Character Tips 1 - AppearanceCreating Characters Appearance
Here are a few tips to create the body of your new character. Appearance defines your character almost as much as personality. I hope something will be useful to you.
Is your character muscular? Tall and thin? Short and round? I think about body shape as basically height and weight. There are three basic body types that are also useful to know:
1) Ectomorph This is a delicate build. Pretty much tall and thin, there are more angles on these bodies than curves. Limbs and neck are also long and shoulders tend to be small. They often have a flat chest. Ectomorphs tend to have fast metabolisms.
2) Mesomorph A more athletic build. This type is more muscular. They have broad shoulders, a narrow waist and wide hips. This build gives women an hourglass type shape, with more curves than angles. Mesomorphs gain muscle easily.
3) Endomorph A rounder build. The abdominal area is more dominant with a high waist and n
Character Tips 3 - ClothingCharacter Creation ClothingCharacter Tips 3 - Clothing4 years ago in Other More Like This
So, your character has a body, a life and a personality. The thing is, they're still naked! Well, this should solve their problem.
Before we decide on their clothes, we need to figure out what they actually do for a living. This is important because, apart from their personality, this will decide the type of clothing your character will wear. For example, a princess will wear a lot of fine dresses and have a lot of jewellery whereas a peasant will have patched up clothes and little to no jewellery. A business man will wear a suit to work whereas a person working on a construction site will wear jeans, steel toed boots, a shirt, a high vis. vest and a hard hat.
Basically, position in society and career will determine what your character usually wears.
How Personality Fits In
Appearance is influenced by your personality, not the other way around. For example, an outgoing person will more likely reveal more skin than a shy per
Character Tips 5 - DreamsCharacter Creation Dreams and FearsCharacter Tips 5 - Dreams4 years ago in Other More Like This
Absolutely everybody has their dreams for the future and there isn't anybody alive who isn't afraid of something. Giving your character both dreams and fears will help to flesh out your character a little bit.
You probably have dreams for your future, so why shouldn't your character? They don't have to be huge, but it has to be possible to work towards them. Their dream could be to get the job they've always wanted. It could be to recover from an illness that they've had for a long time, or it could be as simple as to just find where they belong.
Whatever the goal is, there has to be something getting in the way. For example, my dream is to become a professional author, but I'm not comfortable showing what I've written to other people. It's the same for your character, achieving a dream shouldn't be so easy.
Of course, no one has just one goal in life, but they will always have one major one. That would be the one you woul
Character Tips 2 - PersonalityCharacter Creation History and PersonalityCharacter Tips 2 - Personality4 years ago in Other More Like This
So, you have the body of your character, but it's only the body. It has no life or personality yet. This will hopefully help to give it one.
Creating a history is not often fun or easy, but what has happened in your character's past will affect their personality. Of course, like with everything else, there are traps that you can fall into. Some things are horribly overused, it's not illegal to use them, but just keep in mind that they are really common. Whatever you do, don't have an overly sad past, and I don't mean that they can't be orphans, or be abused by a parent or partner, because it does happen in real life (sadly). Just don't have every single thing happen to them.
Example: "Growing up, Amy was never happy. She had been orphaned at the age of 5 in a car crash. She was soon adopted by a family who seemed nice at first but then they started to abuse her. She would cry herself to sleep every night bec
Character Tips 4 - MagicCharacter Creation Magic and AbilitiesCharacter Tips 4 - Magic4 years ago in Other More Like This
If you are creating a character for the fantasy genre, more often than not, they have some kind of magic. There are all kinds of magic, but some planning has to go into it.
How did they get it?
There are many ways your character could get their magic. It could be given to them by some higher power, it could be genetics, or they could use a magical item and have no real power of their own.
