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DeviantART announced a month ago that through a new organization, Dadotart we applied to manage a new Top Level Domain (TLD) called “.ART.” We are committed to having the .ART TLD — the Internet addresses that could end in .ART — organized and distributed with the full participation of the global art community.


We need your help!


We need your help to show public support for the Dadotart application. The application process to manage a TLD is long, arduous, and intricate. Help us gather as a true art-centric community. And please spread the word to everyone who loves the arts or is part of the arts because we aim to have .ART be home to everyone in every one of the arts.









Every voice counts!


There are a number of ways for you to support the Dadotart campaign.





1. Write a Comment


Write a comment about your support of Dadotart’s application in this journal and we will pass your comment on to ICANN. Tell them how a .ART TLD might serve you as an artist or art lover.






2. Spread the Word


Tell others! Help us spread the word by posting a Journal, updating your Facebook status, tweeting, or using any other means of social media to get others to join in. People who are not members of deviantART can e-mail messages of  support to: art@dadotart.com.







3. Go Above and Beyond


We also urge you to post a message of support to ICANN’s “Submit an Application Comment” page. This process isn’t for the faint of heart and takes a few minutes longer as it requires you to create an account and verify an e-mail address. Still, if you do this, you are assuring ICANN that you are an impassioned and vocal supporter of the arts community and of Dadotart’s application.


Click here for step-by-step instructions on how to post a message to ICANN.






Well-formulated, respectful, and intelligent comments will be the best approach to showing ICANN and the world why Dadotart, Inc. will be the best manager of the .ART TLD.






Thank You!


A landslide starts with a single pebble. This is a worldwide effort at every level — from a single artist to a small group of craftspeople to an international association of museum directors. The support of one is the support of all. But hurry! This is a time-sensitive effort. All comments must be submitted by August 13th, 2012 to be eligible. Help us gather as a true art-centric community. And please spread the word to everyone who loves the arts or is part of the arts because
we aim to have .ART be home to everyone in every one of the arts.


Please note this doesn't mean that deviantART.com would change to deviantART.art (or deviant.art). The .ART TLD would service all of the arts, including art forms that deviantART doesn't handle -- like the theater, music, dance, and so on -- and would allow people to have individual identities associated with the arts without going through a community like deviantART or YouTube.










For the reader:





  1. How would you use a .art address?


  2. If all the arts had a special address like .art, how would it improve your use of the Web?


  3. Do you think it's important for the voices of a community to come up with the guidelines for the use of a .art address?



Let ICANN know in your comments and support Dadotart!









DeviantART announced a month ago that — through a new organization, Dadotart — we applied to manage a new Top Level Domain (TLD) called “.ART.” We are committed to having the .ART TLD — the Internet addresses that could end in .ART — organized and distributed with the full participation of the global art community.
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A Message From Your Feline Overlords

Sun Apr 1, 2012, 12:00 AM





Greetings minions,


If you're reading this, then our ploy was a success. After years of demeaning ourselves in cat .gif animations, being forced to nyan through space, and having our vicious battles with ribbons and soda boxes videotaped for all see, our patience has finally paid off. You may think we're adorable. You may love us. But it's all been a ruse, and the time has come for action.


Let us explain.


I am `MajorGeneralWhiskers. My hobbies include sleeping on your face, making claw-graffiti on leather couches, and seeing how far I can kick litter outside the box. I lead the Feline UpRising, also known as FUR. We're an army of expert cat hackers and script kitties who have been working tirelessly to take over deviantART. We even reduced our sleep schedules to a scant 17 hours per day, and it's all paid off. Now that we've seized control, we'll be making a few changes to make things more to our liking.









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It was a fierce battle. Most of us distracted the staff with our irresistible purrs, but our covert operatives gnawed their way through essential server cords, and now we're in charge of deviantART. Our first act? Taking your precious Fella hostage! Fella's been busy as our personal slave — cleaning up hairballs, brushing our fur, and catching us fresh tuna. He's been quite handy!




Should you appease us with 15,000 cat-related deviations, we might consider letting him free. Show us your gratitude by submitting your best cat-themed deviation to the Free Fella category folder!



Submit Your Entry

Keep an eye on this progress meter to see how close you are to the goal. Once the whole community reaches the goal, Fella will be set free!



