Guide - realistic dictatorI've noticed a trend of having dictator/world-ruler/people in a position of power characters. Normally, I find these types of characters fascinating - I love hearing the minutiae of how they keep their regime in control, the cults of personality they develop, their rise and their fall ... it's one of the reasons I love 1984 so much; is Big Brother real? Did he even exist in the first place? Who is the real leader of Oceania? Unfortunately, I've begun to see it addressed shoddily and without much thought, so I decided to make a guide of sorts (more like a glorified checklist) for anyone who is curious on how to develop their dictatorial character, and to make them realistic.
1. Why do they want power?
I have seen this written away with, "because they want to control everyone", which is true to an extent with many historical figures who were dictators, and also fictional characters. However, this often goes much deeper than "wanting to control everyone" or "they're mad, I tell you! MAD!"
Some helpful hints for Transfomation writersSome helpful hints for Transformation writersSome helpful hints for Transfomation writers2 years ago in Editorial More Like This
As a fan and novice transformation writer, I like to step back and really look at works I, or a friend have written and look a the closer detail of things (you could call it nitpicking in a way). But I also like to throw tips, tricks, what-to-do's and what-not-to-do's around in a critical way that's also constructive; One thing you want to do in transformation writing is include lots of detail right?
Wrong! But hear me out!
Yes, describe the setting, the transformation, the trigger and the character in detail. However, impertinent elements, such as how far the person walked down the lane, or the color if the neighbors bike, do not need to be thrown in. It's all about how much detail you use and where. Don't pour it all out at the transformation itself and skimp on the exposition, character or the aftermath.
Since the transformation is happening to a conscious being (duh), they will obviously sense it with all
Just Tell the Fucking StoryOkay, so I saw this journal that contained a number of tips, including a detailed section on 'show don't tell,' and I had an epiphany. There was an 'Oh' and everything so you know it's legit.Just Tell the Fucking Story3 years ago in Literature Features More Like This
For a while now I have wondered why amateur writers write the most mind-numbingly long descriptions that I could not care about even a little (yes, my attention span is short, why'd you think I put in so many GIFs? but anyway, I'm a bit atypical there). I mean, I don't want the 'flames of burning searing pain of the aching broken heart' all up in my grill. I'd genuinely prefer a 'he hated her after the break up.' That's all I need to know about that? Good. Move on.
And that's the 'oh' moment: when people tell you to show not tell, they always fail to mention 'pacing.'
Look, there are times when it's best to convey a mood. His trembling fingers reach for the full glass, her voice an angry buzz in the back of his mind--I'd consider that a reasonable establishing shot. But if you're halfway t
I Have Writer's Block!Don't panic. Don't bang your head against the wall. (All you get is a headache... trust me on that.) Writer's block requires a thoughtful, logical approach, so hating yourself will go nowhere.I Have Writer's Block!4 years ago in Writing More Like This
The first thing we tend to do when we have writer's block is to leave the book. We close the file or notebook and say we'll get to it later. Well, sometimes that works, but sometimes we still haven't touched it a week later. Or a month later. At that point things get a little worrisome. That's why I've compiled this list.
1. Try taking a walk or bike ride. Sometimes you just need the time to yourself. I know you've probably heard this before, but that's because it works. Let your mind drift to your characters, and an idea may arrive.
2. Think about your book before you go to sleep. Sometimes you dream about it, which can provide ideas. Sometimes you figure out the answer to your writer's block before you fall asleep. (If you're like me, you'll grab the nearest Post-it, scribble down your ideas, a
Story TemplateThis template is made to help you plan your story.Story Template4 years ago in Reviews & Guides More Like This
You can use it however you want; no one will grade you on it, so go ahead and write down anything you want on it.
This template can also be a witness of your evolution, as in, you can gradually write down all of your ideas for a title or a summary, and then, later, strike them or remove them. Think of it like a draft you use in an essay: it doesn't have to be clean, you can write wherever you want, whatever you want and however you want.
It contains some tips to guide you, tips we thought of with the experience of both a writer and a reader. You can also be your own guide of course! It's up to you.
Try to choose something original and appealing. Your title doesn't have to make the reader go all « Oh my God ! I love this title! I will gladly read it!", but it shouldn't be something that will them think it's cliché, boring, or mary-sue-ish. A title is one of the first images given of your story, along with th
Writing Tips - DialogueWriting Tips - Dialogue6 years ago in Writing More Like This
If youre writing fiction, the dialogue is arguably one of the most important parts. And its the bit thats the easiest to mess up, if were strictly honest. And why not? Theres so much going on in that single sentence that any number of them can go wrong; voice, character, tone, point of view, punctuation. Well start with punctuation, because Ive already written that bit.
Go here. I was originally going to copy and paste that part of the lesson into this lesson, but then the thing wound up being ten pages long. So, read that, and then come back to this if you feel you might need help with the mechanical bits.
