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This is also an older set (5 years old?) but I still love it!

The concept is a Cat Burglar, in full gear, rappelling down in Bond film fashion to go after a priceless object. We envisioned the safe to be in an indoor or glass enclosed garden, and I really like the texture the tree/bushes add to these images.

Again, this is shot by Kevin Stewart of Black Eye Photography and the images (on film) are cross-processed, not photoshopped.

Brian had a full rappelling gear and we put this outfit together with things we had at home and pieces from costumes I had already made.

It was harder than you'd image to hold a pose upside down hanging by a rope lol.
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Photo by Benny Lee :iconsekainoichitaka:

Model: Me

Outfit by Lip Service

Hair/makeup/styling: Me

I hosted a Lip Service fashion show over New Year's and had the opportunity to get a couple of outfits. I mainly wanted them for clubbing (love going to the Castle in Tampa) but when Benny Lee and I talked about doing a first photoshoot together, I decided to pull out this ensemble for a fun Cyber Samurai chick look. It was an excuse to play with kabuki-inspired makeup (see next Deviation for close-up).

I think this image could be a fun stock photo for creative artists.

**Follow me on Twitter for daily costuming musings [link]**
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... and stalker victim! Poor girl.
I loved the movie and this was such an easy costume to make and to wear around.

Construction notes: This costume came together easily enough, but I had a hard time at first deciding what color scheme to go with. In some scenes, the dress looks light pink with hot pink layers, but that would have been way too pink, even for me O_O. Instead I went with the promotional pictures and made the costume white and pink, with hot pink bows/red shoes. The top of the dress is boned and tailored to me, and I hand-gathered the layers to ensure they ruffled evenly and as per reference. Instead of making the garters out of the same fabric as the dress, I opted for lace, to give it more a lingerie look. The wig was interesting, as Mima's hair is so choppy in the movie. I ended up cutting and styling the hell out of a random black layered wig I found locally. I already owned the shoes, gloves and thigh highs. I got lucky and found a $5 microphone which got cut up and repainted for Mima.

Photos taken at ikkicon 2010 by Pete Ortega. Thank you!
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Photography by Benny Lee :iconsekainoichitaka:

Model: Me

Styling/Makeup: Me

Outfit by Lip Service

Shoes by bebe

This fashion look was a warm up set for my studio shoot with Benny Lee last month. I haven't done the goth thing for a while lol
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Photography by Benny Lee :iconsekainoichitaka:

Model: Me

Styling/Makeup: Me

Outfit by Lip Service

Shoes by bebe

This fashion look was a warm up set for my studio shoot with Benny Lee last month. I haven't done the goth thing for a while lol
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Photo by Brian Boling
costume/wings/egg made by me
construction info: [link]


This shoot has been planned since Dragoncon, we were just looking for the chance to push the giant egg into the woods lol.
We took advantage of a beautiful warm day in late October and set up the egg prop in between these awesome ivy vine overgrown trees in the North GA mountains. Realizing again how immobile I am in this costume *headdesk*, and how many bugs were flying around us O_o;, we did a fairly quick photoshoot in under an hour. I put on the horns at the last minute because I felt like my head was so bare. They were just stock from my store laying around.
I am very excited about the ivy on the trees as it matched the egg's decoration wonderfully. Got my skirt dirty tromping around in the dirt but it's well worth it.

Other Deviations of this costume:

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I forgot that I haven't uploaded these photos from Carroll Kong yet! Thank you, Carroll, for these!

Costume: Oruha - "Clover"

This cosplay is made and worn by me at Anime Central 2009.
You can see more Deviations of Oruha here:
Blinding Light [link]
Oruha Photoshoot with Judy [link]
The Sultry Songstress [link]

You can also see the full gallery on my website with construction info here: [link]
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Costume made and modeled by me
Photography by Stewart Townsend

Construction notes:
Since I became a fan of the game Dead or Alive and Lei Fang, I have wanted to make one of her regular Chinese dresses. When it came to deciding which color dress to choose, well, I have not seen the blue dress cosplayed personally, and thought that blue and gold would be a wonderful color combination.
Plus, I can not believe I had all the materials needed for this costume! All I had to get were the gold closures and bias tape for the trim.