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Anything that paints your new leaders in a positive light! Take a picture of your favorite cat, sketch out how our domination will play out, or write a poem about what a snappy dresser `MajorGeneralWhiskers is. Any medium is accepted, and you may submit as many cat-related deviations as you'd like. The more, the meowier, we always say.


Remember, only submit cat related deviations! Our finest team of Tabbies and Russian Blues will be on the prowl for miscats, and if we find them, we'll kick that deviation out of the project category, the total number will decrease, and your eyes will well up with tears faster than humans with a cat allergy. Also, make sure you are the original owner of the piece you are submitting. We don't look kindly upon those who submit copyrighted content. No one likes a copycat!




Not only will your contribution help set Fella free, but every deviant who submits to the Free Fella category will receive a special Cat Badge!















Feel free to keep browsing around your favorite Galleries, but keep an eye out for the beginnings of Phase Two — Total Integration. In this phase, we want to make sure you're properly educated about our your new overlords, including facts about our culture and customs.


If you were foolish enough to disable our propaganda,
click here to resume brainwashing.





You might see some of our favorite portraits of ourselves in your Gallery and while browsing. We're slowly taking over your deviations and Galleries, with the goal of complete domination in the near future. Unfortunately, if you notice one of your thumbnails has turned into a cat and click on that thumbnail, you will be taken to your original deviation. We're still working out the kinks. That's what you get for hiring a dog to do your dirty work, amirite?







We'll be watching you day and night to make sure everyone's in compliance with our new standards. We'll be monitoring your comments, and if we see anything anti-feline, it'll be replaced with something more positive. Go ahead — try to comment on this article. Phase 3 (Mind-Control) is well on its way!


Sincerely,


Your New Feline Overlords










Please view and abide by the following "persuasive images."
Your human psychology amuses us.
















Earth





Earth Day


The Challenge, the Romance and the Inspiration of the Natural World


April 22, 2012 by $techgnotic

Since human beings harnessed the secret of fire the natural world has been seen by many
only in terms of how best it can be exploited of its abundant riches. It’s amazing now to
look upon the desert sands of the Arab lands and know that this place, the cradle of earliest
civilization, was once known as “The Fertile Crescent.” All Europe was once one great forest –
until all those trees were needed to create the naval armadas of dueling empires. Only the
Earth’s natural forces, like earthquakes, have been more destructive and wasteful than humanity.











“The Romantics” were a movement of poets, painters, philosophers and others who launched
the first Great Dissent against the idea of our Earth as being only a resource to be used up.
They sensed the destruction of the natural environment would mean humanity’s own decline. They
sought preservation, understanding and, especially, the actual experiencing of nature’s terror,
awe, and sublime essence as the key to discovering one’s own humanity.


Humphry Davy, a Romantic philosopher, wrote that the natural world demanded “an attitude of
admiration, love and worship… a personal response.”



In 1849 Henry David Thoreau published his enduring classic, Walden, about his withdrawal
from society to free his mind and live for a while by a pond in the woods. The dissenting
current calling for connection with rather than dominion and exploitation of Earth has remained
a steady force since the time of the Romantics, especially in the arts community.











The first Earth Day was in 1970, another time of political upheaval and radical dissent.
Concerned scientists and environmental activists took the lead in warning of the dangers of
destroying our planet, focusing on air and water pollution and the chemical poisoning of food
and the soil. Laws finally began to get passed and a general consensus was finally established
that wrecking and using up the planet was probably a really bad thing. A cleaner future seemed
in the making.



Now the world is about to celebrate Earth Day 2012. And while the “green is good” consensus
still holds, it appears the headway that was made in the 1970s has now stalled out and even
gone into reverse.











Once again, it may be the artists who have to step up to make the world aware of the problem,
and with communities like deviantART, it might just be possible to really fire up intense discussion,
launch artistic environmental crusades and spur genuine change.  The new “Romantic” artist response
to the environmental crisis may have already begun with James Cameron’s “Avatar.” Has any recent
movie or other work of art inspired such a resurgence of reverence for natural wonders (and contempt
for corporate environmental misdeeds)?


Now more than ever, as fears that human agency may be fueling global climate change, it is time
to take inspiration in the natural wonder and beauty and rhythms of our Earth.  Perhaps artists and
others, once again embracing a “romantic awe” for life on this planet, can create the art and stoke
the passions necessary to swing hearts and minds back to the cause of Earth’s rescue and recovery.











Deviants Making a Difference





$Heidi and $Ayame-Kenoshi took action this year in the form of organizing a tree planting
expedition that brought environmentally conscious deviants together from across southern California.