I'll start with genetics. If this is how your character got their power then somebody else in their family tree somewhere should have the same power. It wouldn't have to be in their immediate family since it could be recessive (just like I am a red head with green eyes whereas everyone else in my immediate family has brown hair and blue eyes, I take after my great-grandparents), it could skip a few generations before showing up again. Also, since magic is basically part of your character's genes in this type, they cannot gain both of their pa
Avoiding Mary-SuesTips to Avoid Making Mary-SuesAvoiding Mary-Sues4 years ago in Other More Like This
In this piece of writing, I will be giving you some tips on how to avoid Mary-Sues. I will be using some of my own characters as examples in here too.
Just one thing before I get started though, having only one thing apply to a character doesn't always make them an instant Mary-Sue (except for point 3 because no one is perfect).
1. Tragic Pasts
Tragic pasts are extremely common, you can pick up a lot of books and see that the main character has some kind of bad happening in their past. Some examples of tragic pasts can be orphaned in a car/plane crash, beaten, raped, stolen, enslaved, having alcoholic/drug addict parents, etcetera. There isn't anything to say that a character can't have a good past though, many people grow up in happy homes.
Now, Mary-Sues are likely to have at least more than one of those tragic happenings. They also tend to keep angsting about it too, making other characters take pity on them.
I must admit that I have char
Story Writing - Tips and TricksStory Writing Tips and TricksStory Writing - Tips and Tricks3 years ago in Other More Like This
So, you're either writing or want to write a story. Here is a list of tips and tricks that will help you on your way to achieving your goal.
1. Write Compelling Characters
Whether your character is human or not, your audience will want to read about a hero/heroine who acts like a real person. This means giving them a well rounded personality with a fairly equal amount of strengths and flaws. Having these flaws means that they have room to grow, or they could have a tragic flaw that becomes their downfall.
Example Tragic Flaw: John Proctor from The Crucible by Arthur Miller. He is a compelling character with a tragic flaw, he has too much pride. In the end it leads to his death.
Make sure your character fits the setting too. If you are writing a story in a historical realistic setting, let's say 15th century Japan, your character should look Japanese. Research the fashion, the politics, the names and the mann
Writing Tips - RulesWriting Tips RulesWriting Tips - Rules3 years ago in Writing More Like This
Whether you are writing an original story or some fan fiction, there need to be rules to follow. As they are rules, they can't be broken.
When writing fan fiction, you are writing a story for a universe that somebody else has created. They have created the rules and they are there to be followed. You aren't sticking to canon if you break any of these rules.
Some examples: A Naruto fan character that has a thirteen-tailed beast sealed inside them is breaking canon rules since there isn't a thirteen-tailed beast anywhere in the story. There are only 13 squads in Bleach; a 14th squad appearing would break the rules set in place. In Animorphs, staying in a morph for more than two hours will trap the person as that animal and they can't change back unless they can touch the blue box again.
If you want to make sure that you don't break any of the rules, read the stories thoroughly. If there is a creature that is
Writers' Notes - Fight ScenesWriters' Notes - Fight Scenes4 years ago in Writing More Like This
I have read enough books to find that fighting scenes can be difficult to write. Some of the novels I have read have had painful fighting scenes so this tutorial is an amalgamation of my thoughts on the best ways to do it.
First, let's break this down into aspects to think about:
Before writing fight scenes think about the characters involved. What are their skills, what are their ideas of fighting? Why are they doing so? Is it a sense of survival? Is it to show honour like a duel?
For example -
Does a peaceful man watch his brothers murdered in a slaughter by the king's men. Does he, in a rage, grab a fallen sword and defend the last of them. He holds no skill but the sheer fury at watching his peaceful world be shattered. Afterwards does he vow revenge and ride for the king's castle or retreat to the mountains to get over what he di
How to Introduce a CharacterThe classical Movie Introduction Sometimes, you get a hero. Not over time, but right at the start this is your hero. He's confident, he's suave, and he always packs his shaving cream. Somehow he always manages to get that beard just right, despite the fact that you've never seen him trim. Everything about him is admirable, and you just wanna follow him like a little puppy dog because that's how AWESOME he is.How to Introduce a Character4 years ago in Writing More Like This
it might work, but you still shouldn't do it. It's one thing for movies, where you can simply follow someone's action across the screens. In books, you want the closeness that only seeing the character fall on their face time times just to get it right once will bring.