When to use Dialogue
Right. So, youve got a story all set up in your head (or on a piece of paper if youre inclined to pre-write), and its great. Your hero is blasting through space with a whole heap of misfits, and you
Writing BEGINNINGS for Short StoriesWriting BEGINNINGS for Short Stories2 years ago in Writing More Like This
I was wondering if you had any tips on starting a short story? Like for instance, I have the scene all laid out in my head, I know exactly what's going on and stuff, I just don't know how to begin without giving away too much info and then boring the reader. If that make any sense.
Tips on how to make a beginning...?
-- Why, yes I do!
The fastest way to start a story -- is NOT at the beginning.
Open the story within one page of Hero Meets Villain, (or Lover Meets Beloved) with the story already in progress. Action scenes and snappy dialogue are the best hooks for snaring your reader, but hints of Mysterious things yet to happen works well too. I also set the stage for the story about to begin with a few lines of Description so that the reader can SEE everything as it happens.
Here are some examples from my fan-fiction:
Opening to HERO (Naruto)
It was supposed to be a
Writing Tips - MechanicsWriting Tips - Mechanics6 years ago in Writing More Like This
Tips and Tricks for Writing Fluidly
No, were not fixing up your brothers car. Mechanics are the little technical bits in your writing; punctuation, spacing, spelling, capitalisation, et cetera. Well start there.
Different languages have different rules for what should be capitalised. If you speak English, youd capitalise I and leave your dog lowercase. You may find it interesting that German is a bit backwards. If youre German, youd capitalise Hund and leave ich lowercase. Why am I telling you this? Because its simple little things like this that have the potential to give your reader the wrong impression of you. If they think that English is not your first language, they may structure a critique differently than if they knew that you were born and raised in New York.
So, when do you capitalise something?
° At the beginnings of sentences.
The dog is in the park.<
100 Fantasy Prompts and Places100 Fantasy Prompts and Places4 years ago in Writing More Like This
1. A magic item
2. A prince
3. A dog
5. A dragon
6. A snowstorm
7. A princess
8. A ghost
9. A fire
10. A lord
11. A sword
12. A secret
14. A letter
15. A lady
16. A thunderstorm
17. A sunny day
18. A knife
19. A pixie
24. A mystery
25. A kidnapping
26. A singer
27. A sickness
28. A murder
29. An artist
30. A thief
31. A feeling
34. A war
35. A massacre
37. The stars
38. A healer
39. A witch
40. A wizard
41. A close call
42. A loss
43. A monster
44. A treasured item
45. A job
46. A tradition
47. A family treasure
48. A sacrifice
49. A fire eater
50. A king
51. A queen
52. A friend
53. A fear
54. A peaceful moment
55. A potion
56. A surprise
59. A tense moment
60. A moral choice
61. An obstacle
62. A wound
63. A shoe maker
64. A blacksmith
65. A guild
66. Unclear motives
68. A Hunt
69. A disaster
70. A weakness
71. A strength
72. A d
The Problem with Self InsertsThe Problem with Self InsertsThe Problem with Self Inserts2 years ago in Reviews & Guides More Like This
There is nothing wrong with inserting yourself into a story. Like anything, it can be well done or... not so well done. The fact is, the majority of people who tend to write about self inserts happen to be beginners. Naturally, that causes there to be a pattern of certain, specific mistakes that are frequently found whilst reading anything on the internet. The purpose of this deviation isn't to say that self inserts are bad. I'm simply going to point out the most common mistakes that we usually encounter.
1. Making ourselves better than we really are.
Don't be fooled by the word "better." This can be replaced with mysterious, deep, dark, tragic, romantic, lovable... anything we want. Maybe a mix of a few of those things. The point is, the version of ourselves will be biased.
2. Not making anything bad happen to yourself
Let's talk about the word "bad." Does this mean something, perhaps, like... getting a disease? No. It means anything that interferes with
Writing Tips: CharacterisationWriting Tips: Characterisation6 years ago in Writing More Like This
Characterisation: Avoiding the Dreaded Mary Sue
The characters you write are arguably the biggest part of your story. Theyre the vessel through which the reader is able to identify with the themes and ideas that youre trying to share. But creating brand new lives from thin air can sometimes be rather difficult. You have to find their voice, their needs, their personality; its a rather delicate balance, really.
Rather tempting, and often encouraged by teachers, is to do a Character Profile to help come up with some of the details. These are often pre-made sets of questions ranging from the mundane (eye colour, height, weight) to the fanciful (if your character caught someone looking at his girlfriend, what would he do?).
I dont like these. And heres why.
The questions are all a little too cookie-cutter. They promote stereotype characters, and you dont want that. The actual physical details about the character dont need to be mentione