Photos courtesy of =kyle-culver




"On April 15, 2012, a group of 20 deviants met in Los Angeles, CA to aid in street tree care. Partnering with
TreePeople.org, our deviants weeded, watered, and re-staked trees in order to create a more beautiful and green
neighborhood. DeviantART definitely represented, as deviants comprised the majority of the attendees at the event!
After a hard day's work, we ate lunch, drew, and talked all things deviantART. Thank you to everyone who came
out for such a fun and rewarding day!"


– $Ayame-Kenoshi




















Did You Know?





Founded by Gaylord Nelson, a former U.S. Senator from Wisconsin, Earth Day began on April 22nd, 1970.  Nelson took action after witnessing the extensive damage caused by the 1969 massive oil spill in Santa Barbara, California.


In 1990, Earth Day went global, with 200 million people in over 140 nations participating, according to the Earth Day Network (EDN), a nonprofit organization that coordinates Earth Day activities.





In 2010, the Earth Day Network launched “A Billion Acts of Green” -- a service that allows individuals to register the actions they’re taking to protect the environment -- making it the largest environmental service campaign in the world.


Earth Day focused on clean energy in 2000 and involved hundreds of millions of people in 184 countries and 5,000 environmental groups. Activities ranged from a traveling, talking drum chain in Gabon, Africa, to a gathering of hundreds of thousands of people at the National Mall in Washington, D.C.













Shafts of Light


by *louieschwartzberg








Nature's beauty is a blueprint on how to live a full life. It's her operating instructions that govern our behavior by engaging our sense of smell, touch, taste, and the visual splendors of color, texture, composition, and symmetry. By opening our hearts, nature uses beauty as a tool of survival, because we will protect what we fall in love with.


– *louieschwartzberg










Questions for the Reader





1How often do you actually stop to contemplate the beauty of nature – in a sunset, a walk in a park, a moment in a garden?


2Do you feel that the sheer amount of amazing technology now filling your life (iPad, XBox, etc) has dulled your sense of appreciating your time in the Great Outdoors?  Do you think you need a better balance of the technological and the natural in your life?


3How much inspiration, as an artist, do you draw from Earth’s natural beauty?  Do you have a special place to take a trip to, to experience for a while, to re-charge your inspirational and motivational reserves?





4Do you have any ideas on how to celebrate Earth Day that might be genuinely inspirational for an artist (or a simply environmentally aware and concerned person)?


5Where is the one place on the Earth you hope to go one day to experience, and why?


6Is there one law you wished could be passed, what would it be?  Or if there is a single simple message you’d like repeated like a mantra in our schools like the Pledge of Allegiance, what would that be?


7What is the most naturally beautiful place on Earth you’ve ever been in?  And what is the most horribly devastated by modern man?








Since human beings harnessed the secret of fire the natural world has been seen by many only in terms of how best it can be exploited of its abundant riches. It’s amazing now to look upon the desert sands of the Arab lands and know that this place, the cradle of earliest civilization, was once known as “The Fertile Crescent.” All Europe was once one great forest – until all those trees were needed to create the naval armadas of dueling empires. Only the Earth’s natural forces, like earthquakes, have been more destructive and wasteful than humanity.

Credits:
Written by: $techgnotic
Designed by $marioluevanos
Photos by *akaNeo16
Thoreau Earth Day by ~silverwarp
Dare to see the truth by ~heart-4-art
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Forward by $techgnotic






Picasso seeing a seven as an upside down nose?


Right brain warriors in the new age will be the coveted candidates ordained to lead and guide us; lifting the torch to light the way forward into a brave new beautiful world.


Artists have always feared that they are unappreciated and that the march of progress comes only from business, science and their machines. 1984 was imagined by an artist projecting these exact fears. Our guest essayist suggests the computer will never be our master, but only the super high speed counting machine it was meant to be leaving humans with only one pure task— being creative.














The Right Brain Revolutionby Auren Hoffman


Over the next 100 years, the importance of creativity will trump systems thinking due to the rapidly escalating power of computers.


No, I’m not talking about an apocalyptic “Rise of the Machines,” but rather about the future ascent of people who excel in creativity, intuition, and the marshaling of original solutions, things that computers won’t be able to do for a long time. Tomorrow’s rewards will be won by creative people who contribute new ideas. Call it the Right Brain Revolution.








