Writing Tips - Getting StartedWriting Tips - Getting Started4 years ago in Writing More Like This
You want to write a story. Great! But the problem is that you're stuck before you've ever even managed to get the first word down on the page. You're just being taunted by the white page (or screen, as the case may be) in front of you.
If you haven't already, you may want to look into getting your thoughts organised. Figure out what you're going to write about, before trying to write anything. This may mean anything from making a few notes on a page to writing down every single thing that pops into your head, whether or not it's immediately relevant (my preferred method). With a more general (or even a very concrete) idea of where your story is going to go, the words should hopefully come a little more easily.
If that fails to work, try putting on some music. I tend to find that just putting on any old music will actually be counter-productive. Instead, tr
How to Make a VillainHow to Make a Villain.How to Make a Villain5 years ago in Writing More Like This
Okay, keep in mind that everyone has their own way of going through characters, and villains especially are very much your own thing. You're going to have your favorite class, most likely, and you're often going to stick to it. (And sorry folks, this is an ACTUAL tutorial - there are enough joke ones out there already, funny as they may be.)
One thing to generally keep in mind, however, is the tragic past - avoid it. Seriously, people, nobody likes it when the villain gets whiny. Which isn't to say that they can't have a tragic past, but it's very easy to send it into whininess, or cliché. A bad boy villain character who keeps it all locked up inside really isn't any better. There are several options, though, I'll be listing only the ones I'm familiar with around here.
Classic villain - These have a lot of subclasses, and can range from stupid to serious, but they're basically the type you'll see in old movies. The evil scientists, or power
Interior MonologuesInterior Monologues5 years ago in Writing More Like This
"I was just wondering what you think about interior monologues, long passages of reflection?" -- Curious Kitty
A note on:
-- Interior Monologues
Whether you are considering adding a lengthy monologue to a story, or intend the monologue to be the story itself where the focus of the entire story is on one character's thoughts and feelings with very little action -- from my observations and experimentation, the readers either love them or hate them. There's no in-between.
However, it is notable that the internal monologue stories that are sought out most frequently tend to focus on a profound emotion of some kind: grief, loneliness, heartache... Usually by either those seeking to deal with such an emotion, as a kind of therapy, or by those that have never felt such emotions. (Strong emotional stories are extremely popular among young adults.)
In both cases, not only does the reader seek to submerge the
Picking a Love InterestTo those of you who are reading this in hopes of real life advice . Well, you might as well stay anyway. Frankly, if you're at the point where you're reading THIS for help, than any little bit helps - and who knows? Maybe you can profile them!Picking a Love Interest4 years ago in Writing More Like This
The main purpose of this, however, is to figure out how to pick your character's love interest. To be specific, I will be devoting most of this to finding the perfect girl for your (hopefully) not so perfect male protagonist. The girls, in case you're wondering, will be a getting a White Knight guide to look deeper into the male love interest archetypes. (Despite the name, it's not all about men saving the girls, I promise. But if I'm gonna write something about archetypes, than dang it all, how can I ignore a name that's just so bloody CONVENIENT!?) The two do overlap, though, particularly since I'm all for girls taking the roles generally given to boys in stories.
Anyway, onto your actual characters.
The Steady: Sometimes, your
Writing Serial FictionWriting Serial Fiction5 years ago in Writing More Like This
Writing Serial & Series Fiction
Not just another Novel idea
Please note, this is how the Professionals do it. Those of you who are Not professional are free to write (and post) as you please.
To view the Main Plot vs Subplot graphic at Full Size, GO HERE --> http://i426.photobucket.com/albums/pp347/OokamiKasumi/MainplotSubplot.jpg
A Serial Story is Not a chopped-up Novel!
I hear it time and time again: "If the story is too big, why don't you just cut it up into a Series or Serial?"
You can't just cut a novel-type Story in half to make a series, or use the chapters to serialize it. A true serial "episode" is its own Complete Story within a larger story. A Serial tale is NOT a chapter with book cover and neither are Series books.
The first thing any writer learns is: "A story must have a Beginning, a Middle and an End". EACH Serial and Series chapters, or episodes, must have a Beginnin
High Speed STORIESHigh Speed STORIES5 years ago in Writing More Like This
When you absolutely, positively, HAVE to get the story done.
The trick to speed-writing is to Plan the story out first, more commonly known as PLOTTING.
"Diabolic" was written in 30 days -- all 15 chapters at 2500 to 3000 words per chapter, adding up to around 80k (thousand) words. A novel is 90k to 100k. I was able to do this because I already knew my main characters really well, (Vincent and Sephiroth of Final Fantasy VII,) and I knew where my story ENDED. Basically, once I knew where I wanted to go, all I had to do was figure out how to get there.
Note: If you're interested, DIABOLIC can be found at Media Miner. The 'Search' feature is your friend!
The plot outline I used only had 5 points:
1. Beginning - The Main Character gets involved with the Villain or Lover.
2. Complications - The situation worsens.
3. Emotional Turning Point - Panic Attack! Fear and/or Guilt vs. Desperation
4. Reversal - The wor
10 Quick Tips: StorytellingFor those with high-powered jobs, demanding pets, or other drains on your valuable time: here is a quick, ten-point tutorial for better storytelling.10 Quick Tips: Storytelling3 years ago in Writing More Like This
The points are drawn from books, articles, casually-offered-advice and my own experience. Much like the Ten Commandments, they aren't all concrete rules. Just things to strongly keep in mind.
1. Show, don't tell.
-> Don't tell us that elves are disliked. Show us the disgust on people's faces when one appears.
-> But sometimes it is quicker just to tell. Watch out for those times.
2. Dramatise more.
-> Don't give the reader overviews. Pick out scenes and dramatise them.
-> Narrators explaining things is boring. Characters doing things is exciting.
3. The protagonist drives the story.
-> They're the decision-maker, not a parcel to be carried around.
-> Stories are about the hero doing things, not just having things done to them.
4. Every scene has a purpose.
Character MotivationCharacter Motivation4 years ago in Writing More Like This
Everyone's heard that characters should have goals, something they want and must strive for, overcoming obstacles and antagonists in order to obtain. Because, well, a story is the record of your character's journey toward achieving a goal.
While all of this is true, I think a lot of writers lose sight of an even more important aspect of character. That is, motivation. Sure, you know what your character wants.
That's the gist of motivation. What is the psychology and reasoning behind your character's goal? If your character is driven to make money, is his motivation greed? To pay off a debt? To support his family?
Motivation is your character's emotional connection with the reader. When the reader comes to understand why your character has set out to achieve his goal, they will understand your character in human terms, relate to him, and become invested in what happens to your character throughout the story.
Without a clear motivation, your character's goals don't mean much. So wha