Shop Mobile More Submit  Join Login

Similar Deviations
*********** Yaya on Facebook [link] ***********
*********** Yaya on Twitter [link]


Image created for J. Corsentino's Time of The Faeries Project [link]

Photography by J. Corsentino
Photo Manipulation by J. Corsentino

Model - Yaya

Costume and wings created by Yaya

Hair by Michael Hall

Makeup by Yaya

Special Effects makeup by Eddie Inda


This was one of the most elaborate shoots I have been a part of. It took over 3 hours to get ready, with the hair design Michael came up with and Eddie's meticulous latex prosthetic work (the wounds have wires and metal bits sticking out of them)... J. Corsentino then shot with me for several hours, and based on the images from the studio shoot created a multitude of vivid, dark and post apocalyptic images for his visionary world.

Before someone goes off about it - yes I realize I have fanciful heels on that might not befit the warrior angel character. I put this costume together in a couple of days and literally ran out of time before I could get matching shoes. A friend of mine graciously let me borrow a pair of silver heels from her and the photographer liked the added sex appeal.
So why not! An all powerful battle angel should be allowed to look her best while destroying the world.
Show
Add a Comment:
 
No comments have been added yet.

*********** Yaya on Facebook [link] ***********

Photo by Oscar Chang of Divideby0.com [link]

Costume designed and made by me.

I really love how these photos turned out. I thought it would be cool to do a classic old film damsel in distress shot, with harsh shadows and ominous lighting.
In under a minute, Oscar rigged up this set up and it was perfect! I was all ready to shoot some Aliens!

More photos of this costume:
Show
Add a Comment:
 
No comments have been added yet.

*********** Yaya on Facebook [link] ***********
*********** Yaya on Twitter [link]


Have more Sheryl *spams*! Actually I love this outfit. It's so cute and colorful!
The design is from the 2nd Opening song, "Lion" - I made the bodice which is lined and boned, as well as the skirt and accessories. Sheryl's skirt is a simple circle skirt but I added two layers for my stage performance. I really like it this way.
The flower on her collar is supposed to be red, but because I had to match it to the other outfit I wore on the same night, I kept it purple.
I didn't wear gloves because I had to mess with velcro behind my back as well as hold a microphone at the same time so I made a rose wrist cuff instead. I also left the rose hair piece on to match.
The close-ups shows Sheryl's signature earring that I made, for which I ran all over the place finding the right beads for ugh.

Photos by lovely Jaina Solo! <3 Thank you so much!
Show
Add a Comment:
 
No comments have been added yet.

Photographer: Kevin Stewart

Model/MUA: Yaya

Kevin and I took over the laundry room in a condo building for half an hour and got these adorable shots. I designed and made the corset, as well as did my hair and makeup. Yay pink!
Show
Add a Comment:
 
No comments have been added yet.

*********** Yaya on Facebook [link] ***********
*********** Yaya on Twitter [link]


Image created for J. Corsentino's Time of The Faeries Project [link]

Photography by J. Corsentino
Photo Manipulation by J. Corsentino

Model - Yaya

Costume and wings created by Yaya

Hair by Michael Hall

Makeup by Yaya

Special Effects makeup by Eddie Inda

This is probably my favorite image resulting from the shoot. I added a close-up at the bottom where you can see some of the details on the costume and makeup better. I will post a non-manip close-up soon, too.
Show
Add a Comment:
 
No comments have been added yet.

*********** Yaya on Facebook [link] ***********
*********** Yaya on Twitter [link]


See the full gallery here: [link]

I made this costume in March 2008 - as a long term CLAMP fan, I suppose it was only a matter of time before I cosplayed Yuuko XD. I loved this design specifically for the butterflies.

Construction:
I got a heavy black poly/wool blend for the kimono, and a beautiful burgundy silk for the lining and ruffles. After sewing the outer layer but before putting in the lining, I appliquéd about 14 or 15 butterfly shapes onto it. The pattern for the butterflies was just free drafted - I cut them out of a yellow fabric and after spending a few hours stitching down the edges neatly, I got to paint the details onto the appliqués for the next night and part of the morning lol. I remember watching a whole season of CSI while painting the butterflies, and it became quite the surreal experience. O_O
As the butterflies dried, I made many yards of ruffles and also did my own gold trim for the costume. Stitched it all together with the lining and a big part of the costume was done. I love the fabrics I scored because they are almost wrinkle free, no matter how much I shove the costume into a suitcase.
The waist cincher is made of a burgundy pleather and I plan on remaking it soon. The material was bought in a rush and is not very sturdy. The cincher has a fake lace up front.
Lastly I worked on the wig, which took some engineering. The main problem was balancing the weight of the extension loops on my head, but in the end it worked out great and I can bend over and sway my head without things shifting. The bat crown and hairpieces are made of styrene plastic that's been heat formed.

Photo by Paul Tien

Other Deviations of this costume:
Show
Add a Comment:
 
No comments have been added yet.

