Describing an ActionWays to Say It
"He opened the door."
He burst into the room.
He felt the door give way.
He watched his own hands struggle against the door as they pushed it open.
He saw a group of people pan into view as the door eased open.
He couldn't remember pushing his way through the door after he had stumbled into the room.
He was barely aware of himself opening the door.
He couldn't stop himself from nudging the door open.
He might as well wear a friendly countenance now that he was opening the door.
The door opened.
The door swung open.
The door was opening.
The door was being opened.
The door creaked when he pushed it open.
The door led him into a warm, crowded room.
The heavy wooden door finally gave way, and he was soon easing himself past it.
His hand found the door, and he turned the knob and walked through.
The handle felt icy in his fingers as he opened the door.
The sound of a door swinging open caused her to jump.
Before he knew it, he was already pushing aside the door.
Ideas for Character PastsLife-Changing EventsIdeas for Character Pasts3 years ago in Writing More Like This
- Rite of passage (birth, adolescence, marriage, joining a religion or club, etc.)
- Death of a family member, mentor, lover, pet, or best friend
- Committing a crime; murder, stealing, break-in, kidnapping, arson, rape, drugs, adultery, forgery, treason, etc.
- Victim or witness of a crime
- Falling in love
- Converting beliefs
- Switching jobs/careers
- Switching lifestyle
- Saving a life
- Scientific discovery
- Personal discovery; destiny, spiritual goal, family secrets, hidden potential, power, or talent
- Fighting in a war
- Winning or losing a battle
- Being recognized for a skill, trait, endeavor, or heroic deed
- Falling into/out of an addiction or habit
- Gaining an inheritance or gift: money, a weapon, armor, jewelry, privilege/rights, property, pet, etc.
- Moving to a new residence
- Going to live with a different family member or guardian
- Achieving a long-term goal
- Earning an award, winning a prize, trophy, certificate, badge, etc.
Character Profile WalkthroughCharacter Profile Walkthrough4 years ago in Writing More Like This
Please feel free to use this as a guide when applying for a roleplaying chatroom. The guide is written in question-format in order to help generate ideas for your character descriptions. Most of these points are necessary, but not all. Who is your character, and what are they all about? Make it clear to us! We want to have a good visual! This walk-through will assist you in covering all the important points.
This is NOT meant to follow any particular application format! This is just a tool to help generate ideas for your character profile as you complete it. Please use the format the admin originally provided for you as your final hand-out.
- What color hair does he/she have? What style? Long or short? Straight, wavy, or curly?
- Eye color? Shape?
- Skin color? Texture?
- What type of body? How tall? Weight? Any deformities or unique features?
- Any distinguishing traits, such as tattoos, scars, piercings, beauty marks, birthmarks?
- Usual clothing and style?
Writers' Notes - Some BasicsWriters' Notes - Some Basics4 years ago in Writing More Like This
Here are just some basic thoughts for those who wish to be writers.
Novelists can and do break the rules in grammar, however this should not be done in a blasé manner. There is a difference between breaking rules for artistic value and being ignorant of those rules in the first place.
It's a common misconception that if you send in a badly written story that's really good plot/character wise that a publisher will accept it and have the Editor sort out the grammar / spelling. What is more likely, is it will be sent back to you, possibly not even fully read.
The reason for this is that publishers don't want to be doing all the work. You have to show you have a grasp of English and spelling/grammar is important (even if boring). We might all be a little less careful when writing our emails, letters, texts or even tutorials (I blame that on using ubuntu OS and its word processing software has predict
Writers Notes - DialogueWriters Notes - Dialogue4 years ago in Writing More Like This
Dialogue is the speech between characters. It is when the narrator (you) stops telling the story and the characters speak instead.
Here's some pointers regarding dialogue writing:
Never write dialogue like real-life speech. Why? Because if you listen to real-life speech it is littered with umms and ahhs and errs. Anyone who has ever sat through a meeting or an assembly listening to someone droning on umming and ahhing will know just how frustrating it is. The last thing you want is to inflict that on your reader.
Real life also has moments where you completely forget what you're saying or get side tracked and run off on a tangent or get interrupted. Now all these things can be added to dialogue but in small amounts. We all know someone in life who constantly interrupts us when we talk, they can't wait for your part of the conversation to end so they talk over you. Fine, have a char
Writing Tips - RulesWriting Tips RulesWriting Tips - Rules3 years ago in Writing More Like This
Whether you are writing an original story or some fan fiction, there need to be rules to follow. As they are rules, they can't be broken.