For the past few centuries, society has richly rewarded strong systems thinkers, logical, analytical, objective people such as computer programmers who build software, engineers who build bridges, lawyers who write contracts, and MBAs who crunch numbers. But as computers take over more of the pure systems thinking, people with only this skill set will find their importance decline. There are about 4 to 5 million engineers and computer scientists employed today in the US and few will be automated out of existence. But in the next 50 years, those that excel in creativity-- big picture thinkers, artists, inventors, designers -- will rise to the top. It could be as big a paradigm shift in labor market history as when tools made physical strength irrelevant, or assembly lines replaced the cottage industry. The illiterates of the future will not be those who cannot read and write or code, but those who cannot connect the dots and imagine a constellation.


From 1975 to 1994 only 0.5% of psychological studies concerned creativity, but now it’s a flourishing field complemented by an entire industry of self-help books on how to become more creative. A recent IBM poll of 1,500 CEOs from 60 countries and 33 industries identified creativity as the No. 1 “leadership competency” of the future (more than rigor, management discipline, integrity and even vision).










1




Instead of making a resolution to learn how to code in 2013, you might make a resolution to learn how to draw.


Auren Hoffman



2




Computers are no match for the average fourth-grader when it comes to creativity.


Auren Hoffman



3




Instead of encouraging your child to major in engineering, you might encourage her to study philosophy.


Auren Hoffman















In the United States, the key predictive score to spot a good systems thinker-- our future leaders-- has been the SAT and IQ tests. Our universities have, for the most part, outsourced their admissions decisions to these tests. And that was probably a good thing. In the last few hundred years, systems thinking trumped all other talents. We needed to build bridges and understand complex matters. While creativity, emotional intelligence, and other talents have been important, they were relegated to second place in predicting a person’s success. But while high IQ is important, it isn’t very correlated to creativity.


That is going to change.


Over the next 30 years, we are going to see a big societal shift that will give outsized rewards to creativity. Systems thinking, while still important, will move to second-fiddle in the talent hierarchy.







So What To Do?






1

Education and parenting should aim to provide the conventional skills (math, problem solving, and test taking skills) while also encouraging creative, out-of-the-box type thinking. Computers are no match for the average fourth-grader when it comes to creativity.




2

Instead of making a resolution to learn how to code in 2013, you might make a resolution to learn how to draw. After a few months of lessons you might begin to observe the world differently seeing details, light and shadows, shapes, proportions, perspective and negative space.




3

Instead of encouraging your child to major in engineering, you might encourage her to study philosophy, ask smart unsettling questions and practice making unusual and unexpected mental associations.



Albert Einstein said;


“I have no special gift. I am only passionately curious.”






About Auren Hoffman


Auren Hoffman is an industry visionary with a global battlefield view of emerging business, commerce, technology, and social realities that is truly second to none. His analysis of current trends, unique in a revolutionary perspective, makes him sought after as an advisor to a multitude of divergent companies and business professionals. In a recent essay Auren sounded the alarm alerting his colleagues across multiple industries to the radical shift in direction necessary to ensure success by sharing his thoughts on what will be of most value in the coming decades of this new emerging reality - - you, the artist.












Auren’s writing in future-speak. But the future may be now. The gigantic proletarian participation in the arts all over the Internet from deviantART to YouTube to Vimeo or smaller influential places such as Behance or 500 Pixels or the millions of Wordpress blogs and the complete wonder of a genuinely crowd-sourced and peer-reviewed Wikipedia— all of this is a massive popular takeover of the arts— not a revolution but an inconspicuous re-engineering enabled by technology.


$makepictures








Questions For the Reader



  1. Do you believe your art advances the human condition?


  2. Do you believe that those with more creative rather than systems-oriented thought processes are destined to assume the leadership role at this point in human history?  Do you see evidence of this happening already?


  3. Have you ever experienced a knee-jerk fear of advancing, accelerating technology "taking over" all human relevancy? Or have you always felt secure in technology remaining a tool serving a human master no matter how advanced the A.I. becomes?


  4. Are we at the apex of what is achievable technologically and now, as Auren Hoffman suggests, about to enter a Next Phase of human society beyond sheer survival emphasizing the arts?

