The stumbling introduction - sometimes, your character stumbles into the wrong thing at the wrong time. Or the right thing at the right time, perhaps, but if you want a good story you should probably make sure it ends up worse for them than it would have otherwise.
Oh, sure, things
Writers Notes - DialogueWriters Notes - Dialogue4 years ago in Writing More Like This
Dialogue is the speech between characters. It is when the narrator (you) stops telling the story and the characters speak instead.
Here's some pointers regarding dialogue writing:
Never write dialogue like real-life speech. Why? Because if you listen to real-life speech it is littered with umms and ahhs and errs. Anyone who has ever sat through a meeting or an assembly listening to someone droning on umming and ahhing will know just how frustrating it is. The last thing you want is to inflict that on your reader.
Real life also has moments where you completely forget what you're saying or get side tracked and run off on a tangent or get interrupted. Now all these things can be added to dialogue but in small amounts. We all know someone in life who constantly interrupts us when we talk, they can't wait for your part of the conversation to end so they talk over you. Fine, have a char
Picking a Love InterestTo those of you who are reading this in hopes of real life advice . Well, you might as well stay anyway. Frankly, if you're at the point where you're reading THIS for help, than any little bit helps - and who knows? Maybe you can profile them!Picking a Love Interest5 years ago in Writing More Like This
The main purpose of this, however, is to figure out how to pick your character's love interest. To be specific, I will be devoting most of this to finding the perfect girl for your (hopefully) not so perfect male protagonist. The girls, in case you're wondering, will be a getting a White Knight guide to look deeper into the male love interest archetypes. (Despite the name, it's not all about men saving the girls, I promise. But if I'm gonna write something about archetypes, than dang it all, how can I ignore a name that's just so bloody CONVENIENT!?) The two do overlap, though, particularly since I'm all for girls taking the roles generally given to boys in stories.
Anyway, onto your actual characters.
The Steady: Sometimes, your
Writers' Notes - Battles and WarsWriters' Notes - Battles and Wars4 years ago in Writing More Like This
While I have written a tutorial on fight scenes, I felt that it would be prudent to write one regarding wars and battles. After all a war or a battle is not just about how to fight.
When you are writing a war or battle first make sure you plan where it's going to take place. Land can be tricky, and it changes during a battle.
Image two giant armies amassing on a huge field. Infantry and cavalry alike, all decked in battle gear and heavy armour.
The pound of thousands of feet, man and horses alike. How do you think the ground will look? Grass torn and flattened, turned to mud especially if the weather turns and it begins to rain or sleet. Are there hills or mountains? Has one army taken a higher ground, dug a moat or added spikes of wood to protect their area?
Is there forests around them, have the trees been burned by one army to keep the other from using the wooded area as shelter? Has an army begun to p
5 Steps to Organize Your NovelWhat You'll Need:5 Steps to Organize Your Novel4 years ago in Writing More Like This
A basic story idea
Printer (preferably laser) with plenty of paper
Three Ring Binders (2) with separating tabs
Build Your World and Characters
For most writers, this comes naturally. If you're having some issues, there are plenty of tutorials, guides, aids and groups available for assistance. For the purpose of this guide, you should have your world built and at the very least your main characters devised. Having secondary characters planned will get you bonus points!
Print Character and Plot Sheets
Each character should have their own sheet (keep the backs blank, they're a grand place to keep extra notes and page references). It's not necessary that you fill out every single line of the character sheet. Fill out only what is necessary for the character/plot. Feel free to add to the sheet as your write, too. The
Writer Notes- Plot DevelopmentWriter Notes- Plot Development4 years ago in Writing More Like This
Whether you are writing a novel or a short story it is best to have your MAIN PLOT before you get too much written down. The Main Plot is the singular thread that runs through the novel/story. You may have character ideas or scene ideas but eventually you need to think about a plot. Do this sooner rather than later.
