The way you rendered the cloth is gorgeous, I like the strangeness of this. Its quite well done

Great adds to my

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I'm so close to heaven, This hell is not mine!

My photos *In-the-picture Stock *quaddles
My husband`s photos *quaddie
Clubs: *PsychedelicTreasures ~artsweetart *Le-Visage

this is great...it is very fun but yet it touches some intresting problems !
right now i am reading about the history of paintings and all tehniques , composition, perspective, color...and still i cannot understand how can you people make for example clothes so damn realistic..making the viewer wanting to tuch it..not seeing that it's made of cotton or any other material but actually feeling it..this is one of the biggest things i admire at a painter...i love clean paintings with clear forms like those in manierism and rennaiscence and maybe baroque...
what i do not understand is why do you make the sketch so clear? like you wont paint it...from what i know the sketch must be very simple, without dark strokes because it;s hard to overpaint them i have a lot of dilemmas about this but however i love this one

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"Such a rush to do nothing at all...such a rush to get nowhere at all...just slow down..."

Absolutely breathtaking. I love the detailing and stylization of the figure. Exquisite colors and superb ambiance. The pose and formation are fantastic. Striking tones and elegant drapery. Offbeat and gorgeous imagery.

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"A paranoid is someone who knows a little of what's going on"-
William S. Burroughs

did you check out my journal on "how it is done"?

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know your personality card? Check -> here

*TheExquisiteCorpse

of course i did

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"Such a rush to do nothing at all...such a rush to get nowhere at all...just slow down..."

Simply magnificent! I love the reverse gravity, very surreal.

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*Clubs*:*MindOfLead, *TheExquisiteCorpse, ~EmptyHeads:*Clubs*

Alright, so where do I start... I think it's great that more and more young artists are longing for "real value" in their works and therefore look, at how the old masters resolved so many problems already. That doesn't mean our work will be oldfashiond though

The key to a really good three dimensional look is a good underpainting... okay, in my case reversed, so ahm, I guess overpainting. I start with a solid drawing, because it gives me a good foundation and structure and my very own specific look. Of course when you do it the "old masters" way (egg tempera/ oil) your underdrawing shouldn't be to strong. Other than in my work, you DON'T want to see it

If you want to see some really extraordinary art, go and check out my friend Victor Safonkins website [link]

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know your personality card? Check -> here

*TheExquisiteCorpse

this one has so much depth to it that i am at a loss to where to look first... gorgeous...

and the best of luck in the showing... lucky France to have one of your artworks on display!

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Beware, I bite

find me: [link]

wow, die surreale komposition und die wunderschönen farben sind einfach überwältigend, das kleid möchte ich am liebsten anfassen, ich wünsche ganz viel glück bei dem Wettbewerb, und hoffe dass sie gewinnen

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_~SerapStock