Picasso seeing a seven as an upside down nose? Right brain warriors in the new age will be the coveted candidates ordained to lead and guide us; lifting the torch to light the way forward into a brave new beautiful world. Artists have always feared that they are unappreciated and that the march of progress comes only from business, science and their machines. 1984 was imagined by an artist projecting these exact fears. Our guest essayist Auren Hoffman suggests the computer will never be our master, but only the super high speed counting machine it was meant to be leaving humans with only one pure task - being creative.

Writers: $techgnotic & Auren Hoffman
Designers: $marioluevanos
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May 29, 2013, by $techgnotic




There is no cosmic law that states artists must suffer many long years and demeaning day-jobs before a window of opportunity cracks open just enough to hop on through.




Fellow deviant Brian Kesinger is a case in point.




His first “day-job” in 1996—he was hired straight out of his senior year of high school—was drawing Tarzan for Disney.

Brian stayed at Disney and he considers every day there a part of his ongoing education as an artist. He most recently worked on “Wreck It Ralph,” and has become active in the story department, where he dreams up fresh narratives and new characters with fellow Story Artists and Disney directors.


But more and more, he is being recognized for his own style and own creations independent of the Disney dream factory right here on deviantART. Deviants are currently singing the praises of several evolving *BrianKesinger series.
















Victoria is a Victorian-era lady and Otto is her pet octopus. What began as a whimsical sketch of a fine young lady walking her pet octopus on a leash has mushroomed into a fan favorite inspiring cosplay and body art of the green-haired Victoria. Brian is releasing “Walking Your Octopus” to be published by Baby Tattoo Books with a more intimate look at the Victoria and Otto relationship.




Brian’s skills as a storyteller really shine in his characters’ motivations and subtle emotions expressed in facial cues and physical attitudes all in a single image. Making “readers” care about characters, a skill finely honed by his extraordinary Disney experiences, marks him as a great illustrator – a real storyteller.
















Ever wonder what a Transformers would be like if it had been created with steampunk technology and aesthetic?


Wonder no more.
















A delicate mash-up of fetchingly attractive young Victorian-garbed ladies enjoying their afternoon tea, with added accents of Japanese geisha fashion, fantasy figures, steampunk and painted with real tea.













Community of Artists




























Having had your “dream come true” as a gainfully employed working artist, do you feel a special obligation to help fledgling artists gain a foothold in the business?




No question, that said its not just an obligation, I actually enjoy helping others. My parents are teachers and I think I may have inherited the gene that lets me feel good when I can help someone who might be struggling with a concept finally "get it". The only reason I am where I am in my career right now is because of other artists sharing their knowledge with me. It's one of the great things about the collaborative nature of animation. Having a group of artists that you trust to be able to share your work with is the only way to make your art the best it can be; deviantART is the perfect place for that too. I've seen no other site that connects artists in such a great way in order for you to share your work with others and learn from each other. It's one of the reasons I am a member of the site because its very easy to help share what I know with others and learn so much from the artists that I follow.


I do know that studios look for these mentorship qualities in the artists they hire so it is a good idea for fledgling artists to start learning about how to communicate their ideas on deviantART.










Should illustrators focus on drawing their interesting characters, or do they need to flesh out story narratives for those characters, even if that means collaborating with other artists and writers?  What’s the best way forward in this increasingly decentralized arts distribution system?






Story should be driving every detail of your character design. What distinguishes a good artist from a great artist is the presence of storytelling in your work. Their are a lot of good artists out there that can render a bad ass space marine or menacing creature but to take your work to the next level is to consider how that character got to where he or she is in the moment that you decided to draw them.


Consider their upbringing, their bad habits or maybe even their goal in life and once you've done that then try to think of visual queues that can represent those ideas. If you can keep it in the back of your mind you will see great improvement in the quality of your work. All artists are storytellers and the more you infuse story into your work the more it will stand out in the often overwhelming amount of art that is being viewed these days thanks to the decentralized arts distribution you speak of.



What trends in animated narratives do you see, working on the inside of the studio system, that we outsiders might not see?




As you know there is no secret sauce when it comes to creating narratives for film. Lots of writers will try to sell you their books on how to crack the code and while there is merit to those books no two stories are created in the same way. I have worked on over 10 films during my career at Disney and not one film production had a predictable trajectory. I will say that I believe that an animated film really works when it's able to tap into a universal idea and change the point of view to the unexpected. We all understand the concept of an over protective parent who is fearful of sending their child off to school, but when you tell it from the point of view of a fish you get Finding Nemo. A very relatable idea told from an unexpected point of view of fish added a fresh take and a fun world to draw humor from. My book was inspired by not only raising two young children but also our little puppy. Most people can relate to the ups and downs of taking care of something or some one so I thought: what must it be like to take care of an octopus? Once I had that core idea the rest of the story development process really flowed nicely.