*********** Yaya on Facebook [link] ***********
*********** Yaya on Twitter [link]


This costume is based on the "Witchblade" Series 2 Action Figure "Armor Sara Pezzini", sculpted by Clayburn Moore.
[link]
[link]
I've had both the red dress and black dress figures for years now but never thought to cosplay Witchblade until my friend Meagan VanBurkleo told me about the Witchblade through the Ages group she was putting together for San Diego Comic Con '09.
I had been swamped all year with work, up until the weekend before - Otakon - and didn't think I could get anything done for the group. But when Meagan told me I could borrow her boots/wig/gloves from her costumes, and I realized that I had 90% of all materials needed on hand, I decided to go for it.
So on Tuesday night of Comic Con week I started making the Witchblade glove and face pieces, with what I had laying around like gems, glue, paint, foam.... I stayed up till 7am, took a 3 hour nap, then ran out to buy the one thing I needed and kept working on the glove till dinner time when I had to start packing for my flight out to the con the next morning! I was so lucky to find an old red PVC dress I've had for years, altered the hell out of it by hemming it shorter and using the excess to make shoulder straps and the collar piece, and changing the cut of the dress.

At SDCC on Saturday I met up with the girls, and all 7 of us, posed for photos at the Top Cow booth for an hour. It was so much fun to have the different Bearers together in one place, and everyone at Top Cow were so nice and generous. We all got signed books by Marc Silvestri.

I will post group photos when we get them back, for now these are some quick shots Brian Boling snapped Saturday morning.
Show
Add a Comment:
 
No comments have been added yet.

*********** Yaya on Facebook [link] ***********

This is the Dawn costume (based on Joseph Michael Linsner's artwork) I've been working on for a few weeks, for the debut at Dragoncon 2009. I made the costume from scratch, as well as the wings, and that large egg prop you can see behind me. A huge Thank You to the Dawn Lookalike contest staff for allowing me to bring that near 7 foot tall egg on a rolling platform into the competition.

Construction notes: Well, until I do a real photo shoot with this costume, you won't be able to really see the details, so just take my word for it lol. I decided to enter the Dawn contest this year because I had the idea for a concept, a theme if you will, and because I had the time/money to actually make everything. Also, since I am local to Dragoncon this year, I was able to make multiple trips from/to home in order to bring the prop/costume/wings.
My concept was "The Birth of the Goddess", and I really wanted to make this ancient fantastical looking egg which could fit a person + wings. Three awesome friends of mine helped me with the construction of the egg - Brian, Tigger, and Tise. We built a wooden 3-D form first and then painstakingly cast a shell over it with fiberglass and plastic. After cutting and sanding the edges, I covered the egg in felt on both sides and hand painted it for shading and texture. Tise and I spent hours gluing vines and leaves and all sorts of adornments on it, making the shell look all sparkly and magical. Brian and Tigger devised a platform which has a Lazy Susan built in so that the egg could be turned around and rolled, even with me in it. I helped cutting the wood and covering it in green velveteen.

The costume was based around the theme, and I thought a newly born Goddess would be pure and white, with no discernable armor or weapons. I made a steel boned corset with white faux leather, with a bust line that was inspired by many of Linsner's drawings. The trims and lace were all hand sewn on, and dyed/cut/embellished. I drafted patterns for the front tier pieces, choker and arm bands, all of which were made with the matching faux leather. I also draped the skirt. I cast ornament pieces in plastic and painted them silver, antiqued them, and attached them to various pieces on the costume, such as the corset, front 3-tier pieces, choker and arm bands. Much of the time went into attaching matching lengths of chains to the skirts, choker, arm bands and wristlet. I used 4 different sizes of chains. In keeping with classic Dawn imagery, I also used o-rings and o-ring chains. Even my shoes have o-rings on them, lol.
I made my wings based on how Linsner often drew Dawn's wings, with the defined arch, spread position, but long trailing feathers at the bottom as well.
Lastly, I also created the signature rose on Dawn's right arm.
For the day of, I used puffy paint to make the tears, and as usual, I did my own makeup/wig styling for this costume.

It was definitely interesting to try and move in this outfit. The wings had quite a wing span and I felt so bad for taking up space as well as accidentally brushing into people. I also could hardly see anything due to double staked contacts and the hair over my right eye. Not to mention the tight corset and wing harness shoved underneath. But the contest ran so smoothly and I am so grateful for all the help I received backstage. I ended up winning Third Place, thank you, Judges, and congratulations to all the winners. I really loved seeing the different beautiful costumes backstage and only wish that I had been mobile enough to chat more with the girls.
Show
Add a Comment:
 
No comments have been added yet.

Photo by Kyle Johnsen [link]
Show
Add a Comment:
 
No comments have been added yet.

*********** Yaya on Facebook [link] ***********
*********** Yaya on Twitter [link]


I read the Ranma 1/2 mangas when I was like 13 years old! This is and will always be one of my most loved series. Shampoo is my favorite and I wanted to cosplay her for ages. Finally my friends and I were able to organize a group at Anime Expo 2008 so I chose this cute red outfit to make, keeping the July heat in mind.

Reference for the costume [link]

I chose a red brocade for the main dress and lined it with a lavender poly blend. The butterfly is embroidered on, and the sash is made out of silk essence. The frog closures are fully functional. This was a super easy costume to put together and I had the most fun with the wig. I did totally burn my leg with hot glue while making the hair balls. :( I added some flowers to the wig since Shampoo often wears them in the series. The shoes and sword were bought.

The Mousse with me is Shaun, one of the coolest guys I know!
Show
Add a Comment:
 
No comments have been added yet.