The best way to do this is to list your main characters and then decide what are their individual main plots. Are they all on the same quest with the same ideas / goals or do some of them have their own goals?
To help show this, here's an example:
Eric To become knighted and serve his king
Vivian To destroy her former master before he can poison the kingdom
Luke To find his brother
Taldor The largest city
Maybe from this list you decide Vivian is the MAIN character and her story line is the driving force however each of the other three have story lines that need to be tol
Ideas for Character PastsLife-Changing EventsIdeas for Character Pasts4 years ago in Writing More Like This
- Rite of passage (birth, adolescence, marriage, joining a religion or club, etc.)
- Death of a family member, mentor, lover, pet, or best friend
- Committing a crime; murder, stealing, break-in, kidnapping, arson, rape, drugs, adultery, forgery, treason, etc.
- Victim or witness of a crime
- Falling in love
- Converting beliefs
- Switching jobs/careers
- Switching lifestyle
- Saving a life
- Scientific discovery
- Personal discovery; destiny, spiritual goal, family secrets, hidden potential, power, or talent
- Fighting in a war
- Winning or losing a battle
- Being recognized for a skill, trait, endeavor, or heroic deed
- Falling into/out of an addiction or habit
- Gaining an inheritance or gift: money, a weapon, armor, jewelry, privilege/rights, property, pet, etc.
- Moving to a new residence
- Going to live with a different family member or guardian
- Achieving a long-term goal
- Earning an award, winning a prize, trophy, certificate, badge, etc.
Choosing a Companion: A GuideChoosing a CompanionChoosing a Companion: A Guide5 years ago in Writing More Like This
Alright, you've got your hero, your villain, your damsel maybe even a style of transformation and a monster too. Wanna know what comes next? No idea, yet! You should have figured out your companion aaaaaaages ago.
There's very little that's more important than a good companion. Whether it's to lend support or kick them down, no hero can do it alone. Even if they really wish they could.
The Loyal Companion: Most, though not all, companions fall into this overhead. Otherwise, they'd stab them in the back and run the moment they could. (See further down for that.)
This is basically the companion that stands by the hero's side through thick and thin, a Sam for a Frodo. Whether this is because of a deep friendship, a sense of honor, or a secret relationship between the characters is all up to you and your audience's imagination. Frankly, the reason matters less than the character themselves - this is the one you don't wanna mess with. When the Loyal Companion is hurt, t
Writing Notes - Killing charactersWriting Notes - Killing characters3 years ago in Writing More Like This
Many writers state that they are very connected to their characters. This is not surprising, for writers we build worlds, we create people and animals and imbue them with a form of life. We let them live in our heads and think on them often.
Often I have day-dreamed into my written world, sat on a log watching my characters around the campfire swapping stories. I've seen them laughing, passing around skins of bad wine and spiced meats. I've seen them sink into sorrow at those they have lost, those they couldn't save. Whether any of this gets written is a different matter because it is all designed for me to learn more about my characters, so see them react.
We begin to know them intimately, their moods and habits and loves and fears. We can read their facial ticks and subtle body poses. So why wouldn't we become connected?
When you write stories especially long ones were you have a larger amount of time to learn about your characters and allow them to develop they do become something i
INTERNAL CONFLICTINTERNAL CONFLICT5 years ago in Writing More Like This
Note: this is how the professional authors do it. That doesn't mean YOU have to. As with all advice, take what you can use and throw out the rest.
His lips drifted across hers in a warm caress. His hand pressed at waist, the heat of his palm warming her flesh through her corset underlying the deep blood silk gown. His fingers drifted upward, toward her breast.
Desire pulsed within her core, in time with her heart. She wanted to let him tear the red silk from her body, and bury himself in her flesh, but set her palm over his to stop him just below her breast. He was a vampire and she, a mere mortal. The fear in her soul told her to stop, and yet her body begged for his mouth on her flesh. I am overcome, overcome by a desire I know only he can satisfy... He fired her blood more than any other man.