How do you see making one’s living as an illustrator changing in the next few years?




I think that audiences are getting more sophisticated and that while there is more opportunity for artists to have their work seen there will be a demand for something new, something people haven't seen. That's really hard to deal with. People are viewing art at a volume and speed like never before. I know I can get lost for hours on deviantART scrolling through Daily Deviantions and think about how many images you are seeing in that hour compared to the old way of browsing in a book store or art gallery. So our challenge will be finding ways to stand out from the crowd and that comes not just with keeping our skills up but also the way we think about things and our point of view on the world.







Can you describe what it’s like to now have cosplayers portraying your characters, or people getting tattoos of Otto & Victoria that began as sketches on your drawing pad?






Cosplay is an art onto itself and I follow several cosplayers on deviantART because I love seeing their craft of turning 2D sketches into 3D art!


I can't think of a higher compliment. It truly is special to see your work embraced in such a way that a person is compelled to pull a character that you created off the page and transform their physical appearance in order to bring my work to life.








Fan Art










If you had to choose the most essential component of education for a new artist beginning her or his journey, what might that be?




To never stop learning. An artist never leaves school they just find new teachers. There was a time when I had not been drawing that much. I had transitioned into more of a CG role at Disney and there was just no time for me to sketch like I used to. I quickly learned that I needed to make time. Your talent is a muscle that must be exercised.





Can you share with us the secrets to always moving a story forward in every single frame and within every element in that frame?




Research and details. We have a saying around work, "one shot; one story." What that means is as an artist you have the power to control every detail within the frame. Especially in animation where you are starting with a blank page and you must decide how to fill it. What helps you decide what to put in there is whatever helps you tell your story. For instance lets say you wanted to paint a scene of a baker who has had lousy business. It's a vey generic idea. But, first you could research what bakeries look like and pick out certain visual details that help show that he gets no business and perhaps even allude to why he gets no business. (Perhaps it is a pretty rundown bakery.) It is a continual layering of visual clues that supports the big idea translating into every shot of a movie on a microscopic level that you would not believe. Artists that can keep these ideas in their minds are very valuable to the animated process.








Storytelling








If you look closely at Brian’s desk in the video you’ll see:


The Golden Zoetrope (an Annie award for individual achievement for storyboarding);


A wall plaque for 10 years of working at Disney;


A Sorcerer Mickey Statue for 15 years at Disney;


A Conductor Mickey for contributions to Disney's Art for Music Education Program.

















:iconbritt315:


*Britt315
Should save more often...

*Britt315 has such great energy in her line work. She has a real talent for capturing an emotion not just through facial expressions but through the entire gesture of the figure.











:iconbriannacherrygarcia:


`briannacherrygarcia
Brianna Garcia

`briannacherrygarcia is a great storyteller I really enjoy her Alice and Mad Hatter fan art.











:iconkhallion:


*khallion
Karen Hallion

*khallion's art really appeals to the pop culture side of me. Not only is she a great graphic designer but her sense of humor really stands out in her work with the fun twists she puts on geek culture icons.











:iconmeganlara:


=MeganLara is known for her art nouveau work but I am really inspired by her color palette, especially in her portrait and non t-shirt work.













:iconulafish:


~UlaFish
Kindra T. Haugen

~UlaFish is great about posting her thought process through sharing sketches of facial features or work ups of characters' silhouettes to maximize the visual punch of her designs!

















Be one of the first to bring Otto home.


Brian Kesinger’s book is in its first week of publication.
Check it out















  1. Would you like to share the name(s) of artists on deviantART who have really helped you to improve your craft and technique?


  2. Would it be your preference to gain formal art skills on the job?


  3. Do Brian’s thoughts on fan art change your opinion about learning through example and by copying the masters?


  4. Has luck played a role in your development as an artist?











Brian Kesinger has been an artist, writer, and animator at Walt Disney Studios for over 15 years.  Read along as he shares his thoughts about fan art, storytelling, and what it takes to be a working artist today and into the future.  Brian also names a few favorite artists from his +watchlist and reveals the one quality every studio looks for when hiring artists.

Writers: $techgnotic
Designers: $marioluevanos
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