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I made this costume for a convention in Monterrey, Mexico - to be a part of an X Men group my friends wanted to do. I'll post group pics soon!

The outfit itself was super easy - I used a heavy duty 2-way stretch lycra and, based on the reference, opted for the purple and red color scheme.

The only thing I forgot were the shoes for which I made the boot covers, so my friend Ale-chan let me borrow a pair of her heels (she saved me!) which sadly did not fit the covers as you can see, and were too big for my feet XD.

Photo by Antonio Ortiz

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I love Resident Evil and 4 was my favorite. I love the mystery behind the Ada Wong character and her unusual relationship with Leon S. Kennedy. For a convention in Mexico last November I decided to make this costume to go along with Brian's Leon [link] because RE is such a hit there and I knew we'd be able to geek out with everyone. XD

As for the construction - I pulled this costume together in couple of days and am not entirely happy with it. I used a matte satin for the dress, which is partially lined (to the hips) and top-stitched. The designs were hand painted on and the outlines are embroidered, and the dress laces up with eyelets in the back. I couldn't find red eyelets and didn't want to stick with the chrome ones, so I hand bound all the eyelets in burgundy thread. The gun is a modified airsoft handgun with laser, and t he holster should be temporary until I either decide to re-make the dress or just learn to deal with it. I found the shoes after trying on a million pumps that were all too big, and added the criss-cross straps. The wig was ordered off eBay and then cut by me and I made the scarf out of black chiffon.

Photo by Brian Boling [link]
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... I've been waiting...

LOL Yes, I decided that my Teaser pic for the new costume I made will be cheesecake!

Black Cat from "Spiderman" comics - I know, every cosplay girl has this costume. But I've always liked Felicia Hardy's character and the simple yet stunning design for her. Plus, I got a thing for cat burglars. So why not?

This costume made from scratch by me. I debated for a while on what material to use (pvc, pleather, lycra...) and ended up settling for comfort, keeping my insane summer convention schedule in mind. So I went with wet look spandex and created the bodysuit as well as matching gloves and boot covers. I also made the collar with the chrome tag. I wanted everything to be the same material for an overall streamlined look. I cut up fur and sewed them to the bodysuit by hand, though I am not too happy with the look of it so that might change soon.
The wig came from a China seller on Ebay <3, and the mask is latex.

I wanted to originally make this for Florida Supercon next weekend, but my hands were hurting so badly from working non stop for weeks on products, that I needed a break. So I decided to take half a day to sew which is a very relaxing activity for me, and made Black Cat in time to wear for Fanime for photoshoots.
This photo was taken by Paul Tien - thank you!


(And yes I am aware that I'm super pushed up in this photo.)
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This costume is based on the "Witchblade" Series 2 Action Figure "Armor Sara Pezzini", sculpted by Clayburn Moore.
[link]
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I've had both the red dress and black dress figures for years now but never thought to cosplay Witchblade until my friend Meagan VanBurkleo told me about the Witchblade through the Ages group she was putting together for San Diego Comic Con '09.
I had been swamped all year with work, up until the weekend before - Otakon - and didn't think I could get anything done for the group. But when Meagan told me I could borrow her boots/wig/gloves from her costumes, and I realized that I had 90% of all materials needed on hand, I decided to go for it.
So on Tuesday night of Comic Con week I started making the Witchblade glove and face pieces, with what I had laying around like gems, glue, paint, foam.... I stayed up till 7am, took a 3 hour nap, then ran out to buy the one thing I needed and kept working on the glove till dinner time when I had to start packing for my flight out to the con the next morning! I was so lucky to find an old red PVC dress I've had for years, altered the hell out of it by hemming it shorter and using the excess to make shoulder straps and the collar piece, and changing the cut of the dress.

At SDCC on Saturday I met up with the girls, and all 7 of us, posed for photos at the Top Cow booth for an hour. It was so much fun to have the different Bearers together in one place, and everyone at Top Cow were so nice and generous. We all got signed books by Marc Silvestri.

