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The third of my "Neopolitan Ice Cream Cthulhu" Triptych. Also see Chocolate and Strawberry:



Here's the true story of what happened: I was working in my studio one day in March and I got the Blue Screen of Death. So while my hard drive rebuilt, I laid down on my studio sofa and took a nap. In my dream, I was suddenly overwhelmed with the image of Cthulhu driving this poor corseted damsel insane with temptation of pie. Being a woman - that particular torture is very close to me. When I awoke the image hadn't left and I was compelled to sketch it out... thinking that it would turn out like crap and I could put it aside - but it didn't. It was beautiful. So then I sat down to do a color study, thinking that the sickly-otherworldy-green would ruin the piece - but it didn't. Two weeks later she was does - and I hadn't worked on any other projects at all - including the client piece I had been working on when my computer crashed originally. She was a standalone for a long time, until I kept getting requests for others like her. Cupcake came along in 2011, the Ice Cream Cthulhu Triptych came in 2012, and Cookie was finally completed in January of 2013. You see - it's not about the sexual enticement at all (except of the viewer) - it's about the specific horror women feel about the terrible balance between the pleasures gained from beauty and from dessert.

MODEL: Claire Kramer (Yes, the actress from Buffy and Bring it On)
PLATFORM: PC and Mac
TOOLS: Two Wacom tablets (Intuos 3 and Cintiq 21UX)
PROGRAM: Adobe Photoshop and Illustrator
EFFECTS: I don't use any 'effects', but there are simple strokes and Brush strokes, gradients and gradient meshes, and many many objects with varying transparency settings.

Here are the first two:
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The first of my "Neopolitan Ice Cream Cthulhu" Triptych. Also see Strawberry and Vanilla:



Here's the true story of what happened: I was working in my studio one day in March and I got the Blue Screen of Death. So while my hard drive rebuilt, I laid down on my studio sofa and took a nap. In my dream, I was suddenly overwhelmed with the image of Cthulhu driving this poor corseted damsel insane with temptation of pie. Being a woman - that particular torture is very close to me. When I awoke the image hadn't left and I was compelled to sketch it out... thinking that it would turn out like crap and I could put it aside - but it didn't. It was beautiful. So then I sat down to do a color study, thinking that the sickly-otherworldy-green would ruin the piece - but it didn't. Two weeks later she was does - and I hadn't worked on any other projects at all - including the client piece I had been working on when my computer crashed originally. She was a standalone for a long time, until I kept getting requests for others like her. Cupcake came along in 2011, the Ice Cream Cthulhu Triptych came in 2012, and Cookie was finally completed in January of 2013. You see - it's not about the sexual enticement at all (except of the viewer) - it's about the specific horror women feel about the terrible balance between the pleasures gained from beauty and from dessert.

MODEL: Mixed
PLATFORM: PC and Mac
TOOLS: Two Wacom tablets (Intuos 3 and Cintiq 21UX)
PROGRAM: Adobe Photoshop and Illustrator
EFFECTS: I don't use any 'effects', but there are simple strokes and Brush strokes, gradients and gradient meshes, and many many objects with varying transparency settings.

Here are the first two:
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Here's the true story of what happened: I was working in my studio one day in March and I got the Blue Screen of Death. So while my hard drive rebuilt, I laid down on my studio sofa and took a nap. In my dream, I was suddenly overwhelmed with the image of Cthulhu driving this poor corseted damsel insane with temptation of pie. Being a woman - that particular torture is very close to me. When I awoke the image hadn't left and I was compelled to sketch it out... thinking that it would turn out like crap and I could put it aside - but it didn't. It was beautiful. So then I sat down to do a color study, thinking that the sickly-otherworldy-green would ruin the piece - but it didn't. Two weeks later she was does - and I hadn't worked on any other projects at all - including the client piece I had been working on when my computer crashed originally. She was a standalone for a long time, until I kept getting requests for others like her. Cupcake came along in 2011, the Ice Cream Cthulhu Triptych came in 2012, and Cookie was finally completed in January of 2013. You see - it's not about the sexual enticement at all (except of the viewer) - it's about the specific horror women feel about the terrible balance between the pleasures gained from beauty and from dessert.

MODEL: Roxanna Hire
PLATFORM: PC and Mac
TOOLS: Two Wacom tablets (Intuos 3 and Cintiq 21UX)
PROGRAM: Adobe Photoshop and Illustrator
EFFECTS: I don't use any 'effects', but there are simple strokes and Brush strokes, gradients and gradient meshes, and many many objects with varying transparency settings.

