An architect on streetStreet Photography Week
Hello, my name is José Calheiros, and I am an architect that really loves to take street photos.
I don't like concepts or labels on things, I really think that feelings are the most important thing when we take photos on the street or when we are in the middle of the action or even far away. After that I think composition is very important. My architect genes come out and speak to me saying so, so let's see what I can tell you
I only take one photo of the subject, because that is, for me, the right moment and not the moment after. If the photo is wrong I delete and move away, I was not able to catch it.
When I am ready to go out and take photos, what do I do first?
What i do?
I first choose a lens. Usually I have my 24/70 mm (2.8) but when I travel I also use my 14/24mm (2.8)
My destination is unknown if I am in Lisbon I just go. If I am in a new city, I do my homework and study the best places to take photos (and for sure have the touristic/architec
ExhaleI love the marks that a woman’s clothes leave on her body. I love the red indents and the proof of a long day before she even opens her mouth.
Tight socks circumventing ankle bones. A watch cutting a bit too tightly around a pulse. The alluringly simple bra straps; wire pressing up into the impossibly soft undersides of breasts; the cryptic clasp nestled between shoulder blades. The imprint of lace and elastic on the taut tender tendon of the inner thigh. The geography of jeans around the hips and trailing along the legs like railroad tracks. The line on her cheek from when she fell asleep on the bus home.
I love the luxurious sigh when it all puddles to the floor, shedding this artificial skin. Remnants of weariness leave whispers on the body.
And after all she has been through, she still comes to me and allows me to trace these whispers with my fingertips, eyes, lips. She doesn't cover herself and doesn't hide and lets me in.
We leave the lights on.