I will post group photos when we get them back, for now these are some quick shots Brian Boling snapped Saturday morning.
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I'll start off by saying that this photoshoot took place 2 years ago (October 2008) and I did not release these photos until tonight because I wasn't sure if the public would understand what we were going for. Hence the watermark is still my old website lol.

Yes. I am very scantly clad. Yes. I am basically just wearing shreds of fabric and very well glued on jewelry. Yes. I am near exposed. Yes. They are boobs.

The reason I did this photoshoot was not to scandalize (although I'm sure that is a by-product effect), but to pay tribute to the amazing art styles of Heavy Metal [link] and High Fantasy in the 70's and 80's.

Good fantasy (art, book, film etc.) and sensual feminine forms have always gone hand in hand. I absolutely adore the work of Luis Royo [link] and have in the past saluted him with my Battle Angel [link] images [link] This time I wanted to create a theme around the Greek Goddess of War, Enyo [link] Terrible yet beautiful, bloodthirsty yet mesmerizing.

I created the outfit within a week, being inspired by Luis Royo [link] and John Carter's Princess of Mars [link] using light airy fabrics in creme and sage colors. I did a lot of fabric shredding and ripping, wove braids of fabrics and tied random pieces together. I spent way too much money on materials and time on making the headpieces and jewelry accessories. You can see a close-up of the headpieces here: [link]
Brian Boling created the gold collar out of plastic and I decorated it with chains and crystals.

As usual, I did my own makeup and styling.

Weapons were kindly loaned to us by friends.

I shot with my two most trusted photographer friends - Kevin Stewart and Brian Boling. You'll see a difference in their styles of photography as well as the fact that Brian shot digital, and Kevin shot on film. I love different qualities about each and was grateful to have both very talented and creative artists collaborating with me on this shoot.

This shot was by Kevin Stewart.
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During the Dawn contest, there were two hardworking and great photographers shooting each contestant on a backdrop backstage. Jesse grabbed these shots of me, thank you so much.

You can see more of the detail in the costume here, including the choker and arm bands dripping with chains. Everything was created by me, and it is an original design inspired and influenced by artwork of Dawn. I made the corset with a custom swooping bust line, and it is designed to make my chest look very full. I mean, it's Dawn afterall! Hello voluptuous Goddess!
So before those types of comments pop up... lol.

My entry was "Birth of the Goddess". I was awarded Third Place!

For my full construction notes, click here: [link]

To abbreviate, I designed the costume based on Linsner's art style, and the theme. I wanted it to be white, to symbolize the purity of new birth. I made the costume from scratch and also the wings and a 6 1/2 foot egg prop that was rolled on stage and that I could kneel in.

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Felicia is awesome! I made the white fur suit and styled two wigs for her - blue and pink. These photos were taken in LA (yeah, there were stares) in the summer of 2008, where I wore the pink wig and red contacts.

The suit: I altered the strategically placed fur bits in the design to bra and panties for more coverage and modesty. After doing so think I like the result more than the strips of random fur XD. Quite a bit of hand sewing was required for the fuzzy parts, especially around the fingers and feet.

The paw gloves and feet, like everything else, were created from my own pattern, built over a pair of clear boots. The clear heel gave the illusion that I was standing on the balls of my feet like a real cat! It was the fundamental element I based this entire costume around.
I sculpted three sizes of claws and Brian from Bountyhardware.com [link] cast them in plastic. They have holes drilled into them so I simply sewed them onto the gloves.

The wig: This pink wig started out as my Bubblegum Angel wig, as layered mid length wig. but I spent a couple of hours teasing the hell out of it until it was nice and poofy. I also added a ton of extensions to the back so the wig would be waist/butt length.

Photos by Geoffrey Nicholson
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Ok, I found the Bodypaint category, yay! I stuck it in Artisan Crafts before since I did spend over 10 hours making the headpiece, bracelets, sash belt and other accessories, but the painting is such a large part of the costume.