When writing fan fiction, you are writing a story for a universe that somebody else has created. They have created the rules and they are there to be followed. You aren't sticking to canon if you break any of these rules.
Some examples: A Naruto fan character that has a thirteen-tailed beast sealed inside them is breaking canon rules since there isn't a thirteen-tailed beast anywhere in the story. There are only 13 squads in Bleach; a 14th squad appearing would break the rules set in place. In Animorphs, staying in a morph for more than two hours will trap the person as that animal and they can't change back unless they can touch the blue box again.
If you want to make sure that you don't break any of the rules, read the stories thoroughly. If there is a creature that is
Writers' Notes - Battles and WarsWriters' Notes - Battles and Wars3 years ago in Writing More Like This
While I have written a tutorial on fight scenes, I felt that it would be prudent to write one regarding wars and battles. After all a war or a battle is not just about how to fight.
When you are writing a war or battle first make sure you plan where it's going to take place. Land can be tricky, and it changes during a battle.
Image two giant armies amassing on a huge field. Infantry and cavalry alike, all decked in battle gear and heavy armour.
The pound of thousands of feet, man and horses alike. How do you think the ground will look? Grass torn and flattened, turned to mud especially if the weather turns and it begins to rain or sleet. Are there hills or mountains? Has one army taken a higher ground, dug a moat or added spikes of wood to protect their area?
Is there forests around them, have the trees been burned by one army to keep the other from using the wooded area as shelter? Has an army begun to p
How Not to write a Mary SueHow Not to write a Mary Sue3 years ago in Writing More Like This
How Not To Write A Mary Sue
So, what is a Mary Sue? It is used as a form of criticism in literature and refers to an idealised and somewhat "perfect" character that appears to have no flaws or if they do they are so limited that all the "perfect" characteristics overwhelm them making the character "flat." Mary sue often refers to a young female protagonist and male "Mary Sues" are often called "Larry Stu".
From my experience most Mary Sues are written in non-published works usually by young writers especially in fan-fiction. However there are a few Mary Sue writers who are actually published (sadly). It shows a deep lacking to create perfect characters unless it's done for satirical purposes.
So why should you avoid writing Mary Sues? Simple, perfect is boring!
We don't like perfect, we don't want perfect! Ask anyone in a relationship to list the positives traits, charms and idiosyncrasies of their partner and I guarantee at least one will be something that is weird, annoying, bizarre
Writer Notes- Plot DevelopmentWriter Notes- Plot Development4 years ago in Writing More Like This
Whether you are writing a novel or a short story it is best to have your MAIN PLOT before you get too much written down. The Main Plot is the singular thread that runs through the novel/story. You may have character ideas or scene ideas but eventually you need to think about a plot. Do this sooner rather than later.
The best way to do this is to list your main characters and then decide what are their individual main plots. Are they all on the same quest with the same ideas / goals or do some of them have their own goals?
To help show this, here's an example:
Eric To become knighted and serve his king
Vivian To destroy her former master before he can poison the kingdom
Luke To find his brother
Taldor The largest city
Maybe from this list you decide Vivian is the MAIN character and her story line is the driving force however each of the other three have story lines that need to be tol
Pieces of ProseWhat to Write?Pieces of Prose3 years ago in Writing More Like This
Writing up a story or roleplaying, and not sure what to talk about next? Use this list as a guide to help build your prose.
What does the place look like?
Describe the weather or climate
What time of the day is it?
Where is the place located?
Describe the sights, sounds, smells, textures, tastes
Describe the history of a place or how it came about.
How is the place decorated? Which objects occupy the place? What are they made of?
What kind of activity is going on?
Describe any unusual or special objects that stand out
Describe an incident that happened in the past relating to the area
Describe the current happenings and circumstances
Briefly describe the events that took place prior to the scene
Explain the cause of the circumstances
What are the current complications, limitations, misfortunes, or discomforts?
What are the current advantages, pleasures, or good fortunes?
What's one of the worst things that could happen now?
Describe a pas
Character Tips 3 - ClothingCharacter Creation ClothingCharacter Tips 3 - Clothing3 years ago in Other More Like This
So, your character has a body, a life and a personality. The thing is, they're still naked! Well, this should solve their problem.
Before we decide on their clothes, we need to figure out what they actually do for a living. This is important because, apart from their personality, this will decide the type of clothing your character will wear. For example, a princess will wear a lot of fine dresses and have a lot of jewellery whereas a peasant will have patched up clothes and little to no jewellery. A business man will wear a suit to work whereas a person working on a construction site will wear jeans, steel toed boots, a shirt, a high vis. vest and a hard hat.
Basically, position in society and career will determine what your character usually wears.