She turned away from his kiss. "Please, I can't."
His gaze narrowed, then he smiled. "
Writing Tips - Getting StartedWriting Tips - Getting Started5 years ago in Writing More Like This
You want to write a story. Great! But the problem is that you're stuck before you've ever even managed to get the first word down on the page. You're just being taunted by the white page (or screen, as the case may be) in front of you.
If you haven't already, you may want to look into getting your thoughts organised. Figure out what you're going to write about, before trying to write anything. This may mean anything from making a few notes on a page to writing down every single thing that pops into your head, whether or not it's immediately relevant (my preferred method). With a more general (or even a very concrete) idea of where your story is going to go, the words should hopefully come a little more easily.
If that fails to work, try putting on some music. I tend to find that just putting on any old music will actually be counter-productive. Instead, tr
The Subtle STATIC TRAITThe Subtle STATIC TRAIT4 years ago in Writing More Like This
The Subtle STATIC TRAIT
Secret Weapon of the Clever Writer
The Static Trait is the small personal HABIT an individual character displays which reveals their personal Neurosis, their driving NEED, especially in stressful situations. This habitual or even ritual behavior acts as both their greatest source of trouble and the linchpin to their success. It's the individual character's "Accident Waiting to Happen".
The most obvious place to find visible Static Traits is in both Comedies and Tragedies. These stories (and movies) RELY on their characters' Static Traits to linchpin the plot.
What made Laurel and Hardy so funny, were the little neurotic habits -- the static traits -- that would appear under stressful situations. Abbot and Costello built whole routines on Bud Abbot's little twitchy responses. The climactic scene in every one of their movies involved Abbot in a panic attack. You spent half the movie going "Oh no! Don't! Don't! Don't!...AH! He did
Fishing for INSPIRATION?Fishing for INSPIRATION?5 years ago in Writing More Like This
Fishing for INSPIRATION?
Your imagination is a pond that you fish your ideas from. Like any fishing pond, what you catch depends on what you've stocked your pond with and how much you put in there. If you fish for only the occasional idea, your little ideas have time to breed creatively until they overflow the pond, leaping right out into your hand -- and onto your keyboard. If you fish a lot, you will have to restock -- Frequently.
A Dry Pond = Writer's Block
What's in YOUR Imagination?
What do you KNOW?
What do you love to Do, to Study, to Think About, to Talk About...? Make a list of all the things you know well and all the things you've done -- seriously! Mythology, history, any retail jobs you might have had -- anything you might have seen, done, or studied.
WHO do you KNOW?
Have you ever met...?
A real Criminal?
A real Hero?
A real Romantic?
Unstick your Plot - A guideThe Random Encounter The Guide to Moving Your Story ForwardUnstick your Plot - A guide4 years ago in Writing More Like This
The classical random (there's always a classic.): This is the sort you see in just about any old RPG, or RPG comic, and probably most current ones as well that person or thing you randomly meet so you can be sent off in a random direction and never have to meet them again.
Yeah, it works well enough for games I suppose but I don't recommend it in a story get around it wherever possible. One thing I saw in the Wheel of Time books (by Robert Jordan) was having the rumors and such be heard OFFSCREEN, and delivered to the characters by someone they know. You still get your information, but without the useless extra faces.
The only real reason to put in someone random is for some bit of symbolism, as a general rule, so unless you wanna get real deep or are prepared for your readers wondering if the old farmer is actually a reference to an ancient Norse God you might wanna avoid the classics.
Major Character CharacterizationMajor Character CharacterizationMajor Character Characterization3 years ago in Introductions & Chapters More Like This
Also known as:
Previous Locations lived in:
What is going on in the world around them:
Hair Color; Length; Style:
Head and Face Shape:
Most noticeable feature:
Scars? Birthmarks? Etc?
Flaws (Tip: Have at least 2 more flaws than good traits):
Thinking or Feeling:
Judging or Perceiving:
Intuitive or Sensing:
Extravert or Introvert:
5 quotes that shows their personality: