Writer Notes- Plot Development
Whether you are writing a novel or a short story it is best to have your MAIN PLOT before you get too much written down. The Main Plot is the singular thread that runs through the novel/story. You may have character ideas or scene ideas but eventually you need to think about a plot. Do this sooner rather than later.
The best way to do this is to list your main characters and then decide what are their individual main plots. Are they all on the same quest with the same ideas / goals or do some of them have their own goals?
To help show this, here's an example:
Eric To become knighted and serve his king
Vivian To destroy her former master before he can poison the kingdom
Luke To find his brother
Taldor The largest city
Maybe from this list you decide Vivian is the MAIN character and her story line is the driving force however each of the other three have story lines that need to be tol
Writers Notes - DialogueWriters Notes - Dialogue5 years ago in Writing More Like This
Dialogue is the speech between characters. It is when the narrator (you) stops telling the story and the characters speak instead.
Here's some pointers regarding dialogue writing:
Never write dialogue like real-life speech. Why? Because if you listen to real-life speech it is littered with umms and ahhs and errs. Anyone who has ever sat through a meeting or an assembly listening to someone droning on umming and ahhing will know just how frustrating it is. The last thing you want is to inflict that on your reader.
Real life also has moments where you completely forget what you're saying or get side tracked and run off on a tangent or get interrupted. Now all these things can be added to dialogue but in small amounts. We all know someone in life who constantly interrupts us when we talk, they can't wait for your part of the conversation to end so they talk over you. Fine, have a char
How Not to write a Mary SueHow Not to write a Mary Sue4 years ago in Writing More Like This
How Not To Write A Mary Sue
So, what is a Mary Sue? It is used as a form of criticism in literature and refers to an idealised and somewhat "perfect" character that appears to have no flaws or if they do they are so limited that all the "perfect" characteristics overwhelm them making the character "flat." Mary sue often refers to a young female protagonist and male "Mary Sues" are often called "Larry Stu".
From my experience most Mary Sues are written in non-published works usually by young writers especially in fan-fiction. However there are a few Mary Sue writers who are actually published (sadly). It shows a deep lacking to create perfect characters unless it's done for satirical purposes.
So why should you avoid writing Mary Sues? Simple, perfect is boring!
We don't like perfect, we don't want perfect! Ask anyone in a relationship to list the positives traits, charms and idiosyncrasies of their partner and I guarantee at least one will be something that is weird, annoying, bizarre
Writers Notes - ResearchWriters Notes - Research5 years ago in Writing More Like This
Firstly, my rule any writer worth their salt who WANTS to be published someday has a LARGE collection of reference books in their home or knows intricately the layout of the reference section in their local library.
If you want to be a professional writer, a published writer then you can't skimp on the research. So, unless you were born with a mass of knowledge on hundreds of subjects then you will need to read up on them. Not to mention things change especially in some subjects where improvements and developments replace original knowledge: for example Medicine, police procedures etc.
Do not think your readers are stupid. They are your second biggest critic (after yourself) and even loyal fans will be ready to point out flaws. Try and get passed any anger or frustration you feel if people point out your flaws. Take it as a positive step that they are trying to move your work forward (sometimes).
I read a novel once that described
Writers' Notes - Battles and WarsWriters' Notes - Battles and Wars4 years ago in Writing More Like This
While I have written a tutorial on fight scenes, I felt that it would be prudent to write one regarding wars and battles. After all a war or a battle is not just about how to fight.
When you are writing a war or battle first make sure you plan where it's going to take place. Land can be tricky, and it changes during a battle.
Image two giant armies amassing on a huge field. Infantry and cavalry alike, all decked in battle gear and heavy armour.
The pound of thousands of feet, man and horses alike. How do you think the ground will look? Grass torn and flattened, turned to mud especially if the weather turns and it begins to rain or sleet. Are there hills or mountains? Has one army taken a higher ground, dug a moat or added spikes of wood to protect their area?
Is there forests around them, have the trees been burned by one army to keep the other from using the wooded area as shelter? Has an army begun to p
Writing Notes - Killing charactersWriting Notes - Killing characters4 years ago in Writing More Like This
Many writers state that they are very connected to their characters. This is not surprising, for writers we build worlds, we create people and animals and imbue them with a form of life. We let them live in our heads and think on them often.
Often I have day-dreamed into my written world, sat on a log watching my characters around the campfire swapping stories. I've seen them laughing, passing around skins of bad wine and spiced meats. I've seen them sink into sorrow at those they have lost, those they couldn't save. Whether any of this gets written is a different matter because it is all designed for me to learn more about my characters, so see them react.
We begin to know them intimately, their moods and habits and loves and fears. We can read their facial ticks and subtle body poses. So why wouldn't we become connected?
When you write stories especially long ones were you have a larger amount of time to learn about your characters and allow them to develop they do become something i
Writers' Notes - Fight ScenesWriters' Notes - Fight Scenes5 years ago in Writing More Like This
I have read enough books to find that fighting scenes can be difficult to write. Some of the novels I have read have had painful fighting scenes so this tutorial is an amalgamation of my thoughts on the best ways to do it.
First, let's break this down into aspects to think about:
Before writing fight scenes think about the characters involved. What are their skills, what are their ideas of fighting? Why are they doing so? Is it a sense of survival? Is it to show honour like a duel?
For example -
Does a peaceful man watch his brothers murdered in a slaughter by the king's men. Does he, in a rage, grab a fallen sword and defend the last of them. He holds no skill but the sheer fury at watching his peaceful world be shattered. Afterwards does he vow revenge and ride for the king's castle or retreat to the mountains to get over what he di
Writers' Notes - Some BasicsWriters' Notes - Some Basics5 years ago in Writing More Like This
Here are just some basic thoughts for those who wish to be writers.
Novelists can and do break the rules in grammar, however this should not be done in a blasé manner. There is a difference between breaking rules for artistic value and being ignorant of those rules in the first place.
It's a common misconception that if you send in a badly written story that's really good plot/character wise that a publisher will accept it and have the Editor sort out the grammar / spelling. What is more likely, is it will be sent back to you, possibly not even fully read.
The reason for this is that publishers don't want to be doing all the work. You have to show you have a grasp of English and spelling/grammar is important (even if boring). We might all be a little less careful when writing our emails, letters, texts or even tutorials (I blame that on using ubuntu OS and its word processing software has predict
Plots and Plot Twists.Plots and Plot Twists.4 years ago in Writing More Like This
What is a plot? A plot is a series of sequential events that make up your story. Sure, anyone could have told you that. But, how to write one? How can you make something this simple extraordinary?
Plot is comprised of 3 different parts; beginning, middle and end. Think of it this way this is how the problem started, this is how we fix it, and this is how we fixed it. Make sense? As long as you stick to this simple outline, it will be much easier for you to create your plot. Plots are also comprised of other parts; the exposition, rising action, climax, falling action, and resolution.
The Exposition: This is the very beginning of your story in which your characters and some important themes are laid out. Describe the setting; time era, place and who the characters are. Describe to the audience just WH
Interior MonologuesInterior Monologues6 years ago in Writing More Like This
"I was just wondering what you think about interior monologues, long passages of reflection?" -- Curious Kitty
A note on:
-- Interior Monologues
Whether you are considering adding a lengthy monologue to a story, or intend the monologue to be the story itself where the focus of the entire story is on one character's thoughts and feelings with very little action -- from my observations and experimentation, the readers either love them or hate them. There's no in-between.
However, it is notable that the internal monologue stories that are sought out most frequently tend to focus on a profound emotion of some kind: grief, loneliness, heartache... Usually by either those seeking to deal with such an emotion, as a kind of therapy, or by those that have never felt such emotions. (Strong emotional stories are extremely popular among young adults.)