How Personality Fits In
Appearance is influenced by your personality, not the other way around. For example, an outgoing person will more likely reveal more skin than a shy per
Interior MonologuesInterior Monologues5 years ago in Writing More Like This
"I was just wondering what you think about interior monologues, long passages of reflection?" -- Curious Kitty
A note on:
-- Interior Monologues
Whether you are considering adding a lengthy monologue to a story, or intend the monologue to be the story itself where the focus of the entire story is on one character's thoughts and feelings with very little action -- from my observations and experimentation, the readers either love them or hate them. There's no in-between.
However, it is notable that the internal monologue stories that are sought out most frequently tend to focus on a profound emotion of some kind: grief, loneliness, heartache... Usually by either those seeking to deal with such an emotion, as a kind of therapy, or by those that have never felt such emotions. (Strong emotional stories are extremely popular among young adults.)
In both cases, not only does the reader seek to submerge the
Motivation for NovelistsMotivation for Novelists4 years ago in Writing More Like This
Motivating myself to write and keeping that motivation throughout a writing project is one of the biggest challenges I face as a writer. I get the impression a lot of other people struggle with it as well.
There are a lot of tools out there such as the Write or Die program and National Novel Writing Month designed to keep you motivated, but they're just gimmicks in my opinion. Writing takes a lot of time and effort, and we as humans need a very compelling reason to exert ourselves in such an extreme manner. A timer or deadline typically isn't good enough.
The only effective long-term motivator is a real, tangible reward. Finishing a novel is a great reward, but the gratification is too long coming to really work as motivation. So what reward system will actually keep you writing and rewriting until you can call your project officially finished?
Well, there's always chocolate. Aside from that, the only compelling reasons to keep writing are that you will literally go crazy if you don't
Writers' Notes - Fight ScenesWriters' Notes - Fight Scenes4 years ago in Writing More Like This
I have read enough books to find that fighting scenes can be difficult to write. Some of the novels I have read have had painful fighting scenes so this tutorial is an amalgamation of my thoughts on the best ways to do it.
First, let's break this down into aspects to think about:
Before writing fight scenes think about the characters involved. What are their skills, what are their ideas of fighting? Why are they doing so? Is it a sense of survival? Is it to show honour like a duel?
For example -
Does a peaceful man watch his brothers murdered in a slaughter by the king's men. Does he, in a rage, grab a fallen sword and defend the last of them. He holds no skill but the sheer fury at watching his peaceful world be shattered. Afterwards does he vow revenge and ride for the king's castle or retreat to the mountains to get over what he di
High Speed STORIESHigh Speed STORIES5 years ago in Writing More Like This
When you absolutely, positively, HAVE to get the story done.
The trick to speed-writing is to Plan the story out first, more commonly known as PLOTTING.
"Diabolic" was written in 30 days -- all 15 chapters at 2500 to 3000 words per chapter, adding up to around 80k (thousand) words. A novel is 90k to 100k. I was able to do this because I already knew my main characters really well, (Vincent and Sephiroth of Final Fantasy VII,) and I knew where my story ENDED. Basically, once I knew where I wanted to go, all I had to do was figure out how to get there.
Note: If you're interested, DIABOLIC can be found at Media Miner. The 'Search' feature is your friend!
The plot outline I used only had 5 points:
1. Beginning - The Main Character gets involved with the Villain or Lover.
2. Complications - The situation worsens.
3. Emotional Turning Point - Panic Attack! Fear and/or Guilt vs. Desperation
4. Reversal - The wor
Character Tips 5 - DreamsCharacter Creation Dreams and FearsCharacter Tips 5 - Dreams3 years ago in Other More Like This
Absolutely everybody has their dreams for the future and there isn't anybody alive who isn't afraid of something. Giving your character both dreams and fears will help to flesh out your character a little bit.
You probably have dreams for your future, so why shouldn't your character? They don't have to be huge, but it has to be possible to work towards them. Their dream could be to get the job they've always wanted. It could be to recover from an illness that they've had for a long time, or it could be as simple as to just find where they belong.
Whatever the goal is, there has to be something getting in the way. For example, my dream is to become a professional author, but I'm not comfortable showing what I've written to other people. It's the same for your character, achieving a dream shouldn't be so easy.
Of course, no one has just one goal in life, but they will always have one major one. That would be the one you woul
Character MotivationCharacter Motivation4 years ago in Writing More Like This
Everyone's heard that characters should have goals, something they want and must strive for, overcoming obstacles and antagonists in order to obtain. Because, well, a story is the record of your character's journey toward achieving a goal.
