One of several Herbie images I have in the archives. This has sat for a decade in a sketchbook and while it is fairly raw, I have grown to like it. Pencil, rapidograph, bruch & ink.
As to the subject matter, it should be self explanatory, but for those who don't listen to anything that didn't come out past last wednesday, Herbie Hancock is one of the most influential and most dumbfounding musical entities alive today. He has recorded since the 1960s and has currently not one, but two major label contracts; one for his straightahead acoustic jazz work, and one for his electronica meets jazz meets funk releases. He is still more relevant and interesting than ANYTHING playing on your radio or TV today.
At first glance (and this is not like me at all) I couldn't make it out. I think I was looking at the negative space as postive. Then I full-viewed it and sh-bang. What a great surprise. I would not touch it, its perfect as is!
This is perfect example of a skilled young artist. You and your art , has obviously grown and matured overtime and its so vivid in comparison to your current art pieces.
The raw style is great!
Herbie's the shit, but I've been worried about his recent collaborations with shitty pop artists and his effort to appeal to the younger generation, especially on Possibilities.
-- Life is a rose, it's either pleasantly fragrant or painfully thorny
His collaborations with pop artists is something he flits in and out of since long before Possibilities, and he has always stated in interviews it is just another area to play with, as opposed to a sheer grab for fame he doesn't seem to really care about.
He did jazz-funk/pop mixes in the late 70s, which transitioned to dabbling in disco-jazz (including using session players like Ray Parker Jr. and Sheila E) as well as guest playing on records by pop/soul artists like Joni Mitchell, Me'Shell N'degeocello, Arcadia, Gigi, Quincy Jones, Neil Diamond, and Sly & Robbie.
Seeing Herbie perform last year was an absolutely profound musical experience.
And I must say I always prefer your portraiture to your symmetrical fractal work.
And as for Herbie's pop collaboration, I would also emphasize that his branching out has done nothing but good for his name and his genre. Getting non "jazz fans" hooked in with things like Chameleon or all of Man-Child or now this new record, can really open the eyes of those listening to post-Wednesday hits.
And I must say I always prefer your portraiture to your symmetrical fractal work.
Well, the use of fractals is quite new (only the last month or so) and is still very much in development. I am hoping to make it more evolved over time into more dense and more asymmetrical forms, but my current limitations prohibit it so far.
As for Herbie, I generally am friendly to his ventures into pop, although the new album was very uneven.
First off, everyone here at deviantART would like to say THANK YOU!!! We have received an overwhelming amount of enthusiasm for the launch of version 6 and believe that this has been our best-received launch to date.
You might even be one hell of a profesional, but if you don't SHOW it and PROVE it, how will everyone know? These facts are important not only when you are looking for a job, but in any situation when you wish to showcase your work. I decided to share a few guidelines that might help you give the best of yourself and help you be a better profesional.
Extra Large Feature of weekly favorites found by me as well as treasures from my thumbshare! [link] Share your digital art thumbs! Visit this forum thread now and please help by passing on this link in your own journals! [link]
`karemelancholia is one of the most genuine deviants you could ever met. Always active and a true deviantART cheerleader and supporter in every aspect. You can always count on her to lend a hand or get involved, and you usually will find her doing large amounts of both at any given moment. She's consistently reports on contests around dA, showcases the efforts of her fellow artists and shows her charitable side through various activities. Besides all of this, she's a truly talented artist which is why she's an obvious choice for deviousness this month. Read More
Devious Comments
--
it's ironic considerate rarity patron of love higher knowledge engulfs me...
The raw style is great!
love the way you portrayed him! well done bro!
--
*|li|'ll'i'|'l'l'||il'|li'il|...
--
-------------------
ze(ruch)
deviantART: Gallery Director
zeruch prints
zeruch>>net
--
He did jazz-funk/pop mixes in the late 70s, which transitioned to dabbling in disco-jazz (including using session players like Ray Parker Jr. and Sheila E) as well as guest playing on records by pop/soul artists like Joni Mitchell, Me'Shell N'degeocello, Arcadia, Gigi, Quincy Jones, Neil Diamond, and Sly & Robbie.
He's always been that way.
--
-------------------
ze(ruch)
deviantART: Gallery Director
zeruch prints
zeruch>>net
Seeing Herbie perform last year was an absolutely profound musical experience.
And I must say I always prefer your portraiture to your symmetrical fractal work.
And as for Herbie's pop collaboration, I would also emphasize that his branching out has done nothing but good for his name and his genre. Getting non "jazz fans" hooked in with things like Chameleon or all of Man-Child or now this new record, can really open the eyes of those listening to post-Wednesday hits.
Well, the use of fractals is quite new (only the last month or so) and is still very much in development. I am hoping to make it more evolved over time into more dense and more asymmetrical forms, but my current limitations prohibit it so far.
As for Herbie, I generally am friendly to his ventures into pop, although the new album was very uneven.
--
-------------------
ze(ruch)
deviantART: Gallery Director
zeruch prints
zeruch>>net
Previous Page123 Next Page