I get the chance.

Character belongs to Tolkien.


COPYRIGHT NOTICE ©
The art in my gallery is not to be used in any context (websites, blogs etc.) without my permission. Thank you!
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Yavanna creates Laurelin. Illustration for ''Silmarillion'' of Tolkien
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Helevorn was the deep, mountain-shaded lake in northern Thargelion at the foot of Mount Rerir. A stream flowed from its southwest corner into the Greater Gelion. After the return of the Noldor to Middle-earth the people of Caranthir dwelt about the lake. The fortress was destroyed and the waters of Helevorn defiled by Orcs during Dagor Bragollach. Caranthir lost his realm and was forced to retreat to Mount Dolmed with his surviving brothers.

pen and watercolours

So here you can see another of the great dwellings of Middle-earth. It is quite an old piece which I started some two years ago and for a very long time it remained in almost-finished state.
Name of this place is nowhere specifically given, but I assume that it must have been quite important castle as the seat of one of the seven sons of Feanor and the principial settlement of Thargelion. Also it has quite an interesting location on the shores of lake Helevorn.

------------

If you like my Tolkien-related art, look at my related journal or gallery folder.
But you can find even more of my pictures on my website Angrenost.cz. It's in Czech, but you can still look over the gallery of illustrations. Enjoy! :-)
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It's done. I hope you like it.
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