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Image created for J. Corsentino's Time of The Faeries Project [link]

Photography by J. Corsentino
Photo Manipulation by J. Corsentino

Model - Yaya

Costume and wings created by Yaya

Hair by Michael Hall

Makeup by Yaya

Special Effects makeup by Eddie Inda

This is probably my favorite image resulting from the shoot. I added a close-up at the bottom where you can see some of the details on the costume and makeup better. I will post a non-manip close-up soon, too.
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I am posting photos from this set for the first time ever! Taken back in March 2007, the concept of this shoot is a tribute to the movie "Mad Max". I totally love the world of Mad Max, especially "Beyond The Thunder Dome"!

The costume was designed and created by me, between altering pieces from my wardrobe, making accessories like the shoulder pad, and throwing props on to my body last minute, like the gas mask.
The makeup is a scary but still glamorous look (I am wearing a white out contact in my right eye, but you can't see it that well in this shot). It's like, you're surviving in a desolate savage world, but still gotta look good. Lol.

Photo taken by Brian Boling [link] in Las Vegas, NV

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A closer shot of the Mad Max inspired costume, made and put together by me. We found some nice cliffs for me to "scale" ^_~.

You can see the makeup and details better in this photo, as well as my survival gadgets.

Photography by Brian Boling
Location is Red Rock Canyon, Las Vegas, NV

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Image created for J. Corsentino's Time of The Faeries Project [link]

Photography by J. Corsentino
Photo Manipulation by J. Corsentino

Model - Yaya

Costume and wings created by Yaya

Hair by Michael Hall

Makeup by Yaya

Special Effects makeup by Eddie Inda


This was one of the most elaborate shoots I have been a part of. It took over 3 hours to get ready, with the hair design Michael came up with and Eddie's meticulous latex prosthetic work (the wounds have wires and metal bits sticking out of them)... J. Corsentino then shot with me for several hours, and based on the images from the studio shoot created a multitude of vivid, dark and post apocalyptic images for his visionary world.

Before someone goes off about it - yes I realize I have fanciful heels on that might not befit the warrior angel character. I put this costume together in a couple of days and literally ran out of time before I could get matching shoes. A friend of mine graciously let me borrow a pair of silver heels from her and the photographer liked the added sex appeal.
So why not! An all powerful battle angel should be allowed to look her best while destroying the world.
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Theme: Tribute to Cleopatra
Photographer: Dan Santoni
Hair stylist: Michael Hall
makeup: Yaya
costume design and creation: Yaya

This was one of the most amazing photo shoot days... I shot with two photographer on the same day, from 10am to like 3am, and produced three of the best shots in my portfolio. It was everything from exciting, creative, exhausting, glamorous, painful and satisfying.
The shot above is by Dan Santoni, who is also responsible for the set. His lighting set up was insane - I stared into about 8 lights at the same time, it seemed.

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Photo by Elvis Thompson
Shoot date was January 2006

I made this costume just for fun. I grew up on reading Chinese myth novels, and am a big fan of Chinese and Hong Kong Martial Art movies and TV shows. The women always look so beautiful, feminine yet could kick ass in a second! And their outfits were always so glam.
This shoot was inspired by all of the above... I even tried to do my make up based on the movies I've seen.
You can see the rest of the photos here:[link]
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I have had this Peacock costume idea for a long time before I saved enough money to buy the feathers and materials to make it in the summer of 2007.

I kept my eye out for any fabrics that could work with this theme and ended up going on a hunt in the LA fabric district for a two-toned taffeta. what I found was gorgeous, green on one side and purple on the other. In various light the fabric changed in the shades of green, cyan, blue and purple, matching the color scheme of a peacock eye feather perfectly.
I took some time sketching out silhouettes and where I wanted to used the feathers as embellishments. I ended up deciding sewing a custom patterned corset, a cropped jacket with wide sleeves and upstanding collar, and a fitted mermaid skirt that flared out at the knee. The skirt has a peacock tail attached to it in the back, in the folded up resting position. I went to a Nature Center to chase and photograph real life peacocks to gain the proper reference for how the feathers lay on the birds.
I used multiple kinds of peacock feathers for this costume - several hundreds of peacock tail feathers with eyes for my tail and throughout the outfit; a number of tail swords for the beaded belt and jacket collar; and multiple yards worth of thickly overlayed peacock herl for the fanned collar of my jacket and sleeves. Each eye feather was fitted with a green Swarowski crystal before attached as embellishments to the costume itself. I debated for a while what head-accessory to create, from a retro hat to crown to feather fan, and ended up sewing a tiny hat from a made-up pattern and adding feathers to it. My wig was an old wig that I restyled and curled... I hope to do something better in the future.

The photos are taken by David Ng, and you can see the full costume gallery here: [link]

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Photo by Brian Boling
costume/wings/egg made by me
construction info: [link]


This shoot has been planned since Dragoncon, we were just looking for the chance to push the giant egg into the woods lol.
We took advantage of a beautiful warm day in late October and set up the egg prop in between these awesome ivy vine overgrown trees in the North GA mountains. Realizing again how immobile I am in this costume *headdesk*, and how many bugs were flying around us O_o;, we did a fairly quick photoshoot in under an hour. I put on the horns at the last minute because I felt like my head was so bare. They were just stock from my store laying around.
I am very excited about the ivy on the trees as it matched the egg's decoration wonderfully. Got my skirt dirty tromping around in the dirt but it's well worth it.

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During the Dawn contest, there were two hardworking and great photographers shooting each contestant on a backdrop backstage. Jesse grabbed these shots of me, thank you so much.

You can see more of the detail in the costume here, including the choker and arm bands dripping with chains. Everything was created by me, and it is an original design inspired and influenced by artwork of Dawn. I made the corset with a custom swooping bust line, and it is designed to make my chest look very full. I mean, it's Dawn afterall! Hello voluptuous Goddess!
So before those types of comments pop up... lol.

My entry was "Birth of the Goddess". I was awarded Third Place!

For my full construction notes, click here: [link]

To abbreviate, I designed the costume based on Linsner's art style, and the theme. I wanted it to be white, to symbolize the purity of new birth. I made the costume from scratch and also the wings and a 6 1/2 foot egg prop that was rolled on stage and that I could kneel in.

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Photo by Brian Boling
costume/wings/egg made by me
construction info: [link]


This shoot has been planned since Dragoncon, we were just looking for the chance to push the giant egg into the woods lol.
We took advantage of a beautiful warm day in late October and set up the egg prop in between these awesome ivy vine overgrown trees in the North GA mountains. Realizing again how immobile I am in this costume *headdesk*, and how many bugs were flying around us O_o;, we did a fairly quick photoshoot in under an hour. I put on the horns at the last minute because I felt like my head was so bare. They were just stock from my store laying around.
I am very excited about the ivy on the trees as it matched the egg's decoration wonderfully. Got my skirt dirty tromping around in the dirt but it's well worth it.

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