I am a huge fan of the Mummy movies and have always liked the tragically romantic lovestory of Imhotep and Anck-su-namun. I watch all of those movies often while I'm working on costumes. A few months ago while re-watching the first movie, I thought of Dragoncon 2008 coming up and what a perfect opportunity it would be to do the bodypaint of Anck-su-namun at that event. Looking at the footage, it seems eady enough, just very time consuming.The accessories she wears in that scene are also right up my alley with the beading and the Eqyptian theme.
I got really excited to do the costume after talking to some bodypaint friends of ours who were interested in painting me up like that. Sadly they were not able to make it to Dragoncon, but Brian and our friend Patterson, who runs www.savethemummy.com [link] and is just as big of a Mummy-geek as I am, stepped up and painted me instead!

Construction notes: Of course most of this costume is the painting. It took 6 hours, and that was with us preparing ahead of time. We used Mehron gold to cover my body and Ben Nye waterbased black for the designs. Brian and Patterson followed the reference very carefully and we tried to get all the lines and patterns right, down to the correct number of stripes on my legs and arms, and the neck piece. I can't thank these two enough for helping me! I imagined in my mind that Anck-su-namun would be gilded, the more to be un-touchable by anyone but the Pharaoh, hence the gold Mehron. But the paint ended up turning out much shinier than the movie version. I think I figured out a way to do it more toned down next time, but it would have to be a really important occasion before all of us are willing to go through this long painting process again lol. I had to take two long showers to scrub off the paint afterward, and my toes were gold for a week afterward lol.
All painting aside, the accessories were also vital to this outfit. I studied the references for a long time and then set out to replicate them. Because all my beading supplies were packed away for a move, I had to buy everything including beading needles, and make it all from scratch. The wrist cuffs, Horus arm bands and ankle cuffs are made of embossed and painted foamie sheets, the beaded belts, necklace and hair piece took several hours of beading, and I made the belt sashes out of a beautiful curtain material. I made the little tiny cobra out of model magic, and wore sandals instead of going barefoot to adhere to hotel policies. The only other piece of clothing I wore was a black thong, as I didn't want to appear nekkid with a tan or gold one. I did also wear pasties that were painted over and blended into the design. My wig is the same one I used for Cleopatra.

I am so happy that, with the help of my friends, I was able to do this costume. It was very strenuous and toe numbing to stand for 9 hours straight - 6 for the painting, 3 to walk around afterward - and I was really exhausted afterward, but it was all worth it. So much love and thanks to my friends who painted me and walked around with me so I didn't have to be a lonely gold statue so late at night. I posed with Patterson's "Save the Mummy Franchise" banner while in the costume, and was stalked by a a lot of photographers lol. The best compliment of that night came from the group that did the Bodypainting panel at Dragoncon, wo said to Patterson and me that we really accomplished what they were talking about in the panel, which is "dressing someone in paint".
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Disclaimer: This is the only costume in my costuming gallery that I DID NOT make.

I was asked by Jamin of LeiasMetalBikini.com [link] to join the annual Slave Leia gathering at San Diego Comic Con because they needed a first time metal bikini wearer to talk about the experience for the Canadian TV Show "Ed The Sock". I was honored that Jamin approached me for that Feature! He loaned a beautiful costume to me for one day and I had a good time doing the gathering as well as posing for photos with Jabba The Hut! As a long-time Star Wars fan I wanted to make sure I was in good enough shape to pull off the bikini, and I also made Leia's gold earrings to complete the outfit.

You can see me in this footage G4 took at Comic Con! [link]

I also got filmed by the Tonight Show and was the only Slave Leia that year to make it into the actual Comic Con coverage. Random lol.

*PS - sorry for the snap shots. There were so many people around the Gentle Giant booth that we couldn't possibly get good photos.
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This easy quick spandex comic book costume was inspired by Greg Horn's beautiful artwork.
Construction-wise there is nothing much to report except that making the head band thing without any seams required some creative patterning.
My boot covers are chunky heeled instead of flat because I was actually able to keep things like my cellphone inside them! There was nowhere else on the costume to hold necessities and I would rather be inaccurate on my feet than say have an extra pouch at my waist XD.

The sais are fun to pose with.

Much thanks to Brian Boling for taking pictures of me at San Diego Comic Con 2008!
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