Here are all the others:
Pie Cthulhu by echo-x Cookie Cthulhu by echo-x Ice Cream Cthulhu - Chocolate by echo-x Ice Cream Cthulhu - Strawberry by echo-x Ice Cream Cthulhu - Vanilla by echo-x
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InfectedByArt.com is holding a contest for great art. Vote for Pie Cthulhu now. Two of my friends are also "competing", so this is also kind of about bragging rights. :D

Click the Link: [link]

Here's the true story of what happened: I was working in my studio one day in March and I got the Blue Screen of Death. So while my hard drive rebuilt, I laid down on my studio sofa and took a nap. In my dream, I was suddenly overwhelmed with the image of Cthulhu driving this poor corseted damsel insane with temptation of pie. Being a woman - that particular torture is very close to me. When I awoke the image hadn't left and I was compelled to sketch it out... thinking that it would turn out like crap and I could put it aside - but it didn't. It was beautiful. So then I sat down to do a color study, thinking that the sickly-otherworldy-green would ruin the piece - but it didn't. Two weeks later she was does - and I hadn't worked on any other projects at all - including the client piece I had been working on when my computer crashed originally. She was a standalone for a long time, until I kept getting requests for others like her. Cupcake came along in 2011, the Ice Cream Cthulhu Triptych came in 2012, and Cookie was finally completed in January of 2013. You see - it's not about the sexual enticement at all (except of the viewer) - it's about the specific horror women feel about the terrible balance between the pleasures gained from beauty and from dessert.

MODEL: Christine Lemaster
PLATFORM: PC and Mac
TOOLS: Two Wacom tablets (Intuos 3 and Cintiq 21UX)
PROGRAM: Adobe Photoshop and Illustrator
EFFECTS: I don't use any 'effects', but there are simple strokes and Brush strokes, gradients and gradient meshes, and many many objects with varying transparency settings.

Here are all the others:
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Goddess of Fine Dining - for the Buford Highway Farmer's Market (a world famous gourmet grocer) in Atlanta, GA.

MODEL: Meghan Perkins
PLATFORM: PC and Mac
TOOLS: Two Wacom tablets (Intuos 3 and Cintiq 21UX)
PROGRAM: Adobe Illustrator and Photoshop
EFFECTS: I don't use any 'effects'. In Illustrator I use simple strokes and Brush strokes, gradients and gradient meshes, and many many objects with varying transparency settings. In Photoshop I paint, often using the semi-transparent settings and glaze in the traditional neo-classic technique.
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Goddess of Bread - for the Buford Highway Farmer's Market (a world famous gourmet grocer) in Atlanta, GA.

MODEL: Elena Artimovich
PLATFORM: PC and Mac
TOOLS: Two Wacom tablets (Intuos 3 and Cintiq 21UX)
PROGRAM: Adobe Illustrator and Photoshop
EFFECTS: I don't use any 'effects'. In Illustrator I use simple strokes and Brush strokes, gradients and gradient meshes, and many many objects with varying transparency settings. In Photoshop I paint, often using the semi-transparent settings and glaze in the traditional neo-classic technique.

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Goddess of Seafood - for the Buford Highway Farmer's Market (a world famous gourmet grocer) in Atlanta, GA.

MODEL: Linh Nguyen
PLATFORM: PC and Mac
TOOLS: Two Wacom tablets (Intuos 3 and Cintiq 21UX)
PROGRAM: Adobe Illustrator and Photoshop
EFFECTS: I don't use any 'effects'. In Illustrator I use simple strokes and Brush strokes, gradients and gradient meshes, and many many objects with varying transparency settings. In Photoshop I paint, often using the semi-transparent settings and glaze in the traditional neo-classic technique.

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Goddess of Tea - for the Buford Highway Farmer's Market (a world famous gourmet grocer) in Atlanta, GA.

MODEL: Yaya Han
PLATFORM: PC and Mac
TOOLS: Two Wacom tablets (Intuos 3 and Cintiq 21UX)
PROGRAM: Adobe Illustrator and Photoshop
EFFECTS: I don't use any 'effects'. In Illustrator I use simple strokes and Brush strokes, gradients and gradient meshes, and many many objects with varying transparency settings. In Photoshop I paint, often using the semi-transparent settings and glaze in the traditional neo-classic technique.

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Goddess of Rice - for the Buford Highway Farmer's Market (a world famous gourmet grocer) in Atlanta, GA.

MODEL: Josie Lee
PLATFORM: PC and Mac
TOOLS: Two Wacom tablets (Intuos 3 and Cintiq 21UX)
PROGRAM: Adobe Illustrator and Photoshop
EFFECTS: I don't use any 'effects'. In Illustrator I use simple strokes and Brush strokes, gradients and gradient meshes, and many many objects with varying transparency settings. In Photoshop I paint, often using the semi-transparent settings and glaze in the traditional neo-classic technique.

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These are color studies I did for my Triptych. I used graphite, gouache, acrylic, varnish and digital tools.

Here are the final drawings:


Here are the finished pieces:
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