In both cases, not only does the reader seek to submerge the
The Wasteland AKA the MIDDLEThe Wasteland AKA the MIDDLE6 years ago in Writing More Like This
The Trackless Wasteland known as: The MIDDLE
The middle (of a story) KILLS me. I freeze when I have to decide which way things are going to go, and how, and that happens during the middle for me.
Middle, middle, middle... It's the Slough of Despond!
The Middle is where I usually fizzle out.
The middle is DANGEROUS territory.
Why? Because the Middle of a story is where you have a million-and-one options, a million-and-one directions to choose from, and a million-and-one ways to really show off your writing skills.
The Middle is also, where you have a million-and-one opportunities to really screw up your story for good. Opportunities that will send you spiraling into ever tightening circles that eventually jam you into a corner you can't get out of. In short: get you Lost in your own story.
You KNOW yo
How to Introduce a CharacterThe classical Movie Introduction Sometimes, you get a hero. Not over time, but right at the start this is your hero. He's confident, he's suave, and he always packs his shaving cream. Somehow he always manages to get that beard just right, despite the fact that you've never seen him trim. Everything about him is admirable, and you just wanna follow him like a little puppy dog because that's how AWESOME he is.How to Introduce a Character5 years ago in Writing More Like This
it might work, but you still shouldn't do it. It's one thing for movies, where you can simply follow someone's action across the screens. In books, you want the closeness that only seeing the character fall on their face time times just to get it right once will bring.
The stumbling introduction - sometimes, your character stumbles into the wrong thing at the wrong time. Or the right thing at the right time, perhaps, but if you want a good story you should probably make sure it ends up worse for them than it would have otherwise.
Oh, sure, things
Advanced Plotting-The PREMISEAdvanced Plotting-The PREMISE6 years ago in Writing More Like This
Advanced Plotting ~ the PREMISE
Could you tell me more on plotting story points? I can get the big story idea well enough, but I run into a snag deciding the whole causality thing -- A leads to B, leads to C, etc."
-- Mad about Plotting
Ah, so you wanna know how to put all the theories together to make a story, do you? (Gee, you couldn't pick the easy stuff could you?) Okay...
A story's Causes & Effects, the triggers that lead from one event to the next, comes from your Premise.
Just for the record...
A Premise is NOT a Concept!
The Premise is the theoretical / emotional problem that your story is trying to illustrate and answer. It's the glue that holds the whole thing together. It's the Purpose of your story.
A Concept is HOW you intend to illustrate that Premise, it's the story you wrap around it.
Example: The 'Matrix':
Premise: Knowledge vs. Ig
10 Second Tip - Foreshadowing10 Second Tip - Foreshadowing5 years ago in Writing More Like This
I hear the term 'foreshadowing' a lot. That's when you hint at stuff to come, right? So yeah, but how do I DO it?
Foreshadowing is when the opening scene of a story is a kind of nutshell prophecy for the whole story.
* In a Horror, this is when the originating Bad Thing happens.
* In a Mystery or Crime story, it's when the first victim is slain, and/or object (McGuffin) goes missing.
* In a Romance this is where the main character meets their soon-to-be lover for a fleeting but memorable moment.
* In a Sci-fi, this is where the ruling Theory is presented.
* In a Gothic, this is where the main character transforms into a monster for the first time.
This also reveals the Premise, or ruling argument that the story is trying to illustrate; what the story is trying to Prove.
The results of Revenge
The path of Ambition
The reality of Love
The sacrifices one mak
Writers Notes - Writers BlockWriters Notes - Writers Block5 years ago in Writing More Like This
Writers Block is one of the worst feelings a writer can experience. Even the best writers will suffer it at some point or another. Point in fact that I myself am suffering writers block in my novel at this moment.
Some writers use it as an excuse to give up and stop writing completely. This happens more when the writers block lasts for a considerable period. It does not just have to be over days, I have known it to be over weeks and even over two months before now.