I made the dress using a rich blue brocade and pale yellow bridal satin for the lining.
I created two Phoenix designs for this costume and they are painstakingly appliquéd on the front and back. With gold thread I satin stitched the outlines and all the feathers over the period of two days.
I also added hundreds of iridescent and gold sequins as well as rhinestones for glamor and depth.
The dress is fully lined and boned for structure, and was tailored to fit me like a glove. The high cut slits made me a little nervous at first but they really are necessary for those crouching poses lol.
The arm cuffs snap on and I already styled a Lei Fang wig for another version of her. I plan on sharing the wig between the costumes so the hair ties will remain gold to match!
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This is the Dawn costume (based on Joseph Michael Linsner's artwork) I've been working on for a few weeks, for the debut at Dragoncon 2009. I made the costume from scratch, as well as the wings, and that large egg prop I am sitting in. A huge Thank You to the Dawn Lookalike contest staff for allowing me to bring that near 7 foot tall egg on a rolling platform into the competition.

Construction notes: Well, until I do a real photo shoot with this costume, you won't be able to really see the details, so just take my word for it lol. I decided to enter the Dawn contest this year because I had the idea for a concept, a theme if you will, and because I had the time/money to actually make everything. Also, since I am local to Dragoncon this year, I was able to make multiple trips from/to home in order to bring the prop/costume/wings.
My concept was "The Birth of the Goddess", and I really wanted to make this ancient fantastical looking egg which could fit a person + wings. Three awesome friends of mine helped me with the construction of the egg - Brian, Tigger, and Tise. We built a wooden 3-D form first and then painstakingly cast a shell over it with fiberglass and plastic. After cutting and sanding the edges, I covered the egg in felt on both sides and hand painted it for shading and texture. Tise and I spent hours gluing vines and leaves and all sorts of adornments on it, making the shell look all sparkly and magical. Brian and Tigger devised a platform which has a Lazy Susan built in so that the egg could be turned around and rolled, even with me in it. I helped cutting the wood and covering it in green velveteen.

The costume was based around the theme, and I thought a newly born Goddess would be pure and white, with no discernable armor or weapons. I made a steel boned corset with white faux leather, with a bust line that was inspired by many of Linsner's drawings. The trims and lace were all hand sewn on, and dyed/cut/embellished. I drafted patterns for the front tier pieces, choker and arm bands, all of which were made with the matching faux leather. I also draped the skirt. I cast ornament pieces in plastic and painted them silver, antiqued them, and attached them to various pieces on the costume, such as the corset, front 3-tier pieces, choker and arm bands. Much of the time went into attaching matching lengths of chains to the skirts, choker, arm bands and wristlet. I used 4 different sizes of chains. In keeping with classic Dawn imagery, I also used o-rings and o-ring chains. Even my shoes have o-rings on them, lol.
I made my wings based on how Linsner often drew Dawn's wings, with the defined arch, spread position, but long trailing feathers at the bottom as well.
Lastly, I also created the signature rose on Dawn's right arm.
For the day of, I used puffy paint to make the tears, and as usual, I did my own makeup/wig styling for this costume.

It was definitely interesting to try and move in this outfit. The wings had quite a wing span and I felt so bad for taking up space as well as accidentally brushing into people. I also could hardly see anything due to double staked contacts and the hair over my right eye. Not to mention the tight corset and wing harness shoved underneath. But the contest ran so smoothly and I am so grateful for all the help I received backstage. I ended up winning Third Place, thank you, Judges, and congratulations to all the winners. I really loved seeing the different beautiful costumes backstage and only wish that I had been mobile enough to chat more with the girls.
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While we're on Halloween and PVC.... another blast from the past!

These two images are from a modeling shoot in 2005! The photographer is Kevin Stewart of Black Eye Photography, my mentor and eye-opening force in artistic and out of the box thinking when it came to photography.

For this theme, I built an outfit around a skull/cross bone corset I owned - making the gloves, shorts, skirt etc. and I used the wings I had made already for Midnight Wings. We went to a remote location in GA on a cold and windy autumn day and shot this theme on film, which is Kevin's usual choice of photography. There is a depth in film photography that can rarely be matched by digital, though digital can be so sharp and clear. I love both styles!

On, one last thing I should mention. THE GREEN TINT/SATURATION IN THESE PHOTOS IS ACHIEVED BY CROSS PROCESSING, NOT IN PHOTOSHOP. This is how the film came out.
Before comments pop up about over saturation or photoshopping - please look up cross-processing and understand that this is a look the photographer was going for. Thank you thank you.
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