While all of this is true, I think a lot of writers lose sight of an even more important aspect of character. That is, motivation. Sure, you know what your character wants.
That's the gist of motivation. What is the psychology and reasoning behind your character's goal? If your character is driven to make money, is his motivation greed? To pay off a debt? To support his family?
Motivation is your character's emotional connection with the reader. When the reader comes to understand why your character has set out to achieve his goal, they will understand your character in human terms, relate to him, and become invested in what happens to your character throughout the story.
Without a clear motivation, your character's goals don't mean much. So wha
The Wasteland AKA the MIDDLEThe Wasteland AKA the MIDDLE5 years ago in Writing More Like This
The Trackless Wasteland known as: The MIDDLE
The middle (of a story) KILLS me. I freeze when I have to decide which way things are going to go, and how, and that happens during the middle for me.
Middle, middle, middle... It's the Slough of Despond!
The Middle is where I usually fizzle out.
The middle is DANGEROUS territory.
Why? Because the Middle of a story is where you have a million-and-one options, a million-and-one directions to choose from, and a million-and-one ways to really show off your writing skills.
The Middle is also, where you have a million-and-one opportunities to really screw up your story for good. Opportunities that will send you spiraling into ever tightening circles that eventually jam you into a corner you can't get out of. In short: get you Lost in your own story.
You KNOW yo
The LAYERS of FictionThe LAYERS of Fiction5 years ago in Writing More Like This
"If you have Action and Dialogue, do you really NEED Description too?
What is the difference?"
The Layers of Fiction
"Himawari-chan, I have your lunch!"
"Here you go Himawari-chan!"
"Thank you, Watanuki-kun!"
"You are very welcome, Himawari-chan."
"I see. Of course. Thank you, Yuuko-san. Do I need to tell you what she said?"
"No! No, you don't, and I don't want to hear it! I don't need a freaking baby-sitter!"
"Yuuko thinks you do."
"That's her! Not me!"
"Are you a fortune-teller?"
"No! Of course not!"
"I'll come get you after class. I'll get the instructor to let you wait while I practice."
"What? No! I said I don't want to wait !"
"You gonna eat that?"
"Yes I am!"
"I do not, not, NOT take orders from you!"
This is "Talking Head Syndrome." There are no dialogue tags, because I don't use them.
Character Tips 2 - PersonalityCharacter Creation History and PersonalityCharacter Tips 2 - Personality3 years ago in Other More Like This
So, you have the body of your character, but it's only the body. It has no life or personality yet. This will hopefully help to give it one.
Creating a history is not often fun or easy, but what has happened in your character's past will affect their personality. Of course, like with everything else, there are traps that you can fall into. Some things are horribly overused, it's not illegal to use them, but just keep in mind that they are really common. Whatever you do, don't have an overly sad past, and I don't mean that they can't be orphans, or be abused by a parent or partner, because it does happen in real life (sadly). Just don't have every single thing happen to them.
Example: "Growing up, Amy was never happy. She had been orphaned at the age of 5 in a car crash. She was soon adopted by a family who seemed nice at first but then they started to abuse her. She would cry herself to sleep every night bec
Sentence Structure for FICTIONSentence Structure for FICTION5 years ago in Writing More Like This
On Basic Sentence Structure for Fiction
(Grammar Nazis BEWARE!)
Everything I ever learned about writing Fiction DIDN'T come from school; not even college. In fact, the way one writes fiction is almost the complete opposite of everything I learned in school about writing.
In order to make my stories crystal clear in my readers' imaginations, I write in precise Chronological Order, in the order events actually happen, PLUS in the order that the eye sees it.
Case in point, when describing a character, I describe them from top to bottom, in the order that the eye notices them. Face, hair, upper body, arms, hands, then lower body, legs, feet, then over all impression.
Character Tips 4 - MagicCharacter Creation Magic and AbilitiesCharacter Tips 4 - Magic3 years ago in Other More Like This
If you are creating a character for the fantasy genre, more often than not, they have some kind of magic. There are all kinds of magic, but some planning has to go into it.
How did they get it?
There are many ways your character could get their magic. It could be given to them by some higher power, it could be genetics, or they could use a magical item and have no real power of their own.
I'll start with genetics. If this is how your character got their power then somebody else in their family tree somewhere should have the same power. It wouldn't have to be in their immediate family since it could be recessive (just like I am a red head with green eyes whereas everyone else in my immediate family has brown hair and blue eyes, I take after my great-grandparents), it could skip a few generations before showing up again. Also, since magic is basically part of your character's genes in this type, they cannot gain both of their pa