Writers block can be for many reasons. Often it can be when you are struggling with a key part of your writing / plot and are not making any headway. If this continues and affects the flow of your writing you can find yourself feeling "stunted."
Other writers blocks can be because you have overstretched yourself. Maybe you have been taking too much on or pushing yourself too hard. This is often when the hobby and joy of writing
INTERNAL CONFLICTINTERNAL CONFLICT5 years ago in Writing More Like This
Note: this is how the professional authors do it. That doesn't mean YOU have to. As with all advice, take what you can use and throw out the rest.
His lips drifted across hers in a warm caress. His hand pressed at waist, the heat of his palm warming her flesh through her corset underlying the deep blood silk gown. His fingers drifted upward, toward her breast.
Desire pulsed within her core, in time with her heart. She wanted to let him tear the red silk from her body, and bury himself in her flesh, but set her palm over his to stop him just below her breast. He was a vampire and she, a mere mortal. The fear in her soul told her to stop, and yet her body begged for his mouth on her flesh. I am overcome, overcome by a desire I know only he can satisfy... He fired her blood more than any other man.
She turned away from his kiss. "Please, I can't."
His gaze narrowed, then he smiled. "
HOW do you make THE END?HOW do you make THE END?6 years ago in Writing More Like This
"When will you make an end?"
- The Pope on the painting of the Sistine Chapel
"When I'm finished."
Okay, so you got this GREAT Idea for a story!
- This Great Idea...that births chapter after chaper...
- This Great Idea... that you can't seem to finish. (WTF?)
So what do you do now?
HOW do you make an End?
Fairytales and Myths were my foundational reading, so they became my base model for how a story should finish -- by ending where you began with a solution.
This doesn't mean ending a story in the location it started, or that full irrevocable transformations don't happen, but that the story ties the knot to the Emotional or Karmic place they began. -- The lost find their way, the wicked are punished, the weak become strong, monsters are faced, emotional hang-ups are dealt with, and problems are solved. What is begun - finishes.
-- Stories aren't just about characters Doing stuff, it's about cha
The LAYERS of FictionThe LAYERS of Fiction6 years ago in Writing More Like This
"If you have Action and Dialogue, do you really NEED Description too?
What is the difference?"
The Layers of Fiction
"Himawari-chan, I have your lunch!"
"Here you go Himawari-chan!"
"Thank you, Watanuki-kun!"
"You are very welcome, Himawari-chan."
"I see. Of course. Thank you, Yuuko-san. Do I need to tell you what she said?"
"No! No, you don't, and I don't want to hear it! I don't need a freaking baby-sitter!"
"Yuuko thinks you do."
"That's her! Not me!"
"Are you a fortune-teller?"
"No! Of course not!"
"I'll come get you after class. I'll get the instructor to let you wait while I practice."
"What? No! I said I don't want to wait !"
"You gonna eat that?"
"Yes I am!"
"I do not, not, NOT take orders from you!"
This is "Talking Head Syndrome." There are no dialogue tags, because I don't use them.
High Speed STORIESHigh Speed STORIES6 years ago in Writing More Like This
When you absolutely, positively, HAVE to get the story done.
The trick to speed-writing is to Plan the story out first, more commonly known as PLOTTING.
"Diabolic" was written in 30 days -- all 15 chapters at 2500 to 3000 words per chapter, adding up to around 80k (thousand) words. A novel is 90k to 100k. I was able to do this because I already knew my main characters really well, (Vincent and Sephiroth of Final Fantasy VII,) and I knew where my story ENDED. Basically, once I knew where I wanted to go, all I had to do was figure out how to get there.
Note: If you're interested, DIABOLIC can be found at Media Miner. The 'Search' feature is your friend!
The plot outline I used only had 5 points:
1. Beginning - The Main Character gets involved with the Villain or Lover.
2. Complications - The situation worsens.
3. Emotional Turning Point - Panic Attack! Fear and/or Guilt vs. Desperation
4. Reversal - The wor